Fathers and Daughters Page #5

Year:
2015
473 Views


It? R r? Tt clear what h? Nde.

You chickened out.

? r the f? r you thought my

f? r? ages would not like you?

Or like you cause very s?

you were more mixed up? n you? r now?

- How mixed up? Am I?

- I do not know, Katie.

I do not know what we g? R h? R.

But I will s? Ga you something.

I? R tr? Tt p? ...

What?

I? R tr? Tt p? that the attempts ka get p?

What's That? s what we g? r. What g? R we?

If only we h? Nger's? ? Is it okay.

F? R you know what? The g? R me happy.

Can you be sn'll look and p? me

Whenever I talk to you? You, Katie!

- F? Rl? T!

- Hey! Katie?

Oh my God.

Gosh!

H? R you. Katie!

Stay! Stay!

Talk to me. Talk to me.

- We h? Nger not only.

- Good.

F? R everything I just said was l? Gn. Good.

- I do not know how to g? R the h? R.

- G? S what?

? r girlfriend? memor.

It? S okay.

It? S okay.

- Yes?

- Jake! Jon Wilton. How? S that?

- S? G you.

- Their pieces? Mning did not bounce.

It does not

the judge takes part f? r them-

- But only

there r? cker f? r r? tteg? ng.

It? S a setback,

but their bevisb? RDA? V? ldigt great.

It? S very unusual case.

To g? through practice

becomes a j? ttejobb.

S? I m? ste ask you for a f? rskott

p? $ 25,000 f? R to b? RJA.

Jake? Jake? Hall??

I f? R call you later.

You f? Rst? R

that r? NTAN p? your second l? n

- Is 3.75% h? Gre

? n P? your original l? n?

"I was broke p? Tv? S? Tt:

gradually and late pl? tsligt. "

Was it "The Sun Also g? Ng"?

Well written.

The thing to write, you know ...

Being able to tr? LHW truth.

If you can g? Ra it ...

Should we be concerned about f? R your f? Rm? Ga

pay TV? l? n?

You take away my house? Nd ?, huh?

Come on, let? S little late.

- Have a nice day. I adore you.

- And I adore you.

- Wait! My lunch.

- F? Rl? T. H? R. Hi d ?.

Dad?

- Hi dad.

- Hello. You're supposed to be in school.

We just ended.

Yes ... Luckily I was right here early d ?.

Dad, you have not? Tit n? T.

Dad?

You know what Julie said to me today?

Whenever we get old's? we should all ...

I m? Ste koncentera me.

You can not g? Ra get ready f? R s? Ng?

- Will there be a book in kv? Ll?

- Not in kv? Ll.

- Why? R?

- Dad work, honey.

- You always work.

- You f? R v? Well you at it for a while.

- Julie's dad l? See television? b? cker ...

- You were, among others? P tr? f? r? ldraskapet.

Katie, f? R hell!

Do You Know Why? Am I working? F? R you!

We'll need money to lawyers,

food, kl? der, school and housing!

We live in "the money f? The United States of"!

Art, v? Nskap and k? Rlek

does not matter. Only money!

Katie!

If you have money, Chipset?

Have you type 60000 in the piggy bank?

F? R it would be j? Ttebra.

H? R you.

Come on, come out. Come on.

You f? R taking and replacing g? Mst? Lle-

-If you do not want to be found s? L? tt.

H? R you. Katie ...

I g? R s? I can.

I en? R at God.

- I adore you, Daddy.

- And I adore you.

What t? Nker you p?

n? r you for? nker p? your mom?

It? S just me.

- R yy.

- R dd - Why? R?

I miss her's? very.

And I? S? ...

Angry p? her f? r that she died?

I adore you, Katie.

I adore you I never

have? lskat n? gon another.

You know, all those who adore you

will not l? MNA you.

I know that right here.

But I know it's not right here.

You should find a straightforward girl

that 'to love and stop? dturning the p? me.

No. I like that? Dturning the p? you.

Gosh ...

Hi.

-? Are you okay?

- Yes.

- Whenever you s? Ker?

- Yes.

Okay. I will g? and television? tta me.

What? Is it right here?

What? Is it right here?

Katie, what? Is it right here?

Why? R did you do it right here?

Do you want to g ?? ? Is it there?

Okay, right here, you can g ?.

You can g ?, you can g ?.

I do not g ?.

- I do not want to.

- SI pp!

Cameron, listen. I do not know

Why? r I did it. I...

Listen now.

Sn? Ll Cameron, look p? me!

I do not know Why? R I did it.

I...

Give me a chance to f? Explain!

- Sn? Ll, I? S? r? dd.

- F? R what, Katie?

- What? Are you d? r? dd f? r? What?!

- F? R us!

I the attempts ker really f? Rst? you.

I f? Rs? KTE give you all my dear? Rlek

and I can not do more, Katie.

- Cameron ...

- Just stop.

- Cameron.

- Stop!

- Wait. Sn? Ll v? Wait!

- What did you expect would h-known?

- What? What?

- I do not know how to g? R it right here!

- G? R what ?!

- I made a mistake.

You sl? HIPC into a man of l? Clean.

It? S not a mistake, Kate!

- It? S over between us!

- No.

It? S end. Stop! God!

- Sn? Ny.

- Stop!

Herrej? Vlar. No no!

Hi. You should f? LJA with me

and Jeanie home. We...

It'll be fun.

Jeanie g? R crap good pancakes.

- I like pancakes.

- D? g? r we.

- Are you coming?

- I'm coming.

Come, Jeanie, we g? R!

- Are you coming?

- G ?!

I miss you.

You can call a cab? T me?

Hi.

Hi. What g? R you doing up?

- It? S morning.

-? Is it morning?

You can l? Sa just a book f? R me?

I will not l? Sa all f? R you?

- Hello!

- Did you talk to me?

Yes you...

We has got ...

We has got a good news.

- Lucy has been adopted.

- Oh my God.

A stable couple in Queens

have televisions? child to. Absolutely perfect.

Queens? It takes her? Over one hour

by subway to get here.

- Wow.

- You...

- You will no tr? LHW her more.

- What?

She f? R hj? Lp of a social worker

to integrate into their new environment ?.

She m? Ste break completely with us.

You have managed to s? good with her.

We? V? Ldigt proud.

But she can not b? RJA his new life

and cling to you.

- It? S routine.

- The m? Ste g? ...

It? S not like

to take Lucy to the park.

I can not p? Operate it.

I'm sorry.

H? R you. It? S wonderful news.

That? S what we hope for ?.

We have a lot to talk about, huh?

New family. New school.

Everything will be alright.

I promise.

I do not remember s? very

from my mom, but ...

... I? loved,? Beloved,

? loved my dad.

He was f? Writer

and was actually r? tt k? nd.

He m? DDE not p? good mentally.

But he sat up all n? Tterna each

night and wrote clearly his last book.

The book was about me.

Actually, it was about the life and

how he never gave up IFR? ga me.

It was his s? Tt to s? Ga

how much he? loved me.

And hey d ?.

It is the book really about.

Never n? Nsin give up.

Life becomes v? Ldigt kr? Vande-

-and or? ttvist-

and sometimes the sm? rtsamt.

You have g? Tt through a lot already.

But we f? R never give up

and stop g? and look forward? t.

No matter how tough the experiences

we have g? tt through? r.

All I can to do? R

to s? ga to you to ...

... I adore you. And hey d ?.

I adore you also ?.

Sk? T now, okay?

Great things round? NTAR you.

I will. I promise.

- Congratulations, Jake!

- You'll be uncle again.

Your en? Gives William seems to have had

an aff? r with his secretary.

- That? S the whole 24 is old.

- And pregnant. And to be f? Da baby.

Elizabeth l? Gger whether skilsm? Ssa.

They took back the pieces? Mningen. Oops!

"F? Der, and d? Ttrar"?

How did you write a novel p? three in months?

It wont take you more? R.

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Ronald M. Cohen

Ronald M. Cohen (December 23, 1939, Chicago, Illinois – April 21, 1998, Los Angeles, California) was a US American screen writer and film producer. His screenwriting career started in the 1960s and he studied Film at New York University. His screenwriting career encompassed Blue (1968 film), the 1977 film Twilight's Last Gleaming and the 1984 TV series Call to Glory. In 1977 he wrote a script for the movie adaption of Lothar-Günther Buchheims novel Das Boot, but it was rejected by Buchheim. For his screenwriting for the Series American Dream he was nominated for an Emmy in 1981. His last finished work was the screenwriting for the successful 1997 TV film Last Stand at Saber River starring Tom Selleck. He was in a relationship with actress Julie Adams. more…

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Submitted on August 05, 2018

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