Ferocious Page #3

Synopsis: Leigh Parrish, a likeable, small-town girl, now famous actress, takes increasingly drastic steps to protect her fame.
Genre: Thriller
Director(s): Robert Cuffley
Production: MTI Home Video
  7 nominations.
 
IMDB:
4.5
NOT RATED
Year:
2013
93 min
Website
47 Views


If someone doesn't clean

the deep fryer...

I get in sh*t.

His brother dies--

- But that's not your fault.

Who is Sal?

- You think he's going to buy

that I was trying to get down

some g\rl's shxrt whHe you

were killing my boss,

his brother?

- Then why don't you jUST teH mm that

n was self-defence? (He scoffs.)

- Really?

Where'd you find her, huh?

Dead.

We're all...

."dead

- Look, so this is what I need you to do

You're going to wait a day:

you're gonna call up Sal,

pretending to wonder

where the heH Maunce xs

AH fight?

- Does she know about you

and this place?

- Do I Knox-v x-vhat'?

- Oh. Well, you see,

Leigh used to work here.

- AH fight, you know what

Tess had nothing

to do with this.

You should probably--

- No, no, no, no.

I'm not gonna leave now.

- OK. Tess and I are

gonna clean up in here, OK'?

We're going to get rid of any

trace of anything happening. OK'?

Enc.

Enc

- No! Ah'

- What, you 'want me to trust you

again, huh?

\s that what you want?

Yeah, I already did that.

- Leave her alone.

- I already tried that,

didn't I'?

Do you remember that?

I did everything for you.

I did everything you asked.

You wanted space;

I gave you space.

\ supported you

the best way I could.

I paid your bills,

I paid your rent,

I even bought you the car

that you drove away in.

What did you do for me,

Leigh, huh?

What did you do'? Hmm?

Nothing.

- Look, ave can talk about this

all night.

But I think that we really need to

focus on the trouble that we're in.

Clan you get rid of Maurice'?

- Can you tell me

x-vhy you left'?

- Yes, hello. Hope I'm not

interrupting dinner.

- Yes, hello. Hope I'm not

interrupting dinner.

No? Good, good.

No, uh, I'm Callum Beck.

We've never met, but I'm

your daughter's manager.

Yeah, yeah.

good to meet you too.

So, anyxyay. I was jUST gomg

through some of the photos today

and it just went so well,

I can't even, uh...

But I was wondering about a few

more of Lexgh at the farm.

Perhaps? Wlaybe some of her

alongside Stella-Bella'?

Oh. She's not

avith you tonight?

Oh. OK. Um, no

that's fine.

I'll just, uh:
pass along

the message myself.

OK. Thank you.

Have a good evening.

(cell phone ringtone:

"Deck the Halls")

Leigh, it's me. Uh...

you're not at your parents'

house. I just called your mom.

Something about a...

important meeting'?

I'm confused.

Uh, give me a call back.

All right. Bye.

LI-I-

- .1141 If I could offer this

as evidence .11

J1 If I could offer this

as evidence J1

I- Daydxeam of you hem'? I-

J1 If I could offer this

as evidence J1

I- Daydxeam of you hem I-

J1 Daydream of you here... DD

- So. who's ms bad-ass brother?

Leigh?

Who is he?

Because, you know: earlier--

- We only heard about mm.

- And?

Oh, my god. Leigh!

- He was up on a manslaughter

charge once

- Wow

What happened?

- What's wrong')

- It's done.

\ did what you asked

and, uh, I think I did good.

- OK.

- You left. And obviously

you had a good reason,

but you never told me,

so I xvouldn:
know.

I never understood. but L

you know I would have left too

I mean, I... I would still leave

if you, um...

Scared, you know. I gotta call Sal--

- Eric, no, he won't find out.

- Fm afraid of what he's gonna

do W don't, so-

- Enc no, no, no.

Enc. Enc, Enc. wait

OK, let's... Iefsjust talk

about this, OK'?

I promise you

no one Wm find out.

No one.

- Go ahead, a**hole, shut the f***ing door.

That's the last mistake

you're ever gonna make. Do it.

- Eric.

- Fm sorry.

- No, no, Eric!

Enc! Enc, come on, no'

(keypad beeping)

Enc! Encl

Please, please, don't do this,

please! Eric! Eric!

Enc. come on'

" What':

" What':

"And I'm beginning to think that this

isn't an abandoned bomb shelter at all.

I think ifs a meth lab!"

- Tess, please.

- It's from your show

- Yeah, I figured.

- "So, youWe taking to me

about change')

"You're talking to me

about change:
Bradley?

You're talking to me out of all the

people that I've ever had- - Tess.

- Sorry. Just, I've... memorized

everything you've ever said.

Season One anyway.

- Tess, \ need you to focus, OK?

Help me figure cutaway

out of this room.

- News no away

There's one door.

and M's baked.

(chair sq uea king)

- Sal.

Hey, Sal. It's Eric. Uh...

you got a second?

I need to talk to you.

(chair sq uea king)

It's important.

It's, uh... Hey, Sal.

Your brothes dead

Vm sorry. I know But. uh. .

...you two hated each other,

anyway dxdnlyou?

(Leigh breathing quickly)

- You brought a knife?

Why can't ave call the cops?

- 'Cause ave can't.

- This is exciting. I mean, Leigh Parrish

held against her will in a nightclub?

It's gonna be, like,

on the news

and on the internet, and

everybody will hear about it,

and that is exciting, you know.

That's really--

- Tess! Tess!

- Yeah. Sorry. Yeah'?

- None of this gets heard

by anyone.

- Seems Mke a waste.

I mean, x-vhafs the point

if nobody gets to hear about it'?

Right'?

Oh. my god

(cell phone ringtone:

"Deck the Halls")

- Hi, you've reached

Leigh's phone. Leave a message.

Or don't.

- Uh, hey. it's me. Again.

Haven't heard back

from you yet so. .

Just want to make sure

everything's OK. Um...

you would tell me

if something x-vas wrong, right?

Anya-way, give me a shout back.

I'm just currently cruising

through Tinytoxvn here,

ax-vatting your call.

(He sxghi)

- Ow

Oh. .

(She gaspi)

- Got down about 15 feet.

So I'm gonna go back in further

and see where it takes me.

Take this.

If you don't hear from me in five

minutes, I want you to call the police.

- Why wouldn't I hear from you'?

- Vmjust saying, if...

if anything avers to go wrong, then

you should call the... police.

- O-OK. Good luck.

(sighing in pain)

(ringtone:
Deck the Halls)

(cough)

This is Tess.

- Callum:
[This is who?]

- Leigh's assistant.

- [Fine. I don't know]

Who you are, Tess, but put

Leigh on, please, pronto.

- [Um... she's unavail-- she's

unavailable at the moment]

- Look, this is Leigh's manager,

[and I need--

it's very important-q

Bust... just put Leigh on now

Please. Tess]

- OK, she's um.

We're at Shakefis, and she's

going to find a way out,

but she's not going to call the police.

So I will get her to-- Um...

MM get her to caH you back

when she can OK?

Sh*t.

- What'? Hello? Hello?

Wham:

- Ah!

(footsteps)

(door opening)

(door closing)

" Wham

- Sal.

It's Eric.

- [Enc?]

- Yeah.

Um.

I think you had...

I think you should

probably come down

to the dub.

Right now-v. I mean, you Knox-v...

Do you x-vant to'?

I mean, do you have time'?

- [You Knox-v how-v f***in' late

it is right now'? What for'?]

- Oh...

I, uh... I think it's, uh:

it's probably best if I, uh...

...told you in person.

- Ah!

- Are you still there'?

Helm?

- [Oh, yeah, I'm still here]

[Turn around]

" What':

- [Hi.]

- Hey

- I think that you knocked

yourself out.

Are you OK?

- What, uh... what are you doing

here so late'?

Gotta be doing something.

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Robert Cuffley

Robert Cuffley is a Canadian film director and screenwriter. He began with music videos, directing over 40 in all, before moving into short films, and later, drama. more…

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Submitted on August 05, 2018

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