Fight Club Page #2
JACK:
(into phone)
Yes. I'd like to order the Erika
Pekkari slip covers.
Jack drops the open catalog on the floor.
MOVE IN ON CATALOG -- ON PHOTO of COFFEETABLE SET...
JACK (V.O.)
If I saw something like clever coffee
table sin the shape of a yin and
yang, I had to have it.
PAN TO PHOTO of ARMCHAIR...
JACK (V.O.)
Like the Johanneshov armchair in the
Strinne green stripe pattern...
INT. LIVING ROOM/DINING AREA/KITCHEN
The armchair APPEARS. PAN OVER next to armchair...
JACK (V.O.)
Or the Rislampa wire lamps of
environmentally-friendly unbleached
paper.
The lamps APPEAR. PAN OVER to wall...
JACK (V.O.)
Even the Vild hall clock of
galvanized steel, resting on the
Klipsk shelving unit.
The clock APPEARS as the shelving unit APPEARS on the wall.
JACK (V.O.)
I would flip through catalogs and
wonder, "What kind of dining set
defines me as a person?" We used to
read pornography. Now it was the
Horchow Collection.
A dining room set APPEARS. Jack, the cordless phone still
glued to his ear, walks INTO FRAME and continues.
JACK:
No, I don't want Cobalt. Oh, that
sounds nice. Apricot.
Jack opens a cabinet, takes out a plate.
JACK (V.O.)
I had it all. Even the glass dishes
with tiny bubbles and imperfections,
proof they were crafted by the
honest, simple, hard-working
indigenous peoples of wherever.
He rummages through the refrigerator. It's practically
empty. Jack takes out a jar of mustard, opens it and uses
a butter knife to eat it.
INT. DOCTOR'S OFFICE - DAY
Jack, eyes puffy, face pale, sits before an INTERN, who
studies him with bemusement.
INTERN:
No, you can't die of insomnia.
JACK:
Maybe I died already. Look at my
face.
INTERN:
You need to lighten up.
JACK:
Can't you give me something?
JACK (V.O.)
Red-and-blue Tuinal, lipstick-red
Seconals.
INTERN:
(overlapping w/ above)
You need healthy, natural sleep.
Chew valerian root and get some more
exercise.
The Intern ushes Jack to the door. They step into the...
INT. HALLWAY
The Intern walks away from Jack, picks up a chart.
JACK:
I'm in pain.
INTERN:
(facetious)
You want to see pain? Swing by First
Methodist Tuesday nights. See the
guys with testicular cancer. That's
pain.
The Intern moves into the other room. Jack stares after him.
EXT. FIRST METHODIST CHURCH - NIGHT
Jack heads for the front door.
INT. FIRST METHODIST CHURCH MEETING ROOM - NIGHT
Jack stares at a group of men, including Bob, who are all
listening to a group member speak at a lectern. The SPEAKER
has pale skin and sunken eyes -- he's clearly dying.
SPEAKER:
I... wanted three kids. Two boys and
a girl. Mindy wanted two girls and
one boy. We never could agree on
anything.
The Speaker cracks a sad smile. Some men chuckle, happy to
lighten the mood.
SPEAKER:
Well, she had her first child a month
ago, a girl, with her new husband...
And, Thank God. I'm glad for her,
because she deserves...
The speaker breaks down, WEEPS UNCONTROLLABLY.
Jack watches. A couple of the men go up to the speaker,
comforting him, leading him away. A LEADER takes the stand.
LEADER:
Everyone, let's thank Thomas for
sharing himself with us.
Jack, uncomfortable, joins EVERYONE ELSE:
EVERYONE:
(in unison)
Thank you, Thomas.
LEADER:
I look around this room and I see a
lot of courage. And it gives me
strength. We give each other
strength.
Jack looks around. Many of the men are sniffling, sobbing.
Jack squirms in his seat.
LEADER:
It's time for the one-on-one. Let's
follow Thomas's example and open
ourselves.
Everyone gets out of their chairs and begins pairing-off.
Jack stands, uncomfortable.
LEADER:
Can everyone find a partner?
Bob, his chin down on his chest, starts toward Jack,
shuffling his feet.
JACK (V.O.)
The big moosie, his eyes already
shrink-wrapped in tears. Knees
together, invisible steps.
Bob takes Jack into an embrace.
JACK (V.O.)
Bob was a champion bodybuilder. You
know that chest expansion program you
see on TV? That was his idea.
BOB:
...using steroids. I was a juicer.
Diabonol, then, Wisterol -- it's for
racehorses, for Christsake. Now I'm
bankrupt, divorced, my two grown kids
won't return my calls...
JACK (V.O.)
Strangers with this kind of honesty
make me go a big rubbery one.
Bob breaks into sobbing, putting his head on Jack's shoulder
and completely covering Jack's face. After a long beat of
crying, Bob raises up his head, looks at Jack's NAMETAG.
BOB:
Go ahead, Cornelius. You can cry.
They look at each other. Slowly, Jack's eyes grow wet.
JACK (V.O.)
Then... something happened. I was
lost in oblivion -- dark and silent
and complete.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Fight Club" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/fight_club_158>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In