Fight Club Page #4
INT. MEETING ROOM - NIGHT - JACK'S IMAGINATION
CLOSE ON JACK as he CLAMPS his arms around Marla.
JACK:
Marla, you liar, you big tourist. I
need this. Get out.
Jack, in pajamas, stares at Home Shopping Network on his TV.
JACK (V.O.)
When you have insomnia, you're never
really asleep and you're never really
awake. I hadn't slept in four days...
INT. SMALL PROTESTANT CHURCH - NIGHT
Jack walks in and joins the crowd, looking around. People
are chattering with each other.
JACK (V.O.)
-- But, in here, in everyone, there's
the squint of a five-day headache.
Yet they forced themselves to be
positive. They never said
"parasite;" they said "agent." They
always talked about getting better.
LEADER:
Okay, everyone.
Everyone sits in chairs. Jack catches sight of Marla.
LEADER:
To open tonight's communion, Chloe
would like to say a few words.
Taking the lectern is CHLOE, a pale, sickly girl whose skin
stretches yellowish and tight over her bones. She wears a
head bondage. She clears her throat.
JACK (V.O.)
Ahh, Chloe. Chloe looked the way
Joni Mitchell's skeleton would look
if you made it smile and walk around
a party being extra nice to everyone.
CHLOE:
Well, I'm still here -- but I don't
know for how long. That's as much
certainty as anyone can give me. but
I've got some good news -- I no
longer have any fear of death.
APPLAUSE from around the room.
CHLOE:
But... I am in a pretty lonely place.
No one will have sex with me. I'm so
close to the end and all I want is to
get laid for the last time. I have
pornographic movies in my apartment,
and lubricants and amyl nitrate ...
The LEADER gingerly takes control of the microphone.
LEADER:
Thank you, Chloe. Everyone, let's
thank Chloe.
EVERYONE:
Thank you, Chloe.
INT. SMALL PROTESTANT CHURCH - LATER
LEADER:
Now, you're standing at the entrance
to your cave. You step inside your
cave and you walk. Keep walking.
Jack's face, eyes closed, is motionless.
JACK (V.O.)
If I did have a tumor, I'd name it
Marla. Marla...the little scratch on
the roof of your mouth that would
heal if only you could stop tonguing
it, but you can't.
LEADER:
Now, find your power animal.
INT. CAVE - JACK'S IMAGINATION
Jack finds Marla smoking a cigarette. Marla c*cks her head,
indicating whe wants him to --
MARLA:
Slide.
INT. SMALL PROTESTANT CHURCH - RESUMING
Jack's eyes open and turn to Marla, watching her blow smoke
rings with her eyes closed.
INT. SMALL PROTESTANT CHURCH - LATER
Everyone stands and mills about, pairing-off.
LEADER:
Pick someone special to you tonight.
Jack sees the ghastly spectre of Chloe ambling towards him.
He tries to smile. She smiles with a twisted, dying mouth.
CHLOE:
Hello, Mr. Tayler.
JACK (V.O.)
I never gave my real name at support
groups.
JACK:
Hi, Chloe.
CHLOE:
Chloe's eyes are eerily bright with desperation. Jack, in
a sincere attempt at levity, chokes out:
JACK:
You look good. You ... look ... like
a pirate.
Chloe laughs, a little too much. Jack squeezes out a laugh.
Then he sees Marla, off by herself. Someone heads for her.
JACK:
Excuse me, I have to...
Jack gives a quick nod to Chloe and darts towards Marla.
Chloe watches him go.
STAY ON JACK AND MARLA as Jack CLAMPS his arms around her.
He whispers into her ear.
JACK:
We need to talk.
MARLA:
Sure.
JACK:
I'm on to you. You're a faker. You
aren't dying.
MARLA:
What?
JACK:
Okay, in the Sylvia Plath philosophy
way, we're all dying. But you're not
dying the way Chloe is dying.
LEADER:
Tell the other person how you feel.
JACK:
You're a tourist. I saw you at
melanoma, tuberculosis and testicular
cancer.
MARLA:
And I saw you practicing this...
JACK:
Practicing what?
MARLA:
Telling me off. Is it going as well
as you hoped... ?
(reads his nametag)
"... Mr. Taylor."
JACK:
I'll expose you.
MARLA:
Go ahead. I'll expose you.
LEADER:
Share yourself completely.
Marla puts her head down on Jack's shoulder as if she were
crying. Jack pulls her head back up. She deadpans at him.
JACK:
Why are you doing this?
MARLA:
It's cheaper than a movie, and
there's free coffee.
JACK:
These are my groups. I was here
first. I've been coming for a year.
MARLA:
A year? How'd you manage that?
JACK:
Anyone who might've noticed either
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Fight Club" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/fight_club_158>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In