Filme do Desassossego Page #7
- Year:
- 2010
- 22 Views
There is a third method for subtilizing
pains into pleasures and
into a soft bed.
It consists in intensely concentrating
on our anxieties and sufferings,
making them so fiercely felt
that by their very excess
they bring the pleausure
of excess,
while by their violence
they suggest the pleasure
that hurts for being so pleasurable and
the gratification that smacks of blood
This can only hapen, of course,
in souls dedicated to pleausure
by habit and by education.
And when, as in me, all three methods
are employed simultaneously,
when every felt pain,
felt so quickly there's no time
for the soul to plan any defence,
is automatically analysed to the core,
ruthlessly foisted on an extraneous I,
and buried in me to the utmost
height of pain,
then I truly feel like a victor
and a hero.
Then life stops for me,
and art grovels at my feet.
Everything I've been describing
is just the second step that the dreamer
must take to reach his dream.
Who besides me has been able
to take the third step,
which leads to the
sumptuous threshold of the Temple?
This is the step which is indeed
hard to take,
for it requires an inward effort vastly
greater than any effort we make in life,
but it also rewards us to the heights
and depths of our soul
in a way that life never could.
This step is, once everything else
has been completely
and simultaneously carried out,
the three subtle methods having been
applied to the exhaustion,
to immediatly pass the
sensation through pure intelligence,
filtering it through a higher analysis
that shapes it into a literary form
with its own substance and character.
Then I have completely
fixed the sensation.
Then I have made the unreal real
and have given the unattainable
an eternal pedestal.
Then, within myself,
I have been crowned Emperor.
Don't imagine that I write to publish,
or merely to write, or to produce art.
I write because this is the final goal,
the supreme refinement,
the organically illogical refinement,
of my cultivation of the states of soul.
If I take one of my sensations
and unravel it
so as to use it to weave
the inner reality,
you can be sure I don't do it for the sake
of a lucid and shimmering prose,
nor even for the sake of the pleasure I
get from that prose
but to give complete
exteriority to what is interior,
thereby enabling me
to realize the unrealizable,
to conjoin the contradictory and,
having exteriorized my dream,
to give it its most powerful expression
as pure dream.
Yes, this is my role as a
stagnator of life,
chiseller of inaccuracies, sick pageboy
of my soul and queen,
reading to her at twilight
not the poems from the book
of my Life
that lies open on my knees, but the
poems that I invent and pretend to read,
and that she pretends to hear,
while somewhere and somehow the
Evening is softening,
over this metaphor raised up in me into
Absolute Reality,
the last hazy light of a
mysterious spiritual day.
the stone in your ring
bleeds in the growing darkness...
The dark, far-away night of the
argonauts,
their primitive ships...
Everything belongs to others except
my grief for not having any of it.
I suffered in me, with me,
the aspirations of all eras,
and every disquietude of every age
walked with me to the whispering
shore of the sea.
We are who we're not,
and life is quick and sad.
The sound of the waves at night
is a sound of the night,
and how many have heard it
in their own soul,
like the perpetual hope that dissolves
in the darkness
with a faint splash of distant foam!
What tears were shed
by those who achieved,
what tears lost by those
who succeeded!
And all this,
in my walk to the seashore,
was a secret told to me by
the night and the abyss.
How many we are!
How many of us fool ourselves!
What seas crash in us,
in the night when we exist,
along the beaches that we feel
ourselves to be, inundated by emotion!
Who even knows what he thinks
or wants?
Who knows what he is to himself?
How many things music suggests,
and we're glad they can never be!
How much I die if I feel for everything!
How much I feel if I meander this way,
bodiless and human,
with my heart as still as a beach.
The idea of travelling nauseates me.
I've already seen what I've never seen.
I've already seen what I have yet
to see.
Ah, let those who don't exist travell
we're at Cais do Sodr.
I've arrived at Lisbon,
but not at a conclusion.
O night in which stars feign light,
O night that alone is the size
of the Universe,
make me, body and soul,
part of your body, so that,
being mere darkness, I'll lose myself
without any dreams as stars within me,
nor a hoped-for sun shining
with the future.
A few vestiges of consciousness persist.
I feel the weight of slumber
but not of unconsciousness.
I don't exist.
The wind...
I wake up and go back to sleep
without yet having slept.
There's a landscape of loud
and indistinct sound
beyond which I'm a stranger to myself.
Dreamed madness
in that estranging silencel
Our life was all our life...
And what a fresh and happy horror
Not even we, who walked there,
were there.
Faint and dispersed but definite sounds
dawn in my awareness,
filling my consciousness of our room
with the fact that the day is broken...
Our room? Mine and who else's,
if I'm here alone?
I don't know.
Everything blends and all that remains
is a fleeting mist of reality
in which my uncertainty founders and
my self-awareness
is lulled to sleep by opiums...
Let us give up the illusion of hope,
which betrays,:
Of love, which wearies,:
Of life, which surfeits
but never satisfies,:
And even of death, which brings
more than we want
and less than we hope for.
Let us not weep, nor hate, nor desire...
Let us cover with a sheet of fine linen,
O Silent Soulmate, the dead,
stiff profile of our Imperfection...
Peace at last.
All that was dross and residue vanishes
from my soul as if it had never been.
I'm alone and calm.
But although I'm no longer attracted
to anything down here,
I'm also not attracted
to anything up above.
I feel free,
as if I'd ceased to exist
and were conscious of that fact.
Peace, yes, peace.
something superfluous,
descends on me
to the depths of my being.
The pages I read, the tasks I complete,
the motions and vicissitudes of life,
all has become for me a faint penumbra,
a scarcely visible halo circling
something tranquil that I can't identify.
Go swiftly by, life that's not felt,
under forgotten trees!
Go gently by, soul that's not known,
large fallen trees!
Go uselessly by, pointlessly by,
consciousness conscious of nothing,
a hazy flash in the distance
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Filme do Desassossego" Scripts.com. STANDS4 LLC, 2024. Web. 20 Nov. 2024. <https://www.scripts.com/script/filme_do_desassossego_8164>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In