Final Destination 3 Page #3

Synopsis: When Wendy Christensen has a vision of an accident on the roller coaster, resulting in her and her friends' deaths, she instantly begins to panic and gets off the ride, causing a few of her friends to get off as well. The remaining friends, including Wendy's boyfriend, are stuck on the roller coaster and find themselves involved in the accident. With death waiting around the corner, Wendy and Kevin Fischer must try and work out death's plan, before they and the remaining survivors end up dead.
Director(s): James Wong
Production: New Line Cinema
  6 nominations.
 
IMDB:
5.8
Metacritic:
41
Rotten Tomatoes:
43%
R
Year:
2006
93 min
$54,100,000
Website
3,379 Views


with me for a while?

You know I will.

You...

keep this now...

and I'll get it

when I come see you.

Oh. And... hey,

how 'bout on your end?

Can I use the school camera

for graduation tonight?

Yeah. As long as you bring it back

to school on Monday.

Done.

Oh. Um...

Actually, the battery is pretty low...

so why don't you go get ready,

and I'll recharge it a bit.

Cool.

In a hurry, Yuri.

Sorry, sorry.

Cell phone signal is sh*t in here.

I think tanning beds

mess with signal.

I must go outside.

Why don't you just use that phone?

I would, but she talks forever,

then my boss gives me sh*t.

Sh*t. That's her.

Ohh!

You know what? Just go outside.

We can deal with this ourselves.

OK.

Hey. No drinks in the room

this time, OK?

Good.

What are you doing?

Nobody is walking in here

and seein' me naked.

Oh, my God.

Dude, he said no drinks.

If you spill that sh*t...

we're gonna have to clean it

up like last time.

Mmm!

Happy, beyotch?

Nothing to spill.

Why does Yuri keep it

so cold in here?

Maybe it's supposed to be colder

for the machines or whatever.

Oh, a few degrees won't hurt.

Sh*t! I forgot my iPod.

Sucks, b*tch.

They got CDs.

Ew. Celine?

Britney?

Dude, are we like the only cool people

that come here or what?

Uh, yeah.

Ugh. Whatever.

Why are you wearing underwear?

Steinmetz says

he gets off on tan lines.

All right.

# Roller coaster #

# Of love #

# Say what? #

# Roller coaster #

# Ooh ooh ooh #

# Roller coaster #

# Right #

# Of love #

# Roller coaster #

# Ooh ooh ooh #

# Roller coaster of love #

# Roller coaster #

# Wow wow wow #

# Ooh ooh ooh #

# Roller coaster of love... #

# I #

# Huh, huh #

# I'm gonna ride, girl #

# Yeah #

# Whoo-hoo-hoo #

# Wow, yeah #

# Huh huh #

# Ow #

# Oh, oh #

Whoo.

# Roller coaster of love #

# Love roller coaster, girl #

# Roller coaster #

# Lovin' you

in a freaky world, child #

# Roller coaster of love #

Camera charged?

Oh, um, sorry,

the battery's totally dead.

Camera's not working. Sorry.

Look, Julie, I need a minute, OK?

Like private.

# That feels nice,

roller coaster #

# One more time #

# Roller coaster of love #

# Roller coaster #

# Roller coaster of love #

Ugh.

It's way too warm in here now, huh?

I f***ed up.

I set it too hot in here.

Huh?

Ow! Aah!

Hello?

- Hey, Ashley, it's Wendy...

- Psych! Leave a message.

Hi, Ashley, this is Wendy.

Gimme a call whenever

you guys are done.

Aah!

And thanks again for the invite.

- Someone help!

- Aah!

Sorry I was too late.

Aah!

Aah! Aah!

Aah! Aah! Aah!

Aah! Aah! Aah!

Aah! Aah!

Oh! Oh!

Oh! Aah!

Aaah! Aaah!

Hey, open the door!

Help me!

Aah!

Aah!

Aah!

We may feel that our lives

are not our own.

That Death controls,

frames our lives.

Our birth's nothing

but death begun.

Yet, whether it is with

this tragic loss of young lives...

which we have

suffered much of late...

or with the soft passing

of the elderly in the night...

we are all equal in Death's eyes.

"Equal in Death's eyes?"

All of us?

How can you say that?

Shut up, McKinley.

Dude, think it through.

Charlie Manson made it to 70.

- Osama? Still kickin'.

- Let's go.

Pimps, vice-presidents

walking around.

- All the atrocities they've committed...

- Let's just go. Come on.

they're alive and well.

These two girls, who'd never

done sh*t to anybody...

- Shh!

- they don't get to make it to 18?

Where's the f***ing

equality in that?

- What?

- Come on, man.

I can... Yeah. Fine.

Fine. All right. All right.

I'm fine. All right.

That's crazy.

Those of you who would like

to pay a final remembrance...

please step forward at this time.

I so feel this is so my fault.

How could it possibly be your fault?

Seein' women as nothin' but fun bags.

I mean... if I'd've seen their...

whatever... humanity...

they wouldn't have felt

the pressure to look so good.

Impress Franklin Cheeks.

Go on diets. Deodorize.

Stretch. Tan.

Don't be down, Frankie.

Be proud of your ability

to make everything...

that happens somehow

a story about you.

God!

Yo, man.

These things really suck, man.

F***ing boring.

Hey, if you ever have

to come to my funeral...

man, bring me a PSP or somethin'.

'Least I have somethin' to do then.

Whew.

Hello?

I'm with J.

What are you doing up here

in the nosebleeds?

You know, I could've

gotten you second row.

I didn't want to upset

anyone by being there.

And I wondered if

maybe here I could feel J's...

spirit or presence or...

whatever.

But now that I'm here...

if there's any place that makes me feel

like there's no life after death...

it's a cemetery.

Yeah, I haven't felt

Carrie's spirit either.

And I've tried.

Real hard. Heh.

I thought maybe

he's been with me since...

that night...

before I got on the ride...

Jason said...

God, and it was just

to get me on the ride...

he said...

"Your fear is from a sense

of having no control."

And I've felt that fear

since the moment he said it.

Even thought it maybe somehow

caused the hallucination...

but this fear is more

than just being scared.

It's like a presence.

Like a living thing

always with me.

You think it's J?

No, I know it's not.

This presence is the opposite

of how J made me feel.

It's cold and terrifying.

That's the last photograph

Lincoln posed for.

The photographic plate

was broken...

causing a line

that can't be removed.

Exactly where he was shot.

Look. See the shadow?

But what do these pictures

have to do with us?

Look. This occurred

one year to the day...

of the Flight 180 disaster.

Look at the road sign.

Look, I guess you came

to me with this...

because I'm responsible

for putting this in your head...

with the Flight 180 thing.

And it did happen,

and it may be occurring here...

but you can't believe

every weird thing out there...

because you're desperate

for an answer.

I took these.

That night.

These?

Are these it?

Oh, sh*t.

Oh... sh*t.

Ohh.

Whoa, whoa, hey.

You all right?

I'm feeling a little woozy.

When was the last time you ate?

I don't remember.

All right, come on. I'll drive.

OK, those kids on Flight 180

died in accidents...

in the order they would've died

if they'd have stayed on the plane.

OK?

So if this is that, then...

then Frankie was behind

Ashlyn and Ashley.

When I saw Ashley

and Ashlyn's picture...

I felt this instinct.

Like there was a hint

in the picture. I even...

I even called to see if

I could keep them from going.

Well, what's

Frankie's picture look like?

It's right here.

- You got it?

- Yeah.

- Wait! Watch out!

- Oh!

Hey! Hey! Are you crazy?

Sorry!

All right,

let's just eat over there.

And go through

the drive through.

I don't want anyone hearing

what we're talking about.

Well, it's nice to see

that things haven't made you...

any less of a control freak.

- You got it?

- Yeah, all right.

Here's Frank's picture.

All right.

Well, this is obvious.

He's falling off a ladder.

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Glen Morgan

Morgan was born in Syracuse, New York, and moved to El Cajon, California at the age of 14. While attending El Cajon Valley High School, he met James Wong, who would become his friend and professional partner. Both enrolled at Loyola Marymount University, graduating from the School of Film and Television in 1983, and afterward, wrote many scripts together. Morgan did not want to work on television at first, but wound up accepting a job on 21 Jump Street, which would later earn he and Wong a steady job at Stephen J. Cannell Productions. As Morgan was about to leave the company following scripts for The Commish in 1992, his former boss at Cannell, Peter Roth, invited him to work on a show being developed at 20th Television, The X-Files. more…

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Submitted on August 05, 2018

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