Final Destination Page #16

Synopsis: Final Destination is an American horror franchise composed of five films, comic books and novels. It is based on an unproduced spec script by Jeffrey Reddick, originally written for the X-Files television series, and was distributed by New Line Cinema. All five films center around a small group of people that escape impending death when one individual (the protagonist of each film) has a sudden premonition and warns them that they will all die in a terrible mass-casualty accident. After evading their foretold deaths, the survivors are killed one by one in bizarre accidents caused by an unseen force engineering complicated chains of cause and effect, resembling Rube Goldberg machines in their complexity.
Genre: Horror, Thriller
Production: New Line Cinema
  3 wins & 3 nominations.
 
IMDB:
6.7
Metacritic:
36
Rotten Tomatoes:
34%
R
Year:
2000
98 min
Website
1,589 Views


She has lives this so many times, she is long beyond crying...

CLEAR (CONT'D)

And, let me tell ya, I had every reason to

worry before... because life became sh*t. I

don't blame her, I guess, but my mom couldn't

deal with it at all. She married this a**hole,

who my mom with my real dad would cross the street

to avoid this guy. He really didn't want a kid.

And so my mom didn't either anymore, I guess.

(beat)

If that was the design for my father... and my

family... then f*** Death, F*** IT!

The waves continue to shore. Clear looks up at the sky.

CLEAR (CONT'D)

And so, anyway... I've thought of that

"somewhere," Alex. It exists, that place.

He looks at her.

CLEAR (CONT'D)

Where my dad is still safe. Where he had

a full pack of cigerettes and kept driving.

A place where me and my dad and my mom...

are still together....and have no idea about

this second life, here.

(beat)

A place where our frineds are still in the

sky... where everyone gets a second chance.

She looks at him...

CLEAR (CONT'D)

But that place might only exist in my heart.

And maybe, now... yours. I haven't experienced

too many second chances in my life. I havn't

seen any. But because of all of this, I believe...

because of you... I will get a second chance.

Because of me, you will. With you in my life...

that place, right now existing in our hearts, will

spring out... and become a real part of this life.

Alex looks within her, as a soft ocean breeze blows through Clear's hair.

CLEAR:

And that is the only way we can beat Death...

by making something special out of Life.

His eyes well with tears. Only as she looks at Alex, does Clear become

emotional... thay move closer, and kiss the desire for each other, to defy

the events around them; darkness; the isolation...

They dive into a deep feverish kiss. Embracing, as if the tighter, the

safer. She pulls him back down to the beach and lifts his shirt over his

head.

ALEX:

This won't be safe.

Clear looks down the beach, checking for any sight of Billy and Carter.

CLEAR:

Those guys are probably fifteen minutes away.

ALEX:

No.. I mean, I don't have anything on me.

This won't be safe.

CLEAR:

(sadly)

Nothing is... anymore.

Alex looks to Clear, then kisses her with passion that reflects the defiance

of death. He pulls open her shirt and falls into her arms. CAMERA CRANES UP

as the young man and woman make love in the sand... consciously and

defiantly oblivious, to anything around them... including the stars,

possibly Flight 180, up above.

CUT TO:

INT. CARTER'S CAR - NIGHT

Carter drives. Billy rides shotgun. Alex and Clear are in the back. Everyone

anxious, looking for cops.

ALEX:

I can't go home. After Lewton's,

they'll be after me.

CLEAR:

We're takin' you to a cabin in the

woods, it's only a couple miles from

my house.

(to Carter)

Keep off the highways, they'll be lookin'

for us.

Carter, however, continually glances into the rear view mirror, checking

Alex. Finally, hotheaded and unable to withhold it any further...

CARTER:

Alright, Browning, you f***in' warlock...

did you know about Ms. Lewton, or what?

ALEX:

Why do you think I was hiding?

CLEAR:

Billy told the F.B.I. he saw you runnin'

away from her house.

ALEX:

They blame me for everything. Her, Tod,

the plane crash...

BILLY:

Your shoe prints were in the blood. Your

fingerprints on the knives...

ALEX:

I already told you...

CARTER:

(interrupting)

I'm not talkin' about if you did it.

Or if you knew she was dead...

(beat)

Did you know she was going to be next...

before she was?

Alex looks at Clear, her expression asking the same question...

ALEX:

(quietly)

Yeah.

(almost to himself)

When she died... at that moment, I

could tell she saw something... horrible.

The three others turn quiet, considering what it must be...

CARTER:

Out of us... who's next to see it?

Alex eyes them... hesitant to respond.

BILLY:

Please tell me I'm gonna get to see

the Jets win the super Bowl.

CARTER:

Me, right? That's why you're not saying.

Billy looks out the window, despondent.

BILLY:

Shoulda felt up Tammy in the pool,

that time...

CARTER:

(to Billy)

Whatta you whinin' about? He said I'm

next.

CLEAR:

He didn't say nothin'. Just drive.

CARTER:

You have a responsibility to tell me.

ALEX:

Is knowing going to make it

easier? It makes it harder.

CARTER:

You get off havin' control over me.

Let me choose how to deal with it.

ALEX:

It doesn't matter who's next...

we're all on the same list.

The three are silent.

CARTER:

Aww, f***... really?

Carter's expression becomes frightened, but he cannot have this. He counters

with an irrational bravado.

CARTER:

Then why bother? What's the f***in'

point? Terry and me will be back

together on the other side, so why

wait any longer?

Carter bares down on the wheel, hits the GAS...

EXT. AN INTERSECTION - NIGHT

The muscle car ROARS past a stop sign.

INT. CARTER'S CAR - NIGHT

The interior bounces as the car clears a dip past the intersection. Alex,

Clear, and Billy tenses...

CLEAR:

Knock it off!

CARTER:

May as well go out under my own

free will, right?

CLEAR:

Not with us in the f***in' car!

EXT. ANOTHER INTERSECTION - NIGHT

The car GUNS IT through another stop sign.

INT. CARTER'S CAR - NIGHT

Every passenger hangs on as the car BOUNCES from the next dip.

CLEARBILLY:

Stop it!Hey, c'mon, man...

CARTER:

What's your f***in' worry? If

it's not your time...? I could get

nailed runnin' this red light and you all

wouldn't get sh*t! Only me, right?

ALEXCLEAR:

No!Knock it off!

EXT. TRAFFIC LIGHT INTERSECTION - NIGHT

Red light. A car approaches with the green lighted right of way. Carter's

car TEARS INTO FRAME, just missing being T-boned in the intersection as the

other car HITS THE BRAKES, fishtailing.

INT. CARTER'S CAR - NIGHT

BILLY:

And I f***in' HATED FRANCH CLASS!

ALEXCLEAR:

Carter, stop it, youGet control of yourself!

f***in' maniac!!

CARTER:

That's what I'm doin'!

CLEAR:

I know what you're doing! It's alright

to be scared, Carter. You don't have to

prove to us how big your balls are. Not

now.

CARTER:

I'm not afraid! I DECIDE WHEN IT'S TIME!

I control my life! I control my death!

BILLY:

Watch it! Watch it!

EXT. A SECOND TRAFFIC LIGHT INTERSECTION - NIGHT

Carter barrels through the intersection as a car makes a left turn at the

intersection.

TURNING CAR DRIVER'S POV - CARTER'S CAR

flying down the road, appears to be heading straight towards him.

INT. CARTER'S CAR - NIGHT

Carter takes his hands off the wheel and raises them in the air, like a

terrorized child on a roller coaster...

EXT. A SECOND TRAFFIC LIGHT INTERSECTION - NIGHT

The turning car HONKS, ROARING through the intersection as Carter's car

nearly clips the rear end of the turning car.

INT. CARTER'S CAR - NIGHT

Cater hooks his elbow on the window and his right arm around the front seat,

driving; no hands.

Rate this script:2.0 / 1 vote

Glen Morgan

Morgan was born in Syracuse, New York, and moved to El Cajon, California at the age of 14. While attending El Cajon Valley High School, he met James Wong, who would become his friend and professional partner. Both enrolled at Loyola Marymount University, graduating from the School of Film and Television in 1983, and afterward, wrote many scripts together. Morgan did not want to work on television at first, but wound up accepting a job on 21 Jump Street, which would later earn he and Wong a steady job at Stephen J. Cannell Productions. As Morgan was about to leave the company following scripts for The Commish in 1992, his former boss at Cannell, Peter Roth, invited him to work on a show being developed at 20th Television, The X-Files. more…

All Glen Morgan scripts | Glen Morgan Scripts

0 fans

Submitted by aviv on January 26, 2017

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Final Destination" Scripts.com. STANDS4 LLC, 2025. Web. 6 Mar. 2025. <https://www.scripts.com/script/final_destination_858>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Final Destination

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who played the character "Ellen Ripley" in "Alien"?
    A Jodie Foster
    B Jamie Lee Curtis
    C Linda Hamilton
    D Sigourney Weaver