Finding Altamira Page #5
- Year:
- 2016
- 97 min
- 213 Views
of Prehistoric Man.
I must inform you, sir,
that this record does not include
any evidence of wall painting,
not even a stick man.
That's why we urge you
to visit the cave.
We were as amazed as you.
It is quite impossible
that primitive man,
with his rudimentary brain,
could create such elaborate works.
Do you deny Evolution, sir?
Indeed not.
But if there is evidence...
Show me this evidence that sweeps
aside the whole of Prehistory
as we, poor fools, understand it.
That's what we're trying to do.
It's all there, in the cave.
But... Hold on.
This.
You will see the same animal
in the same style
on a small stone
found on the site.
We are not discussing portable works
a Paleolithic Michelangelo
or perhaps a tribe of Michaelangelos.
You don't want to admit evidence
that challenges your beautiful theory,
but that is not good Science, sir.
This is a very serious matter.
Monsieur Harl
has examined the paintings
and they are nothing more
than crude forgeries.
- What?
- C'est un scandal!
Monsieur Harl reports
that the paintings could not have been
made without artificial light
and yet there are no soot marks
on the ceiling
as would be inevitable
with primitive torches.
Furthermore,
in ancient rock paintings,
the pigment sinks into the stone,
but here it's on the surface
and quite fresh.
In places the pigment has even been
laid on top of a layer of calcite.
But in other places
it is beneath the calcite...
Evidence!
Here is the evidence.
Found at the site.
Fresh paint!
What is this?
Please, this is not the case.
I agree the freshness
of the paintings is surprising
but when you consider
that the cave was closed
for thousands of years, possibly...
A painter was seen painting
in the Altamira cave.
Do you deny it? Do you deny it?
I don't know what you are saying, sir.
Sir, you can't close your eyes.
It's against Science, against Truth,
Monsieur Cartailhac,
this could be
the greatest discovery of our age!
Won't you even look, sir?
I know what I would find, sir.
You are a forger.
You should be ashamed.
Papa?
I deeply regret any trouble I caused,
sir.
The damage is done.
You left a trail like
a murderer's bloody footprints!
They were technical studies.
I never thought they would twist it.
It's as if you worked for them, you
made it so easy to prove their case.
Every other objection
we could have answered...
Except the light.
The light.
I don't understand
why there are no soot marks.
I was trying to follow your own method
and experiment, that's all.
I can only say I'm sorry.
What else can I do?
Nothing, nothing.
You've already done
more than enough.
What are you doing? No.
Please!
Stop it, stop it!
He only did as you asked.
Don't shoot your anger at him.
I made us paint there,
I upset that horrid cave bear.
I found the bison. It's all my fault.
You hate him because he loves Mama.
Maria!
Go to your room.
Go to your room, now!
I hate it, I hate your cave.
I wish I'd never seen it.
I hate you, I hate you, I hate you.
Maria!
Maria!
I am so sorry.
Madame, I have met forgers
and those who commission forgeries
in my line of work, it's inevitable.
I know you wouldn't...
Yes, but a forgery is always
an expected piece,
one of a series
or like existing works.
So that the market will want it.
But no one would ever fake
something so original,
so unlikely
as the bison of Altamira.
Thank you, Paul.
You are a good man.
He is a good man.
A visionary.
This kind of man always attract
the envy of little man.
I've written to Ratter
to apologise.
I must apologise to you.
I spoke to Monsignor
of my fears for Maria.
You're right.
I never meant
you're not fit to be a father.
I shouldn't be near her.
I am a fool.
Or worse, a liar.
In all these years I have known you
one word that you knew to be untrue.
Please, Conchita...
Why would you choose to start now?
To make a name for myself.
Make fools of other Prehistorians.
Spain.
Beautiful and...
so unfair.
To pretend an important discovery
could be made by a mere Spaniard.
None of those
could possibly be your motive.
Conchita, I believed in Science
with a dogmatic Faith,
forgetting it is made by men
in their own image.
I risked everything I hold dear
for nothing.
Forgive me.
- Where are we going?
- Confession.
Did you just sin?
To the church, please.
Bless me, Father, for I have sinned.
It is two days
since my last confession.
Since then I've discovered
your treachery, Father.
Or should I say "Seor Tablanca"?
Shame on you.
How dare you come here
and accuse me?
You accepted my confidences
and then used them
against my husband,
that's treachery...
We did not speak
under the seal of the confessional.
Oh, you and your rules!
To twist my words,
to accuse him
of "perverting a child's mind."
What does your husband do
but stir upon thinking minds
to doubt the teachings of the Church?
His cave obscures
the pure light of Divine Reason
with muddy accident.
I read your articles,
Monsignor Tablanca.
I don't care to hear them repeated,
however nice your phrasing.
My duty is to protect
the Faith of the Church.
My duty is to my husband,
who hasn't one deceitful bone in.
You place your husband before God?!
It's time to make your confession,
my child,
before you sink deeper in error.
Confess to you, Monsignor?
And read my sins
in tomorrow's paper?
Mama, have you got the fever?
No, quite cool.
Not a word to papa.
Carried out by a mere amateur,
this research may yet help
men of Science
tear aside the veil of ignorance
that these paintings
What is that?
Marrow fat.
Makes the best lamp oil.
Why?
Clear and steady. And no soot marks.
Why no soot marks?
It's a good question.
A very good question, indeed.
Excuse me, Pasi.
May I borrow that for a moment?
Maria.
A lamp?
This is Science.
An idea.
An experiment.
A proof.
Do you see how beautiful that is?
Yes, Papa.
If you're a good scientist,
no one can ever take
the truth from you.
Amen to that.
Now you can tell
Monsieur Cartailhac he's wrong.
He must apologise.
It won't be enough.
He accused you, in public.
No, he has all the more to lose.
It's not so easy to change direction
when you're set on a course.
I know.
Think of the garden.
If branches grow across our path,
we just have to move the path.
Marcelino,
will you...
will you take me to the cave?
You never told me
the artists were women.
Close you eyes.
Are you ready?
0P9" you eyes.
Have you decided what to say?
I always admired
his attention to detail,
rare in an amateur.
Will he demand a public apology?
He has never written
to complain in public.
Then your reputation will be safe,
professeur.
Here we are.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Finding Altamira" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/finding_altamira_8192>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In