Finding Mr Destiny Page #3

Synopsis: Gi-joon starts an agency that helps people locate their long-lost first loves and Ji-woo becomes his first client. She is dragged there by her worried father, Captain SEO, who learns that Ji-woo is still hung up on Kim Jung-wook, a man she fell in love with on her trip to India in her early twenties. In offer to identify the face of Ji-woo's long lost first love, the two travel all around the country and come face-to-face with a smörgåsbord of Kim Jong-wook's. After days on end of little success in the search for Kim Jong-wook, the agency receives a single phone call of fate. An inquiry from none other than Kim Jong-wook himself, hoping to find Jin-woo through the help of Gi-joon's agency. Gi-joon tells Ji-woo the good news, but having realized his feelings for her, Gi-joon turns and runs back to Ji-woo.
Genre: Comedy, Romance
Director(s): You-jeong Chang
Production: CJ Entertainment
 
IMDB:
6.6
PG-13
Year:
2010
112 min
146 Views


take mealong as well.

I don't know what's going on.

Firstgive me the bag.

Which bag?

- Givemethebag.

This man is an addict.

He'll shoot you any second.

Give methebag. - I'm giving

you the bag, pleasedon't shoot.

I won'tlet you die

beforecompleting our deal.

I will count to three.

I will count to three.

You both are countingtill three.

One.

Don't count to three,

wait justa minute.

Don'tshoot.

- Two.

Two.

- Countto ten, count again.

Don'tshoot.

Three.

- No.

What did you do?

He killed him.

Look, the gun's lying there.

Move back, he looks crazy.

Thepolicewill come

hereand makea fuss.

I can't get into this fuss.

You want your money.

I'll give you your money.

Wherever or however you want it.

Let mego. I've urgent

work to takecare of.

I'll land up in trouble.

You've to reap as you, Bachchu.

The gun's lying near your feet.

Thereareso many witnesses.

No trial.

Direct death sentence.

I'll get out ofthis murder

case in theblink of an eye.

Then why are you scared

ofthe police, Bachchu?

First settlemy deal.

I haven't accepted your deal yet.

Okay, man.

You know me. You know me very well.

Let mego for an hour.

I will come back hereafter

an hour. I'll stay right here.

We'll discuss the entire

night over this phone.

But let me go for now. For a while.

I swearl will come back.

I will comeback right here.

Swear?

Justlike you swear

to your girlfriends.

Listen, listen.

Hey...

Don'tworry, Bachchu.

I won'tshoot you so soon.

Thegame has just begun.

Whatis this? What's going on?

That man's gonecrazy. And

there's a corpselying on the road.

I'll tell you.

I know everything.

I'veseen everything.

The public is

gathering around. Let me go.

It'll bedifficult formeto

get out ofhere afterthis.

You're agrownup...

...yet you'rescared like a child.

You can do anything in the

blink ofan eye, Bachchu.

It's not a child's play

for me, it mightbe for you.

My life is at stakehere.

Why?

Theonewhom you shot, his

lifewas at stake as well.

I didn't shoot him. You shothim.

You killed him. I didn't shoot him.

To save your life.

So how can I be

responsible for killing him?

Oh, God. Whose face

did I seein the morning?

You thought of God after

so many years, Bachchu.

They'reclimbing on top ofmy car.

There's no one to getthem off.

Hey.

Get down.

Get offthe car.

Get offthe car.

They'reclimbing on top ofmy car.

Letmego.

What are you made of, Bachchu?

There's public all around you.

The police are present.

There's a dead bodybeside you.

There's a gun pointed at you.

And you'reconcerned

about that rundown van.

What's so special

aboutthat van, Bachchu...

...that you keep staring

at itlike a young girl?

No, there's nothing in my van.

I thought that's the

only wayto escape you.

Theywerestanding on top ofit.

Oh... no.

"Everything's forthemoney."

Sir. Constable

Gundurao reporting, sir.

How are you, Gundurao?

- I am fine, sir.

What... What's going on here?

Sir, that man standing in the

telephone booth, heshot him.

What?

- Yes.

Heshot him.

And didn't run away.

Sir, I think he's mad.

Inspector.

- Sir.

What's this crowd? Clearthem.

Make aperimeter of25 feet.

Sir. Sir.

The sandwich vendor. Come.

Is that your stall?

- Yes, sir.

How long has hebeen inside?

Morethan 30 minutes, sir.

Was hefinewhen hewentinside?

Was henormal?

Hewas absolutelynormal, sir.

Healways makes

a call from my PCO...

...and also eats sandwiches.

But I don't know why he

was arguing with this man.

Sir, therewas

another man beforehim.

He had an argument

with them as well...

Think clearly.

Was thereoneman ortwo?

- Two men, sir.

He had an argument

with both ofthem...

Raghav, take him away.

Check his story.

Prithvi.

Ask the public whether there

was oneman ortwo. What is it?

Check it. Comeon.

Get readyto become

a star, Bachchu.

The television mediahave arrived.

Whatwill you call

yourself after you becomea star?

Bachchu Kapoor? Bachchu Kumar?

Or elseeveryone's favorite.

Bachchu Khan.

I don't want to be a star.

You can bea star if you want to.

Roll camera.

- Rolling.

This is Nidhi

Srivastav from India TV...

...bringing you breaking news

from Bandra-Kurla Complex.

A man has been shot dead justnow.

Sources say that the man

talking on thephone...

...has committed themurder.

Hello.

Excuse me. Excuseme.

Weneedto movethe

body from there.

It's too hot, it will rot.

Don'tworry, no onewill fire.

Look, I am takingthemagazineout.

Okay.

Comeon, come on, come on.

Sir, thelineman is here.

There's a scrambler

installed on theline.

It creates a distortion in theline.

So deactivatethescrambler.

Wedon't havethis technology, sir.

Eitherthemilitary or

thelntelligence...

...peoplehavethis technology.

Thatmeans this man is not crazy.

He's making us crazy.

Sir, should we disconnecttheline?

Let him play.

We'll play along as well.

Gundurao.

- Yes, sir.

Get the megaphone.

- Sir.

Hello. Hello, mister.

Yes, I am talking to you.

Raise yourhands and

step out ofthephonebooth.

Sir, maybehe

doesn'tunderstand Hindi.

Listen. Raise your hands, comeout.

Marathi.

Comeout ofthe booth,

raise your hands.

Is hedeaf?

Lfhe's deaf, what is

he doing on thephone?

Look, don'tbe scared.

You won'tbeharmed.

I promise, no onewill shoot you.

Raise your hands. Come out.

You won't beharmed.

Ma'am, ma'am.

- Just oneshot. Just oneshot.

No, no, no. Please, oneshot.

You'll shoot me in the

presenceofpoliceand public.

You'recaughtin your own trap.

Now tell me.

You're immature, Bachchu.

Till the police finds out

wherethebulletwas shot from...

...l'll bein the next alley.

If you don't believeme,

then step out ofthebooth.

I promise, no onewill shoot you.

Raise your hands. Come out.

You won't beharmed.

Step out.

Tell him to stop shouting.

It's disturbing.

Comeout, comeout. Good.

Stop shouting. It's disturbing.

What?

Ask him to stop

yelling on themegaphone.

"I am busy".

Stop yelling on themegaphone.

I am busy. I am getting disturbed.

Did you see his face?

The same classic expression.

Your expression will changesoon.

Soon there'll be

morepolicethan public.

Then I'll see what you do.

Andthey'll pin you

down likea wild animal.

That's exactlywhat

you'rethinking, isn't it?

Don'tworry, Bachchu. I am there.

When I can save your life...

...thepolicecan't dare

to lay afinger on you.

You'll shoot at thepolice.

I can do anything for you.

Butthatsituation won'tarise.

Sir, sir, sir...

- Nidhi, no comments.

No, I've something to show you.

Look.

There're four bullet

holes on this booth.

Two up hereon the front.

And two down here at theback.

What does thatmean?

That means there's a shooter.

- Exactly.

And ifthere's one,

then he's right here.

Right...

- Nidhi, don't turn back.

Greatwork.

Butpleasedo mea favor.

Don't tell anyone.

This is mybreaking news,

mybig story.

Do you wantmeto

shout on themegaphone?

Lettheshooterknow.

Great chaos. Wasn't 26/11 enough?

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Kyoung-eui Lee

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Submitted on August 05, 2018

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