Flags of Our Fathers

Synopsis: In 1945, the Marines attack twelve thousand Japaneses protecting the twenty square kilometers of the sacred Iwo Jima island in a very violent battle. When they reach the Mount Suribachi and six Marines raise their flag on the top, the picture becomes a symbol in a post Great Depression America. The government brings the three survivors to America to raise funds for war, bringing hope to desolate people, and making the three men heroes of the war. However, the traumatized trio has difficulty dealing with the image built by their superiors, sharing the heroism with their mates.
Genre: Drama, History, War
Original Story by: Rylee Brown
Director(s): Clint Eastwood
Production: Paramount
  Nominated for 2 Oscars. Another 15 wins & 24 nominations.
 
IMDB:
7.1
Metacritic:
79
Rotten Tomatoes:
73%
R
Year:
2006
135 min
$33,600,000
Website
1,857 Views


Corpsman!

Corpsman!

Corpsman!

For God sakes! Corpsman!

Corpsman!

Corpsman!

Honey, what's wrong?

Every jackass thinks he knows

what war is.

Especially those

who've never been in one.

We like things nice and simple,

good and evil, heroes and villains.

There's always plenty of both.

Most of the time,

they are not who we think they are.

Where is he?

Where is he?

Where... Where is he? Where is he?

Mr. Bradley?

Mr. B? You okay?

- Where is he?

- Where is who?

Where is he? Where did he go?

Where... Where is he?

All right. Just stay right here, okay?

I'm gonna call an ambulance.

It'll be okay.

Where is he?

Most guys I knew would never talk

about what happened over there.

Probably 'cause they're

still trying to forget about it.

They certainly didn't

think of themselves as heroes.

They died without glory.

Nobody has taken their pictures.

Only their buddies knew what they did.

I'd tell their folks

they died for their country.

I'm not sure that was it.

Now, there were plenty other photos

taken that day,

but none anybody wanted to see.

What we see and do in war,

the cruelty, is unbelievable.

But somehow

we gotta make some sense of it.

To do that,

we need a easy to understand truth

and damn few words.

Film's ruined.

I don't know. This one looks all right.

And if you can get a picture...

Now, the right picture

can win or lose a war.

You're gonna want to see this.

Look at Vietnam.

The picture of that

South Vietnamese officer

blowing that fella's brains

out of the side of his head, whammo!

That was it.

The war was lost.

We just hung around

trying to pretend it wasn't.

Took a lot of other pictures that day.

None of them made a difference.

Thanks. Appreciate it.

Sounds ridiculous, but it happened.

Country was bankrupt.

People were becoming

cynical and tired of war.

Oh, my Lord, that's Harlon!

Where?

Right there.

Planting that flag, that's your brother.

Ma, all you can see is his behind.

And that's his. I powdered

and diapered it, I know my son.

That's him. Go get your father.

Daddy, Ma's got a picture

of Harlon's keister in the paper.

You watch your mouth, young man.

Thank you.

One photo, almost all on its own,

turned that around.

It's on the front page

of every major paper.

Over 200 dailies and they're

all flooded with requests for prints.

I think we might have found it.

Corpsman!

Corpsman!

Corpsman!

- I gotta go get him.

- Oh, no, you don't.

Iggy, I gotta go.

I have a whole different theory.

He wants medical attention bad enough,

he'll come to us.

Shut up and crawl over here,

you lazy son-of-a-b*tch!

As soon as that flare goes out.

- Crap. Okay, well, I'll go with you.

- No.

You're actually gonna leave me here?

I'll be right back,

just shoot some people. I gotta go.

Oh, God.

Okay, it's okay.

Don't touch them. Don't touch them.

Get your hands out of there.

Let me do that. I'll do it, okay?

Don't look. Keep your head back.

Keep your eyes on me.

All right, look at me.

I'll get it. I'll take care of it.

We'll get this bandage on you.

We'll get you taken care of.

And we'll get you down to the bottom,

all right?

Look, you're gonna be fine.

It's okay.

I'll do that. I'll do that.

Here, put some pressure on that.

Put your hands on top

and put some pressure on it.

Keep your head back. Keep breathing.

Keep looking at me, all right?

Just keep looking at...

Doc.

Help me.

Help me.

All right. Okay.

How's that feel?

- It feels good.

- It does? All right.

- Good.

- All right.

I'm gonna go get a stretcher and get

you down to the beach. I'll be right back.

I'm all right.

Go and help someone who's hurt.

All right. Hold on there.

- Where'd he go?

- Who?

The guy who was right here, Ignatowski.

Where did he go?

- I think you jumped in the wrong hole.

- I didn't jump in the wrong hole!

He was right here,

now where the hell is he?

Lggy!

Lggy!

You shut up. You want every Jap

on the island shooting at us?

Lggy!

Holy sh*t.

They expect us to climb this?

Or something just like it.

So, where you think they're sending us?

I think it's the desert, Franklin.

Well, that makes no sense at all.

Well, it's just military psychology.

They always train you for the desert

on a volcano.

Now you're just having fun with me.

Harlon, take your men right.

- Watch for Bedouins.

- Yes, sir.

- What's a Bedouin?

- It's a guy with a camel.

Well, Jeez Louise,

maybe we are going to the desert.

Now, you tilt that to the right, but

what if the bullet comes from the left?

Bullets don't come from the left.

You know any left-handed Japs?

That makes about as much sense

as you showering with your shoes on.

You don't even know why you do it,

do you?

'Cause I don't tell you

mean I don't know?

You do it 'cause Mike does it.

I'll ask him.

So you cut hair back home?

Some.

Training to be a barber, are you, Doc?

No, I just studied it a little.

But not in barber school?

Nope.

- Gosh.

- Let me guess, Hayes is winning.

Chief, I had very little to do

with Sitting Bull's death,

so maybe you could stop

taking it out on me.

Different tribe. The Pimas fought

on the side of the white man.

- See, now that's smart.

- That is smart.

Yeah. Worked real good for us.

Good luck, fellas.

Hey, good night, Lindberg.

Dead bodies.

He cuts hair on dead bodies.

What? Even I knew that.

- Who's in?

- Oh, I'm in. I'm in.

It must be a lot easier with them

not moving around and all.

- There's that.

- Yeah.

You know what I been thinking?

Well, they been telling us

we need to buddy up

and I think we'd make

pretty good buddies.

And how do you figure that?

Well, you know,

in that we have a lot in common.

So, why do you cut dead people's hair,

anyway?

I'm studying to work in a funeral home.

You tell a lot of people that?

You actually chose the Marines

because they got the best uniform?

No sense being a hero

if you don't look like one.

Jacks.

Queens.

Sh*t.

Do anything on that reservation

but play cards, Chief?

All right, listen up,

you sorry bunch of leathernecks!

We practice going

over the side tomorrow

which means we ain't long

for this piece of rock.

All right!

One more thing, any man who doesn't

have his masturbation papers in order

better get them signed by tomorrow

night or he ain't going overseas.

- I got mine already.

- Oh, yeah. I'm square.

Wait. Why am I just hearing about this?

That's horseshit, Franklin. I don't have

to repeat everything twice for you.

No, I didn't hear nothing

about no masturbating papers.

Heard they were running short.

You know, nobody tells me nothing.

Rate this script:0.0 / 0 votes

William Broyles Jr.

William Dodson "Bill" Broyles Jr. is an American screenwriter, who has worked on the television series China Beach, and the films Apollo 13, Cast Away, Entrapment, Planet of the Apes, Unfaithful, The Polar Express, and Jarhead. more…

All William Broyles Jr. scripts | William Broyles Jr. Scripts

1 fan

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Flags of Our Fathers" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/flags_of_our_fathers_8293>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Flags of Our Fathers

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "B.G." stand for in a screenplay?
    A Backstory
    B Background
    C Big Goal
    D Bold Gesture