Flaqueza del bolchevique, La (The Weakness of the Bolshevik( Page #4

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Don't laugh at me.

Sometimes I think

you're laughing at me.

Is your name Pablo?

Pablo.

Pablo Lpez.

It doesn't suit you.

It's a very ordinary name.

Call me.

That's my cell phone number.

I may not call you.

We'll see.

Goodbye, Bolshevik.

Stop, stop.

Wait here, please.

I'm leaving.

Hello.

Pablo, is anything wrong?

No.

I don't know,

you seem strange lately.

No, I'm all right.

Really, I'm all right.

Well, anyway,

I wanted to tell you

that we're getting rid of Alba.

The sooner you tell her

the better.

Her contract is up

this month, right?

- Yes.

- Then we won't wait any longer.

I've told Personnel to start

looking for a replacement.

Paco, it's a lousy thing to do.

Maybe so, but you know the deal.

I know the deal

and you know the deal.

She hasn't had time.

- She can still learn.

- For God's sake, Pablo.

Don't give me generalities,

like she couldn't learn.

Tell me something specific.

Come on, convince me.

Exactly.

We're doing her a favor.

How's it going with Eva?

- Yes?

- Alba, can you come in, please?

The door...

How about dinner?

No, I don't feel like it.

Is that your secretary?

Didn't you tell me

she was fifty?

She isn't my secretary.

She works with me.

- She likes you.

- No.

Why are you here?

I followed you the other day.

I wanted to know

if you'd lied to me again.

I work here.

I know.

You didn't call me.

I have to go.

I know what you think.

I don't care about that.

I enjoy being with you.

- It's more complicated than that.

- No, it isn't.

What's her name?

Alba.

Alba is waiting for you.

You have to go.

Hello?

Hello?

Show your face, you bastard.

I've told you a hundred times.

On the 19th I was at home

at 8.00 A.M.

I went out at 5.00 P.M.

What more can I say?

- Yes?

- Alfredo, this is Sonsoles.

Go ahead.

He called again.

I've got a number.

- I don't know.

- You don't recognize any name?

I've never heard of the company,

I don't know anyone there.

Pablo Lpez.

You know him?

Pablo Lpez.

Wait a minute.

I don't believe it.

It has to be the same person.

Who is it?

The son of a b*tch!

- I was in an accident with him.

- Was it serious?

He ran into the back of my car.

We had a row. He's an idiot.

That's it, then.

He was messing you around and...

That's it? He was calling

at 3.00 and 4.00 in the morning,

- saying disgusting things.

- Yes, but it isn't serious.

You know who it is now.

It isn't serious?

I bet if he'd done it to your wife

it would have been serious.

F*** it, Alfredo,

we have to do something.

I don't know.

What can we do?

You must know.

Are you going to help me?

You owe it to me.

Whatever you want.

You got the time?

Hello?

Who is it?

Pablo.

Hello, Bolshevik.

You know I'm not that.

It was a joke, remember.

It doesn't matter.

I like the word.

I like it more than

Pablo Lpez.

Bolshevik is much nicer.

Where are you?

At work.

How are you?

I want to see you.

I'm glad.

Who is it?

Andrea.

How did you get this number?

Why didn't you call

my mobile phone?

I lost it.

Listen...

We could meet now.

Are you free?

Yes.

Where?

In FNAC,

in the magazine section.

All right.

That's him.

Move, move!

- Which is it?

- That one.

- This car is sh*t.

- Come on, move!

That guy cut in on me.

- You're f***ing stupid.

- Sh*t.

- Hello.

- Hello.

Excuse me.

- You want a drink of anything?

- No.

Let's go outside.

Why are you laughing?

I don't know.

It's funny seeing you again.

- Have you got the car?

- Yes.

- Let's go somewhere else.

- Where?

Your neighborhood?

There isn't much to see there.

It's new, soulless.

I meant your old neighborhood.

Where you knew that friend

we met at the pool.

Marcos.

Why do you want to go there?

I'm curious.

Didn't you live there

when you were my age?

Yes.

I want to know you better.

This is like a village.

Yes, I guess it is

kind of like a village.

It is like a village.

I lived there.

- It's my parents' house.

- Where are your parents?

My mother died

when I was your age.

- I haven't seen my father in ages.

- Did he leave?

No.

He's still there, in the same place.

In that house.

If you want to go and see him,

I can wait.

No, I'm with you now.

Well, when you get used to it,

it isn't so ugly.

Some parts of it are nice.

I'll show you the one that was best.

I don't know what it's like now.

It's terrific!

Mara...

I didn't tell you

everything I should have.

I thought you were

going to kiss me.

Take it easy, take it easy.

Take it easy.

Tell her to shut up

or he'll kick her head in.

Maria, don't worry,

it's all right.

Yeah, Mara, don't worry,

it's all right.

What could happen?

Listen!

The money's in the car.

In my overcoat.

There must be 600.

And my cards. I'll give you

the code number. 9-0-9-9.

What the f*** are you doing?

That's good, boss.

You were smart about the money.

Come on, hurry up.

It's true.

There's 600,

and three cards of some kind.

- Was that the real code number?

- I swear it's what I gave you.

Listen...

Can I have her too?

For God's sake, she's a kid.

Get out 600 on each card

and you can get a real woman.

What are you saying?

If you touch her, you're sh*t!

Me?

Want me to carve you up?

What's an old guy like you

doing with a girl like her?

She's just a kid.

Who do you prefer, Mara?

You prefer me, don't you?

Don't you?

Come on, quit wasting time.

Give him the message

we have for him and let's go.

Shut up and hold her tight.

We can have a good time.

Come on, please! Hey, hey!

Please, come here!

Come over here!

You're going

to be in big trouble!

You're going to be

in big f***ing trouble!

Stay where you are!

Stop it! F***ing bastard!

I'm telling you,

you're going to be in trouble!

Don't be stupid!

Please! Please!

Manu, he's right.

Shut up. She won't break

if I feel her up a bit.

Don't be stupid!

Don't be stupid, please!

Please! Please!

Please, wait!

Wait, for chrissake!

Let her go, Ral.

Ral, let her go!

That's it!

I'll give you...

- Shut the f*** up!

- Please!

Shut up! Shut up!

Shut up!

Let her go!

Let her go or I'll kill him!

- I'm begging you.

- Get off!

I'm begging you!

Leave her alone, please!

I swear I'll kill you, bastard!

Let her go.

F***ing let her go!

What's wrong, stupid?

Would you rather I hurt you?

Because I will!

Come on, get up, b*tch!

Come on, Mara!

F***ing get up!

You've f***ed up.

I'm out of here.

F***ing great, a**hole.

F*** it! F*** it!

Manu...

We have to move.

Come on.

Cell 2.

Adaptation:

D. Mac Closkey

LA LUNA-TITRA

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