Flight Page #18
WHIP:
Yeah and I had two glasses of wine.
And they might ask you about my
condition that morning and if you
thought I had anything to drink.
MARGARET appears speechless...
WHIP (CONT’D)
What?
MARGARET:
I’ve known you 11 years and you’re
gonna stand here and tell me you
and Trina went to dinner and you
drank two glasses of wine? Sounds
like a nice restaurant Whip, which
one was it?
WHIP:
You have to tell them it was an
ordinary day. I mean it was an
ordinary day. You know I was in
shape to fly. You have a problem
with saying that?
MARGARET:
It’s a lie. Whip, it’s a lie.
Trina told me you two hadn’t been
to sleep.
WHIP:
My lack of sleep made the plane
fall apart, huh Margaret? I’m just
trying to get it straight. You
think that another pilot would have
been able to land that plane and
save more lives?
MARGARET:
I didn’t say that Whip. I can’t
97.
WHIP:
Well can you imagine Trevor at this
same church looking at you in that
box in there? Or my son having to
come and see me in prison?
MARGARET fights tears as WHIP has struck a blow.
MARGARET:
Please Whip, enough. Don’t you
think we’ve all had enough.
(Whip is quiet)
What do you want me to say?
WHIP:
It was an ordinary day. The storm
right after we took off was very
severe, but as far as the flight
crew was concerned it was a
perfectly ordinary day.
The tears flow now as MARGARET can’t hold them in. WHIP
realizes he’s gone too far. Not knowing what to do, WHIP
walks away.
EXT. PEACH STREET DRUGS - AZURE BLUE SKY OF AUTUMN --
WHIP watches an airliner fly over head as he stands by his
car smoking a cigarette. He wears his suit from the funeral.
NICOLE approaches. She’s in a great mood.
NICOLE:
Are you okay? How was it?
WHIP:
It was okay, okay. How’re you
doin’?
A beat.
NICOLE:
Well, I got through my first day.
They haven’t fired me.
WHIP:
That’s good. Cause for a
celebration.
NICOLE:
They needed someone to work the
night shift. They asked me and
it’s time and a half so...
98.
She sorts through her shoulder bag...
NICOLE (CONT'D)
I gotta vest and here’s my name
tag. Oh oh oh....I got you
something..
(hands him a nice lighter)
It’s a P-51 mustang on there...
(flies her arms like
wings)
You’re dad flew a P-51, right?
WHIP:
(stares at the lighter)
He did. So should we get some
dinner?
NICOLE:
I promised Sheila I would be at the
meeting tonight. She's the one
that’s been helping me, my sponsor.
Can we do it tomorrow night? And
Please, Whip don’t make me choose
between dinner with you and the
meeting.
WHIP nods, playing with the lighter.
WHIP:
No, it’s okay. You should go.
NICOLE:
Why don’t you come with me? We’ll
eat after. It’s an open meeting.
WHIP:
Open meeting?
NICOLE:
That means anybody can come.
Anybody.
WHIP:
Even me?
She is bubbling with happy spirit; she’s hot. She’s hard to
deny as WHIP can’t help but smile at her.
INT. ST. FRANCIS CATHOLIC CHURCH -- ATLANTA -- NIGHT
A MAN stands at a podium wearing a coat and tie. He is lost
in the energized retell of a story.
99.
A.A. SPEAKER # 1
The cop is shining his flashlight
on me. I’m standing there behindthe dumpster, wearing nothing butmy girlfriend’s panties, vomit onmy chest and I say to thecop...about two beers.
The room erupts with laughter. NICOLE is really taken by thecandor of the speaker as she joins the room in laughter.
A.A. SPEAKER # 1 (CONT’D)
That’s why they call me “Two-Beer”
Barry.
BARRY makes eye contact with a STERN LOOKING OLD TIMER.
BARRY holds up a loose leaf binder and addresses the man...
A.A. SPEAKER # 1 (CONT’D)
Don’t worry Ed, I got the format
right here. I’m sorry, Ed’s giving
me the stink eye. Let me get back
to the format...
(reads from the format)
I’m Barry. I’m an alcoholic.
THE ASSEMBLY:
(in unison)
Hi Barry.
A.A. SPEAKER # 1
Are there any other alcoholics
present?
WHIP glances around to find himself in a sea of raised-handed
alcoholics. A few look at WHIP with no judgement.
A.A. SPEAKER # 1 (CONT’D)
I like meetings that have us allidentify. Because it makes me tell
the truth about who I am. It
reminds that I never ever told the
truth. I lied about everything.
My whole life had been a lie. And
I was told that I would never getsober if I kept lying.
WHIP is very reserved, poker-faced.
A.A. SPEAKER #1
I mean, lying’s what I’m good at.
If I know anything in this life
it’s how to lie, especially about
my drinking.
100.
We pan the faces and everyone seems immediately connected.
Except WHIP who leans over to NICOLE.
WHIP:
I gotta go. Okay?
(Nicole nods)
Can uh...
(points to Sheila)
NICOLE:
Yeah, Sheila. She can take me back
to work.
SHEILA:
(extends her hand)
I’m Sheila.
WHIP shakes her hand before quickly escaping as if from a
fire. We stay close on WHIP’s face as he walks out. BARRY
continues his pitch.
A.A. SPEAKER #1
Like I said, I would lie about
everything. It didn’t matter what
it was. My whole life had been a
lie. A series of lies strung
together by me. And when I drank?
It was worse. What I came to
understand was that, my lies were
killing me. And that remains the
great fact for me...My lies will
kill me.
93 WHIP is gone. 93
INT. ROUND TABLE RESTAURANT -- BAR -- MINUTES LATER
WHIP enters the bar and we hear off camera a voice coming
PIERS MORGAN (O.S.)
investigation on the flight crew,
specifically Captain Whitaker.
KEN EVANS (O.S.)
Sir, I am not at liberty to discuss
Captain Whitaker or any of the
flight crew.
WHIP looks up to the TV.
101.
CLOSE UP TELEVISION -- KEN EVANS IS ON TV LIVE FROM HIS
HOSPITAL BED.
KEN EVANS:
(on television)
And in truth, I don’t have much to
say about him.
PIERS MORGAN:
(on a split screen)
So, safe to say that he remains a
mystery.
KEN EVANS:
(on television)
Sir, those are your words not mine.
WHIP exits as fast as he arrived. He’s gone. PIERS MORGAN
continues from the TV...
PIERS MORGAN:
(on television)
I’ve been speaking to some people
who are very close to the NTSB
investigation and they are very
confident that they will be able to
determine exactly what brought this
plane down.
KEN EVANS:
(on television)
I’m sure they will sir.
PIERS MORGAN:
(on television)
Thank you, Ken and Vicki Evans.
KEN EVANS:
(on television)
Thank you, and God bless.
INT. HOSPITAL HALLWAY -- NIGHT
WHIP steps off an elevator and walks down the quiet hospital
hallway toward a room where a few TECHNICIANS are packing up
the last bits of TV equipment.
INT. HOSPITAL ROOM -- KEN EVANS’ ROOM -- NIGHT
WHIP stands in the doorway and addresses EVANS...
102.
WHIP:
How’re you feeling, Ken?
EVANS stares at WHIP with a blank look.
EVANS:
Happy to be alive.
VICKI EVANS:
Blessed to be alive.
WHIP:
I’m Captain Whitaker, I was flying-
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"Flight" Scripts.com. STANDS4 LLC, 2024. Web. 28 Dec. 2024. <https://www.scripts.com/script/flight_233>.
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