Following
- R
- Year:
- 1998
- 69 min
- 1,964 Views
[ Man ]
The following is my explanation--
well, more of an account...
of what happened.
I'd been on my own
for a while...
and getting kind of lonely...
and bored.
Nothing, still, all day.
And that's when
I started shadowing.
[ Man #2 ]
"Shadowing?"
[ Man #1 ] Shadowing. Following.
I started to follow people.
- Who?
-Anyone at first.
[ Sniffing ]
I mean, that was the whole point--
somebody at random,
somebody who didn't know who I was.
And then?
-And then nothing.
- "Nothing?"
Nothing. I'd just see where
they went, what they did...
and go home afterwards.
Why'd you do it?
Um, to see where they went.
Anyone-- I mean--
How can I explain?
You ever, um,
been to a football match
just to let your eyes rise...
and go over--
drift across a crowd of people,
and then slowly start
to fix on one person?
And all of a sudden that person
isn't part of the crowd anymore.
- They've become an individual,
just like that.
-[ Snaps Fingers ]
This became irresistible.
- So you followed women?
- No, I didn't follow women.
It wasn't a sex thing.
I followed anybody.
I just wanted to see
where they went, what they did.
You were playing
secret agent?
No, I'm a writer.
Well, I want to be a writer anyway.
I was, um, gathering material
for my characters.
Well, to begin with.
After a while l, um, spotted
the dangers. I'd become hooked.
I had to start making up rules to,
um, just try and keep it under control.
Um, never follow people
for too long.
Don't follow women
down dark alleys after dark.
You know, stuff like that.
It was supposed to just be
completely random.
And when it stopped
being random,
that's when it started
to go wrong.
When I started... to follow people--
specific people,
when I selected
a person to follow,
that's when the trouble started.
Other people are interesting to me.
Have you never...
listened to other people's conversations
on the bus or on the tube?
Seen somebody on the street that
looks interesting or is behaving...
slightly-- oddly
or something like that?
Wondered what their lives
involved, what they do,
where they come from,
where they go to?
[ Coughing ]
[ Typewriter Keys Clacking ]
You watch somebody's behavior, and
it raises a hundred thousand questions,
and... I wanted
to ask those questions,
and I wanted to know
what the answers were,
and so I'd follow people
to try and find out.
Most important rule was...
that even if I found out where
somebody worked or where they lived,
then you'd never follow
the same person twice.
That was the most
important rule.
That was the one
that I broke first.
- [ Woman ] Yes?
- Uh, coffee, please.
- Come on. It's lunch.
- Toasted cheese sandwich is fine.
Mind if I join you?
No.
Who am I?
- Uh, yeah, I'll have
a black coffee, please, and...
- Nothing.
[ Sniffs ]
another coffee, black.
You're obviously not
a policeman, so who are you,
and why are you following me?
I'm sorry. I don't know
what you're talking about.
Don't piss me about.
Who the f*** are you?
Thank you very much.
Sugar?
[ Stirring Continues ]
No, I wasn't--
I wasn't following you. l-- l--
I saw you with your bag. I just
thought you looked interesting.
- What are you, a f*ggot?
- No, no. [ Scoffs ]
No, l-- To tell you the truth,
I thought you were this guy
that I was at school with.
I saw you walk in here, so I followed
you in just to see if it was him.
-But it wasn't.
-Why didn't you ask me when you saw me?
'Cause I'd have been embarrassed
if it wasn't the person.
- Not as embarrassed as you are now.
- No, I suppose not.
- What's your name?
- Bill.
Well, Bill, what do you do?
- Actually, I'm kind of--
- Between jobs right now,yeah.
- Yeah, that's right.
- What would you do?
- Don't know.
- Oh, come on, Bill, don't be coy.
There's some burning ambition
inside you, isn't there?
- Something of a starving artist
in you, no? No?
- No.
- No. No.
- You're a painter.
- Photos? Writer?
- No. No.
- Writer, eh?
- No.
- But you write?
- Not much.
- But sometimes?
- Sometimes. Who doesn't?
Me.
So you're a writer.
I didn't say that.
What makes you think
I'm a writer anyway?
An unemployed twenty-something
fancies himself a writer.
- A real leap into the unknown.
- Well, I'm not a writer.
- But you're interested in people.
- Yeah.
- This person?
- Perhaps.
You haven't even asked me
my name yet.
- What's your name?
- Or what's in my bag.
- What bag?
- My bag.
The one you've been
looking at all morning.
What's your name,
and what's in your bag?
My name's Cobb.
Take a look for yourself.
What were you expecting, drugs?
Why'd you nick their old CDs?
Easy to grab a load, easy to sell,
totally untraceable.
The other stuff's
a bit more tricky.
You don't look like
a burglar.
Sounds like a compliment.
Are you interested now?
[ Doorbell Rings ]
Gloves?
[Whispering ]
People don't really do that, do they?
You'd be surprised.
Does that really work?
Wait and see.
Beginner's luck.
See, nobody home.
Okay, first things first.
- We need a bag.
- [Whispering Continues ] "A bag?"
To carry the stuff in.
Why are you whispering?
- Do you have one of your own?
- Yeah.
It's a big bag with "swag"
written right across it.
Ah. Bingo!
Okay. What do you fancy?
Nothing here of any value.
- You don't seem that concerned.
Why do you do it?
- I don't do it for the money.
For the adrenalin, and because,
like you, I'm interested in people.
Yeah, you can tell a lot
about people from their stuff.
- How old would you say
these people are?
- Don't know.
You can tell a lot from the futon
for a start. Young people have futons.
These people wouldn't be
anywhere near 40 with a futon.
And they've got one laundry bag,
which means they're probably
very used to each other.
Probably about 25 or over.
They could be 20, and they've
been living together for years.
Nah. Look at the books.
They're college educated.
Probably graduated
when they were 21 or 22.
Moved in together
in the last year.
You can tell more
from their music.
And here is the box.
- What box?
- Everyone has a box.
- But mainly it's just a shoe box.
- Is there valuables in it?
No, more interesting.
More personal things like snapshots,
letters, little trinkets
from Christmas.
See?
Envelope, photo,
calling cards, notes.
Sort of an unconscious
collection, a display.
- What do you mean, "display?"
- Well, display.
Each thing tells something
very intimate about the people.
We're very privileged to see it.
It's very rare.
Hey, hey, hey, hey!
What--
What the hell
did you do that for?
It's like a diary.
They hide it.
But actually they want someone
to see it. That's what I do.
See their display.
Flip sides of the same coin.
This way they know
that someone's seen it.
That's what it's all about--
interrupting someone's life,
making them see all the things
they took for granted.
Like when they go back and buy
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"Following" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/following_8377>.
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