Footsteps in the Fog Page #4

Synopsis: To his Victorian London friends, Stephen Lowry is a heartbroken widower. Only his housemaid Lily knows that far from dying of gastroenteritis his wife was slowly poisoned by her husband - information she is happy to use to improve her position in the household and to make sure she stays close to Stephen. As his own prospects improve with a business partnership and a romance more of his own class, Stephen decides that Lily must go. Unfortunately for him, his first attempt gives her even more of a hold over him.
Genre: Drama, Thriller
Director(s): Arthur Lubin
Production: Columbia Pictures
  1 win.
 
IMDB:
7.0
APPROVED
Year:
1955
90 min
74 Views


Now, Mr Jones, when you and Mr Corcoran

saw Mrs Burke's assailant,

- why did you not apprehend him?

- Beg your pardon, sir?

Why did you not appre...

Why did you not stop him?

Oh! Apprehend. Yes.

We couldn't. He disappeared into the fog

before we could say "Jack Robinson".

- It was a real peasouper, that night.

- Consider carefully

and remember you're under oath,

before answering my next question.

Are you quite certain, when you emerged

from the lighted pub into the foggy night,

you saw the assailant's face clearly enough

to identify him beyond a shadow of a doubt?

I am. It was Mr Lowry, all right.

So the fog was too thick

for you to apprehend the murderer,

- but clear enough for you to see his face!

- Yes.

That's all. Oh, one more question, Mr Jones.

How many drinks had you with Mr Corcoran?

Two, maybe three gins. No more than three.

- Large gins or small gins?

- Small ones.

Thank you.

Call Michael Corcoran.

Mr Corcoran, I wish you to tell us how you came

to see the assailant of Katherine Burke.

Oh, that's easy, sir. In the light from the pub.

- He was only a yard or two away.

- Thank you, Mr Corcoran.

First of all, Mr Corcoran, do you remember

how many drinks you had with Mr Jones?

Uh... six gins, sir.

It should've been seven, but Jones

hadn't any money left for his last round.

- Large gins or small gins?

- Well, it was a bitter, foggy night, sir,

so they was large gins.

Six large gins seems rather a lot.

The average man would be a bit tipsy on all that.

Not me! After six gins, I'm as sober as a beak.

What does the witness mean,

"Sober as a beak"?

As I understand it, Your Worship,

he means after six large gins,

he's as sober as a...

judge.

Silence in court!

- That's all, Mr Corcoran.

Call Lily Watkins.

Lily Watkins!

Remove you right-hand glove...

...and now take the testament in your right hand.

Now read the oath.

I swear by almighty God

that the evidence I give to this court

shall be the truth, the whole truth

and nothing but the truth, so help me God.

Now, Lily, do you remember

the evening of November the third?

I do, sir.

Can you tell us where Mr Lowry was

between 8.30 and 9.30 that night?

Yes, sir.

- He didn't leave the house all evening.

- How do you know?

Well, I was with Mr Lowry

every minute of the time.

And were you in the room with him

every minute of the time?

Oh, no, sir. I had my duties to attend to.

But you know exactly

where Mr Lowry was every minute, is that it?

Yes, sir. He didn't leave the drawing room

until he went upstairs to his room.

Well, I suggest that Mr Lowry did leave

the drawing room, Miss Watkins,

- and that he left the house.

- He couldn't have.

- Not without me knowing it.

- And I suggest that if you didn't know it,

it's because

between nine o'clock and a quarter past

you were in another part of the house

intent on your duties.

No, sir.

At nine, according to the town hall clock,

I was in the dining room polishing the silver

before putting it away.

Well, the drawing room

being just across the hall,

Mr Lowry was in plain sight the whole time.

And what was the duration of this "whole time",

during which you watched from the dining room

while he stayed in the drawing room?

About half an hour, sir.

Then I went up to do the fire in his room.

I was on my way to the servants' quarters

and I heard Mr Lowry come up the stairs

and go into his room.

Someone, I presume,

can corroborate your testimony?

- Oh, Mr Lowry can.

- I don't mean the prisoner.

One of the other servants, perhaps?

Well, I'm the only servant in the house, sir.

If witnesses swear they saw Mr Lowry

near the Anchor pub about 9.15,

do you say they're lying?

Either that, sir, or drunk.

I want you to take a good look at the article

that will be shown you.

Please show Exhibit A to the witness.

- Do recognise that walking stick?

- Yes, sir.

It belongs to Mr Lowry.

Now, Miss Watkins, perhaps you can tell us

when exactly you last saw the stick.

Well... it must have been about two months ago

that I lost it.

Silence in court!

Would you care to tell us how, exactly,

you came to lose the walking stick?

Well, I'd sprained my ankle on the cellar steps

and it was paining me a lot

when I had to go and do the marketing,

so I borrowed one of Mr Lowry's sticks

from the hall rack.

I took that one because he didn't use it often.

And you lost it - this stick that your painful injury

had made so necessary?

How did this misfortune occur?

It was in the greengrocer's. I leaned the stick up

against a bin while I did the shopping

and when I looked for it, it was gone.

Some boy must have pinched it to play with.

I... Well, I didn't tell Mr Lowry,

hoping he wouldn't miss it.

And I suggest it never happened - any of it!

That you made up this story because Mr Lowry

is your employer and pays you a good wage.

It would take a lot more than wages to make me

lie for Mr Lowry, or any other employer.

An attitude that does you proud.

But it would take a lot more than attitudes

to make me change my belief that it was

Stephen Lowry, not you, who lost the stick.

That it was lost on the night of the murder, not

"pinched" two months ago by any playful boy.

And you can't prove I'm wrong.

Can you, Lily Watkins?

No, sir. But when you find the boy

that pinched it, he'll be able to tell you!

The burden consequently rests

upon the prosecution

to show a prima facie case

on which the prisoner can be committed for trial

on an indictment for murder

before a High Courtjudge and a jury.

Counsel for the prisoner has submitted

that the evidence

does not show such a prima facie case.

I accept that submission...

...and the prisoner, Stephen Lowry,

is discharged.

This way, sir.

Oh, Stephen, I'm so glad!

There must be something wrong with the law

when a man

like Stephen Lowry can be humiliated like this

while the man who

murdered Burke's wife is free to run at large.

Lowry might well have been subjected for trial,

had it not had been for Lily's testimony.

Surprisingly excellent testimony.

The Crown now has a murder on its hands

and no suspect.

And Constable Burke and his two sons...

no wife and no mother.

- Thank you. Good night.

Good night, sir.

Welcome home, Mr Lowry.

Yesterday, I was standing trial for murder...

and for the first time,

I knew what a murderer felt like.

It may seem incredible to you, but I didn't feel

like that at all, when I killed my wife.

I just felt a great release.

I suppose you've wondered

why I ever married her.

You don't have to tell me.

That must have been pretty obvious.

Yes, I married her for her money.

- How long have you worked here, Lily?

- Just over a year.

I remember you smiled at me

the first day I came.

Did I? Well, you were here long enough

to know what went on.

Always having to be at her beck and call.

The scenes,

if I tried to slip away for an hour or two.

And then, when she started

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Dorothy Davenport

Fannie Dorothy Davenport, Dorothy Davenport (March 13, 1895 – October 12, 1977) was an American actress, screenwriter, film director and producer. Davenport's family was heavily involved in the theater. Her father Harry Davenport was a comedian and her mother Alice Davenport was a well-known actress. At a young age she began working in the fledgling film industry, and subsequently moved to California to work at Nestor Film Company. Davenport was a Hollywood star at age 17. While working at Nestor, Davenport met her future husband, actor Wallace Reid whom she married in 1913. After the birth of her son in 1917, Davenport began to act less; however, she again gained notoriety when her husband Wallace Reid's career took off. Reid soon came under the spotlight as reports that he was a severely ill drug addict began to surface. Subsequently, Davenport became the source of information about her husband's condition, and after his death in January 1923 she co-produced Human Wreckage (1923). The film explores the dangers of narcotics addiction, and Davenport played the role of a drug addict's wife. Billed as "Mrs. Wallace Reid", she followed its success with other social-conscience films such as Broken Laws (1924) and The Red Kimono (1925) . After the release of The Red Kimono, California socialite Gabrielle Darley sued Davenport for 50,00 for using her name and life story without approval. As her on-screen roles continued to diminish, she transitioned to directing, producing and screenwriting. Davenport's successful transition is often attributed to her range of positions in life, including mother, widow, Hollywood producer and social activist.While Davenport's company dissolved in the late 1920s, she continued to take on smaller writing and directing roles. In 1929 Davenport directed Linda a film about a woman who gives up her happiness for the sake of men and social expectations. Davenport directed her last film in 1934; however, she continued in the film industry in other roles until her last known credit in 1956 as dialogue supervisor of The First Traveling Saleslady. Davenport died in October 1977 at the age of 82. more…

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