For No Good Reason Page #4
as though he's had a whole session
of talking to me, you know,
holding me like a bird and I'm
trying to bite my way out of it.
And that was
our relationship, actually.
It was ill-treatment, you
know, that he gave me.
Speak up, Edward, speak up.
Speak up! Talk to me!
He could be an
absolute son of a b*tch, you know,
and, um, left me
sometimes in a right state.
The basis of Ralph
and Hunter's friendship
was that they saw kindred
spirits in each other.
I think that the
difference was that
Hunter realized that Ralph
was crazier than him.
Ralph was willing
to go to extremes
that Hunter
was not willing to,
and you'd think Hunter would be
the one who was the, you know,
more outrageous
and reckless
and the one who would go out
on a limb on something.
But Ralph was the one
who'd actually go there.
I'm not talking
about physical safety.
But I'm talking about
sort of, you know,
mental, moral,
philosophical,
take a chance
with your own work.
I think
America is where
all that was going wrong in
the world was being nurtured.
Blast the hell out
of North Vietnam...
- Do you agree?
- Absolutely.
If anything,
before the election,
we're gonna bomb more,
believe me.
It seemed to me
they needed attacking.
It was something that
absolutely had to be done.
So it had fallen
to me to do this.
It was my duty
to change the world.
I'd always thought I wanted
to change the world.
Now was the moment.
Ralph was willing to
say anything about anybody.
I mean, his moral
sensibility was affronted
and he would
just say so,
he wouldn't stop.
And thus in
a certain sense insane,
willing to, you know, go to the
limits of what was appropriate,
beyond the limits of what was
appropriate and what was sanity,
and dangerous
in that way.
Because people have gotta know
whether or not their president's a crook.
Well, I'm not a crook.
I wasn't at all afraid anymore.
I was going to
use it as a weapon.
One continually
lives in hope
and that you
are coming along
as a sort of knight
in shining armor
and you're going
to do your best.
In a way, you're being
rather self-righteous.
But be proud of the fact that
you are attempting to put right
what really is wrong.
Since then Steadman
has gone back and forth,
contributing regularly to the
pages of Rolling Stone magazine,
recording some of the
significant political events
and personalities
of American life.
His output is prolific.
He even writes Rolling Stone's
occasional gardening column.
Yeah,
I wanted to write.
Oh, really?
And having Hunter
saying to me, "Don't write, Ralph.
"You'll bring shame on
your family." (DEPP LAUGHS
That spurred me on and I
thought, "No, bugger you."
She's my love
She's my life
It's really such a pity that
she's someone else's wife
She's my love...
Thank you for ringing.
Pm not here at the moment.
I'm busy writing a book and
I'll ring you later. Thanks.
I need a couple of drinks,
actually, to start on this, really do.
What is the time now,
by the way?
12:
00.Right.
The task I set myself
was filled with such challenge
that I feared the very
touching of the wall.
At times I was overcome
with desperate fear
and dared not mar the
whiteness there before me.
And I began to paint upon the
wall itself on 6th June, 1505,
at the stroke
of the 13th hour.
At the moment of putting
the brush upon the wall,
the skies darkened and the
bells started to toll.
Leonardo DA
Vinci was a genius.
In fact,
Sigmund Freud said
he was the man who
woke up in the dark.
I thought, "Am I knowledgeable
enough to know anything
"about such a man
There must be
loads of people around
who have done books
about Leonardo DA Vinci.
And I found there were
more than
most people have
ever been written about.
So how can I possibly write
a book that was different?
How many books have
you read about Leonardo?
I suppose I've
been through about 50,
and I'm none the wiser.
I don't know a damn thing.
About halfway through
I suddenly thought,
"What if I call myself
'I, Leonardo?"
And so I became Leonardo.
It was 16th
of December, 1982.
The angle for my book
on Leonardo DA Vinci.
I would write it
in the first person.
I would look
through his eyes.
Only I will know
what it felt like.
No experts can tell me.
This allows me
artistic license
and affords me the luxury
of telling my life story
without ail the doubt that accompanies
most biographies about me.
The reason I chose
Leonardo as a subject
was because of
something he said,
that genius was the
capacity for taking pains.
In a way I recognized
something of me in him,
that I was trying hard to be
something rather special.
And that's not
swanky-ing about it.
It's just trying
to do something
as definitively
as I possibly could
that served the purpose
it was intended to serve.
He was fascinated
by why things worked
and how interrelated
they all were.
Everything that he
designed and invented
were the result of thinking
about life itself.
I think the most significant
thing that Leonardo did,
that makes him
so special,
was that he came
out with something
that probably other
people had dreamed of,
and that was how to fly.
I devised
a simple flying harness
whereby myself, or someone who
might fit the harness willingly,
would soar out
from some eminence.
The parachute
invented by Leonardo
would have been, you know, a triangular...
Like a pyramid.
But then he came out with a cleverer
idea, which was the glider.
It flies,
but I don't.
You know, I learned a lot from him.
I learned a lot from...
This is how
I got an education.
I didn't have an education
before I started doing stuff.
And, you know, I mean,
I left school with zilch.
Yeah.
I went to
Abergele Grammar School.
The headmaster's name
was D.B. Jones.
Uh, he was such
a sweet, gentle man.
After D.B. Jones, uh, retired,
we got a new headmaster,
Dr. Hubert Hughes.
He took over and authority
became very important for him,
and caning boys.
My head is down because,
in a peculiar way,
I felt that school
was in some ways
a rather
authoritative process.
And that's when
I coined a phrase which was,
"Authority is
the mask of violence."
I can't stand bullies,
and there have
been so many of them
and they've been always
in positions of power.
I'm afraid I find that
frankly unforgivable.
The desire to shock is also a way
of getting back at authority.
That idea that,
"Righto, you owe me."
You scared the living
daylights out of me as a kid
with your awful way of dealing
with children and school.
I was trying to hurt the thing
that hurt me, if you like.
It's the key to opening the door
into my dark spirit inside...
Mmm-hmm.
...and out comes
the drawing that
some people call vicious
and all sorts of other names,
or perceptive even.
Sure.
It's like a filter
somewhere inside me
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"For No Good Reason" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/for_no_good_reason_8406>.
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