For the Love of Spock Page #2
of the characters on the show?
Did you create them with
certain actors in mind?
[Gene Roddenberry] Leonard
Nimoy was the one actor
I definitely had in mind.
And I thought to myself,
"if I ever do this science
fiction that I want to do,
"he'd make a great alien.
And with those cheekbones, some sort
of a pointed ear might go well."
I simply made one
phone call to Leonard,
and he came in,
and that was it.
So I went to this meeting
expecting to be auditioned,
or to read for him,
or... whatever.
He was very congenial
and said, "Let's take a walk."
And he walked me over to
sets that were being built,
introduced me to
the scenic designer.
Walked me over to
the prop department.
Showed me some of the props
that were being made.
Wardrobe department, same thing.
"Here's some sketches
of the clothes."
lthoughL
"This is interesting.
"It's like he's telling me
I'm doing this job.
If I keep my mouth shut, I might
have a job here," you know?
Prior to "Star Trek," I never had a
job that lasted longer than two weeks
in any television show
or movie, never. Two weeks.
Mr. Spock here.
We're intercepting...
I didn't have a cool look
in mind at first.
I had this jagged haircut
and bushy eyebrows,
and We went through
a struggle with the ears.
The studio had contracted
with a company
to do special effects
for the show.
Not film special effects,
but items like
suits for creatures,
creature outfits,
and that kind of thing.
And included in the
contract was the ears.
They were supposed
to do the ears.
Now, they were very good
at creating creatures,
and we used them throughout the
series, this particular company.
But they were not
really specialists
in the very fine, delicate
kind of appliance work
that's necessary to add something
to a person's features
and make it really look like
it's part of that person.
We came right down within about three
or four days of shooting the series,
and I said to Gene Roddenberry,
"This is not going to work, and maybe
we'd just better forget about the ears."
Well, he insisted he wanted the
ears to be part of the character.
And he said, "You try it, and let's
work it out. Let's solve the problem.
"And at the end of 13 shows if
you're not satisfied with the ears,
I'll write a script where Spock
gets an ear job." [chuckles]
So we went ahead
and worked on the problem,
and Fred Phillips, who was
who was going to do my makeup
each day on the series,
knew what the problem was.
And a couple of days
before we started shooting,
he called in
an appliance specialist,
and we very quickly went to him.
Got the ears done
in about 24 hours.
And they were ready, and they were
perfect, and that solved the problem.
[Adam Nimoy]
that Leonard Nimoy
reported for work at 6:30 a.m.,
and Mr. Spock could always be counted
on to arrive somewhere around 7:15.
Definitely something out there,
Captain, headed this way.
Our tests indicate
the planet's surface
without considerably more
vegetation or some animals,
simply too barren
to support life.
[Gene Roddenberry] The first
time, it did not sell.
But, uh, NBC...
NBC thought it was too "cerebral"
was the term they used.
The network found the first pilot
too "cerebral," they said.
Not a straight
lined story enough.
And unusual in that they
decided to try a second pilot.
[Leonard Nimoy]
NBC told Gene to fire
almost the entire cast,
including me.
Well, Gene felt very strongly that the bulk
of the character that I was to portray,
that every time I was on screen
you'd be reminded
that we have a mixed crew.
So he stuck to his guns
fortunately for me.
had a different captain,
Jeff Hunter.
The only actor
that stayed over
was Leonard Nimoy.
[Leonard Nimoy]
And then, I had a shock.
I opened up my mail, and here
was a, here was a pamphlet
from the NBC Sales
and Promotion Department.
And it was a pamphlet
about "Star Trek,"
this new series that was
going to be on the air
coming in the fall,
I saw this photograph
of myself as Spock,
and it didn't look right.
Something struck me as strange.
And the closer I looked,
the more I realized that
they had straightened out my
eyebrows, made them look normal,
and they had taken off
the tips off the ears.
The network said,
"We are very dependent on
the numbers in the Bible Belt,
"and they will not accept
who looks devilish
Are you casting me
in the role of Satan?
Not at all, Captain.
who even remotely...
looks like Satan?
fits that description, Captain.
No, Mr. Spock,
I didn't think you Were.
Dr. Dehner feels
he isn't that dangerous.
What makes you right, and a
trained psychiatrist wrong?
Because she feels. I don't.
All I know is logic.
In my opinion, we'd be lucky if we can
repair this ship and get away in time.
One of the reasons for the shift
in the Spock character
when you came on-board
was because when I was
working with Jeffrey Hunter-
Jeffrey Hunter was
a very internalized actor.
Very fine actor.
This was his style of work.
There's an old joke about two
actors preparing to play a soene.
And one says to the other, "What are
you going to play in this scene?"
And the one says,
"I'm playing nothing."
The other one says,
"No, no, no,
-you can't play nothing. I'm
playing nothing." -[laughing]
So here's Jeffrey Hunter playing this
quiet, internalized performance,
[William Shatner]
Ah!
[Leonard Nimoy] And I felt the need to
help drive something in opposition to it.
[William Shatner] Right, right.
-[Leonard Nimoy] Otherwise, we're both
playing nothing. -[Shatner] Right.
[Leonard Nimoy] And when you
came on-board with your energy,
and a sense of humor,
and a twinkle in the eye,
I was able to then become
the cooler Spock.
Has it occurred to you that
there's a certain... inefficiency
in constantly questioning rne on things
you've already made up your mind about?
It gives me emotional security.
Leonard bouncing off of rne could
now dramatically be internal
allowing me to be external,
and the two forces made
an interesting combination.
I prefer the concrete,
the graspable, the provable.
You'd make a splendid computer,
Mr. Spock.
That is very kind
of you, Captain.
You know, I don't know
if I had played Kirk
that it would have dawned on me to
have a sense of humor with Spock.
I don't know that I would
have thought of that,
but Shatnefls take on it was, "I
can f*** with Spock." flaughs]
I mean, you know...
Without being offensive
to the character.
"I can play with him."
Certain you don't know
what irritation is?
The fact one of my ancestors
married a human female...
Terrible having
bad blood like that.
Those two characters
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"For the Love of Spock" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/for_the_love_of_spock_8411>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In