Forgotten Silver Page #5
- Year:
- 1995
- 53 min
- 132 Views
Nobody could stop the bleeding.
The child, a boy, had no chance.
And neither did she.
The both died in Colin's arms.
Colin was torn between guilt and despair.
Guilt over Maybelle
and despair because he'd finished the film,
but at what a cost.
And besides all that,
He was afraid that Palermo Pictures
or the Soviets
would claim Salome.
He made a very drastic decision:
He took all the film - cans and cans
of it - and buried it
right after he buried his family.
After the death of Maybelle, Colin had only
one thing on his mind: Escape.
On July 27, 1931,
Colin McKenzie sailed away from
New Zealand, never to return.
There's some concrete down underneath here.
Look, look, look!
Look, Johnny! There's some steps.
Look, see? Steps.
73 miles from civilization, the team had
Here were ruined arches.
What's it look made of?
And fallen columns.
All around was the crumbling debris
of a huge man-made structure.
But the extent of the
find was still unclear.
Working at fever pitch,
the searchers began attacking the
dense vegetation,
eager to discover the
secrets which lay beneath.
After a week of solid effort, the team's
work was starting to pay off.
Colin disembarked into the heat
and bustle of Algiers in 1931.
Notorious as a haven for
vice and corruption,
North Africa was the perfect place for
a man who did not want to be found.
At the age of 43, Colin McKenzie, bought
his first drink.
And began a lost weekend that that
would continue over five years.
He might have easily ended his days
in an African prison or hospital,
had it not been a accident of fate.
In 1936, the military garrison in
Spanish Morocco
mutinied against the Republican government.
That revolt was to escalate into the
bloody struggle
we know today as the Spanish Civil War.
Newsreel crews flock to the scene.
Amongst them was Colin McKenzie,
determined to regain his self-worth.
Colin was not the only
New Zealanders in Spain:
A young nurse from Auckland named
Hannah Simpson was there,
working for the Red Cross.
Colin came in with a small shrapnel wound,
just needed a few stitches,
but he hung about.
And I kept watching. There was something
special about this man.
And we began to talk about New Zealand.
It was a long time since he'd been there.
And it all came out! His whole life,
he told me about.
We scarcely ever were apart.
He was twice my age,
but that seemed to have
no significance at all.
I'd just seemed to have found someone
who understood me completely.
As I understood him.
There was no time for a honeymoon.
Colin left next day for the front.
I mean, it's so frustrating that the trail
runs cold at the end of 1937.
We have one last photograph of
Colin McKenzie,
which is of him and the troops.
We've faxed and telephoned
every film archive,
every film museum, reference house -
all around the world - that we can think of
and the name of Colin McKenzie just
doesn't surface anywhere.
I mean, he just vanishes off the
face of the Earth.
Colin McKenzie's lost city has been released
from the strangle hold of the western bush.
the enormity of Colin's vision.
But the site had not yet given up all
of its secrets.
Under the remains of a ruined temple,
marked with the sign of Taurus,
was the entrance to an underground passage.
The tunnel led to a hidden vault.
Inside was a sight to rival the most
opulant Egyptian tomb.
Massive statues,
exquisite handmade costumes
and elaborate props,
finely-crafted swords and shields,
Laying undisturbed for 60 years.
This was Colin McKenzie's storeroom
for the production of Salome.
But his greatest treasure
surpassed all ends.
Here we go. And 3, 2, 1...
Hey! Bingo!
The crypt held thousands of feet
of processed film
in hundreds of cans.
It was all there.
Every scene Colin had shot for Salome.
Colin would have wanted
Salome to be finished.
He was so afraid that the Palermo
people, or the Soviets,
would take his precious film and mangle it
that he really wasn't in his right
mind when he buried it.
Colin would want Salome to be seen.
Once the decision had been made to
go ahead with the restoration of Salome,
John O'Shea, the doyen of New Zealand
filmmakers, was asked to oversee the task.
Interpreting what he
wanted is very difficult
but an editor is always faced with the
problems of
filling a director's
wishes as best you can.
If he was here, of course, he'd tell you
what to do, but
an editor has got to try and divine what
was in his mind.
With financial support from the
New Zealand Film Commission,
the painstaking restoration
proceeded smoothly.
A gala premier was planned
for New Zealand's most extraordinary
feature film.
However, 3 days before this event,
the Colin McKenzie saga was to deliver
one final twist.
Six months ago, we wrote to every
Spanish film archive
requesting footage from
that was credited to a cameraman
named Colin McKenzie.
In the last six months, nothing has turned up.
Not one foot of film.
Until this morning.
This roll of film here
was confiscated by the fascists at the
Battle of Malaga in 1937.
It's been sitting in an obscure Spanish
archive all this time, almost 60 years,
and it's credited to a cameraman
named C. McKenzie.
When we screened the film this morning, we
couldn't believe what we were looking at.
The minutes tick by until
The Battle of Malaga was one of
the fiercest of the war.
Here we see that Colin is right behind the
Republican troops
as they charge Franco's fascists.
Intent on filming the action, Colin is
oblivious to personal danger.
As a fresh assault begins, a soldier falls
directly in front of Colin.
Colin puts the camera down.
He runs to help.
He stumbles.
Both men are killed.
On September 3, 1995,
The New Zealand film and
television industry
gathered for a very special premier.
There has never been a movie,
which has taken so long
between conception and completion,
and I predict there has never been a movie
which has given a first night audience
such a voyage of discovery as you're
about to embark on now.
I'm greatly honored to introduce the
world premier of.
Colin McKenzie's "Salome".
As the story opens, a group of women
The tyrant, King Herod has chosen
to make an example of them.
John the Baptist angrily denounces
the massacre.
Watching him is Herod's
stepdaughter, Salome.
John's defiance quickly
leads to his arrest.
Later, Salome meets her lover, Narraboth,
he is Herod's captain of guards.
Deep in the cells, John continues
preaching against Herod
and his evils ways.
He proclaims the coming of the Messiah
and the end of false kings.
Spurned by John, Salome goes to seek
her revenge with the king.
John's preaching reaches a fever pitch.
He incites the people to riot.
With her dance completed,
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Forgotten Silver" Scripts.com. STANDS4 LLC, 2024. Web. 18 Nov. 2024. <https://www.scripts.com/script/forgotten_silver_8449>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In