Foxcatcher Page #2
Mark throws Karabajak to the mat. Pins him. Walks away, arms
raised. Crowd cheers. Karabajak’s on the mat, hurt.
7.
MARK (ON PHONE) (CONT’D)
Dave’s my brother...
On screen, Mark does a back flip.
JUMP TO:
MARK (ON PHONE) (CONT’D)
Olympic Champion...
Mark does a back flip.
MARK (ON PHONE) (CONT’D)
Dave’s my brother...
JUMP TO:
Mark’s holds the phone on his lap, just watching himself on
the screen, wrestling... winning... match after match...
EXT. MARK’S APARTMENT/OUTSIDE WALKWAY - EVENING
Mark’s outside at the second floor railing of this two-story
stucco building, looking out over the bleak landscape: a 711,
an Auto-Zone. He eats a hard-boiled egg. He watches a CAR
pull into the lot below. Dave gets out, looks up.
DAVE:
Where were you today?
CUT TO:
INT. MARK’S APARTMENT - MOMENTS LATER
Dave fills two mismatched glasses with tap water from the
faucet.
DAVE:
How far’d you run? Ten?
Mark’s on the tattered couch. He shrugs, though we should see
that he loves the fact that Dave is concerned about him.
DAVE (CONT’D)
More than ten? Dragging weight the
whole way?
(Dave turns off the water)
You’re a sick f***, you know that?
Dave turns to look at Mark, sitting in the bare living room.
8.
DAVE (CONT’D)
Place is looking good, by the way.
I like what you’ve done with it.
Dave notices the Public Schools Directory on the table.
DAVE (CONT’D)
You setting up clinics?
MARK:
Talked to some coaches.
Dave comes toward Mark, handing off a water glass, dragging
the folding chair over to sit across from him.
DAVE:
I hope you don’t have anything
booked for Saturday.
MARK:
Why?
DAVE:
I need a favor. This school called
me months ago to do a gig but now I
can’t. Nancy’s got a thing all day
so I gotta watch the kids. You
free?
MARK:
I’ll check.
He goes into the bedroom, looks at the calendar. There’s
NOTHING WRITTEN DOWN for any of the days.
MARK (CONT’D)
You said Saturday or Sunday?
DAVE:
Saturday.
MARK:
Saturday could work.
He comes back in.
DAVE:
Good. Thank you.
Dave looks at the BACK OF HIS HAND, where he’s written down a
name and phone number in MARKER. He grabs one of Mark’s VHS
labels and a pen and writes the information.
9.
DAVE (CONT’D)
Coach Vinson, Radnor High. I’ll let
him know you’ll call tomorrow.
He peels off the label and slaps it on Mark’s leg.
DAVE (CONT’D)
And Mark. Please come back to the
gym. You don’t have to do anything
with the team. Just train with me.
Mark’s just looking at his older brother.
DAVE (CONT’D)
I need you there. Stay focused on
what’s important. For both of us.
Seoul’s the goal.
Beat. Beat. Then, Mark nods at his brother.
MARK:
Seoul’s the goal.
CUT TO:
INT. RADNOR HIGH SCHOOL GYM - DAY
Seven HIGH SCHOOL BOYS plus a couple of PRE-TEENS, all in
wrestling gear, sit on the mat in front of Mark. He seems
manic, evangelical, not tuned into his audience.
MARK:
The minute you step on the mat, you
are exactly who you are. You can’t
hide. You can’t pretend you trained
harder than you did, you want it
more than you do. My brother Dave
and me care about this more than we
care about anything. The difference
between the number one guy in the
world and the number four guy is
paper thin. The one who wins is the
one who wants it more, who’s
willing to sacrifice, who can take
the pain. I can take the pain. My
brother Dave can take the pain. Can
you take the pain?
Blank looks from the teenage wrestlers. Mark gestures to a
table set up near the door, on which is his OPEN BRIEFCASE,
with a stack of TAPES.
10.
MARK (CONT’D)
I talk about all this in my
instructional videotape - which you
can purchase at the end of the day
for a nominal fee.
CUT TO:
INT. UNIVERSITY OF WISCONSIN GYM - DAY
Mark exits the locker room in his wrestling gear, heading for
the MATS.
Dave’s in his wrestling gear, on the far side of the gym,
talking with TWO MIDDLE-AGED MEN in blazers with USA
WRESTLING INSIGNIA. Mark walks onto the mat, waits for him.
Dave and the two men see Mark, WAVE to him - but Mark
pretends not to notice, busies himself loosening his wrists,
hands, neck. Dave walks over to him.
DAVE:
You remember Fred Cole from USA
Wrestling.
The men walk up behind Dave.
FRED COLE:
Hey there, Mark, how you been?
Mark sort of nods, but doesn’t really respond.
FRED COLE (CONT’D)
(beat, then turns to Dave)
All right, Dave. Let us know if we
can count on you. We’ll talk soon.
Dave nods. They walk away. Then Dave turns back to Mark.
MARK:
You been calling me and hanging up?
DAVE:
(adjusting his knee brace)
No. What do you mean?
Mark doesn’t answer, just stands looking at him. For several
seconds, they look at each other. Then, slowly at first:
They start to circle each other. We sense immediately their
differences:
Dave’s hunched and not very muscular physiquebelies his quickness and enormous strength.
11.
Mark’s defining characteristic is brute force. A weight class
heavier than Dave, he can NEVER SEEM TO BEAT HIS OLDER
BROTHER.
The wrestling becomes intense and violent - Mark’s head slams
into Dave’s nose, drawing BLOOD. This only energizes Dave,
who slams Mark to the mat - dripping blood onto him.
VARIOUS SHOTS of the increasingly brutal match, ending with:
Dave rides Mark, who’s on his stomach, flattened and splayed -
grappling for a hold. Mark glances up to SEE:
The USA Wrestling men WATCHING from near the door.
Mark looks away, gritting his teeth, but Dave’s gotten his
hold. As Dave TURNS and slams the bigger Mark
CUT TO:
INT. DAVE’S CAR/OUTSIDE MARK’S APARTMENT - EVENING
Mark looks out the window. Silence. They sit there, both
bruised and bloodied.
MARK:
Sorry about your nose.
DAVE:
No, you’re not.
(beat)
Come by the house, have dinner with
me and Nance and the kids.
Mark’s still looking out the window. He speaks quietly
MARK:
You win a gold medal for them. And
still. Nothing. No respect.
He reaches for the door handle.
DAVE:
Hey. Gimme a hug.
Dave reaches for his arm, and Mark folds automatically into
his older brother, puts his head on his chest. Dave embraces
him for several long moments - it’s like a father and his
young child. Then Dave smacks him on the back of the neck.
DAVE (CONT’D)
Same time tomorrow.
12.
Mark nods, gets out of the car and walks away.
CUT TO:
INT. MARK’S APARTMENT - EVENING
Mark presses PLAY on his answering machine. Hang-ups and DIAL
TONES.
CUT TO:
INT. MARK’S APARTMENT/BATHROOM - MOMENTS LATER
Mark examines his bruised face in the mirror, wiping away
blood - some of it his, some his brother’s.
CUT TO:
INT. MARK’S APARTMENT - LATER
Mark’s at the refrigerator, cracking ice cube trays into a
plastic 7-11 shopping bag. The PHONE RINGS. He picks up -
MARK (ON PHONE)
Yah.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Foxcatcher" Scripts.com. STANDS4 LLC, 2024. Web. 18 Nov. 2024. <https://www.scripts.com/script/foxcatcher_585>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In