Frequency Page #30
DESK SGT.
That's Deleon and Hayes' collar.
SHEPARD:
They around?
DESK SGT.
Just missed Deleon. Hayes is up in the
squad.
SHEPARD:
Where's the collar, in the cells?
DESK SGT.
No, I think he's up in interrogation.
SHEPARD:
I'll go find Hayes.
Shepard turns, gliding through the lobby like a shark...
INT. COFFEE SHOP - MOMENTS LATER
Satch and Julia sit at a booth in the back. Satch stirs his
coffee, trying to start a very hard conversation. As he
struggles to begin, the camera notices something in the B.G.
At the counter:
a few stray people gathered around watchingthe WORLD SERIES on an old TV.
AUDIO COMES UP.
INT. 17TH PRECINCT - HALLWAY - CONTINUOUS
Shepard passes the COFFEE ROOM. It is packed with
detectives, gathered around a TV...watching the game. Phil
Hayes is among them. And as Shepard passes, Phil half
catches a glimpse of him as he glides down the hall and
enters.
INT. 17TH PRECINCT - INTERROGATION ROOM - CONTINUOUS
Frank looks up to see Shepard, who quickly closes the door
behind him... and unholsters his gun. An eerie moment.
SHEPARD:
On your feet.
Frank waits a beat. Then very slowly, he stands.
SHEPARD (CONT'D)
Now turn around, face the wall.
Frank steps back, slowly turning. Shepard holsters the gun.
Kicks Frank up against the wall as he reaches into his pocket
and takes out the leather garrote we saw in the Peppermint
Lounge Bathroom. He coils it around his hands.
SHEPARD (CONT'D)
How did you know?
Frank is trembling.
FRANK:
(facing the wall)
You twisted animal...
SHEPARD:
Evidence says you're the animal.
(snapping garrote tight)
That's why you hung yourself.
But Frank turns.
FRANK:
You try putting that thing around my neck
and I'll rip your throat out. You want
me dead, use the gun.
Shepard smiles, unfazed...
SHEPARD:
Let me draw you a picture. You live at
1060 41st Ave. You have a wife who works
at New York Hospital. And a six-year old
at P.S. 130.
Shepard gives Frank a look that would make a Marine Drill
Sergeant sh*t his pants. Shepard knows Frank's weakness, the
one thing that would make him submit to death.
Closing his eyes, Frank turns to face the wall...But the door
handle rattles, someone is outside coming in. Shepard
quickly yanks Frank away from the wall, shoving him in a
chair at the interrogation table.
The door opens.
PHIL:
What the hell is going on here?
FRANK:
You got to help me. He's trying to kill
me.
Shepard just laughs. Phil scans the room - everything looks
normal, a cop questioning a perp.
SHEPARD:
Mind if we take it outside?
Phil shrugs okay.
SHEPARD (CONT'D)
(to Frank)
I'll be right back.
Shepard and Phil step out - bolting the door behind them.
INT. 17TH PRECINCT - HALLWAY - CONTINUOUS
Shepard and Phil stand outside the door.
SHEPARD:
...didn't mean t step on your toes. They
sent me up from downstairs, I thought
you'd be in there with him.
PHIL:
What are you looking at him for?
INT. 17TH PRECINCT - INTERROGATION ROOM - CONTINUOUS
Frank's expression begins to harden. His eyes search teh
room. CLOSE ON his EYES. He looks like John - controlled
rage piercing through that Sullivan thousand yard stare.
He stands, turning around, looking for something, anything
that he can use to get the hell out of there.
His mind's racing, fire fighter training kicking in. And
then he looks up - just below the ceiling, above the door - a
2'X2' ELECTRICAL CONDUCTOR BOX.
Follow Frank's eyes to something else. An AIR CONDITIONER
MOUNTED IN THE WINDOW.
Frank goes to the window. Runs his fingers along the air
conditioner's thick electrical cord - thinking. He unplugs
it. And then he RIPS cord out of the unit, exposing wire.
INT. 17TH PRECINCT - HALLWAY - CONTINUOUS
A loud cheer rises out of the coffee room - the game is
heating up. Shepard and Phil are still standing outside the
interrogation room. Shepard flashes a smile, having said
something that makes Phil laugh...
PHIL:
Yeah, half the uniforms are either at the
game or on the street. It's gonna be a
riot if they pull it off.
SHEPARD:
(glancing down the hall - in
direction of sound of TV)
What's the score?
INT. COFFEE SHOP - CONTINUOUS
Julia's crying. Satch has no words to comfort her, now way
of explaining any of this. He reaches out across the
table...taking her hand. And as they sit quietly.
CAMERA tracks towards the counter. And we hear something
that Satch does not. The sound of a voice. TV ANNOUNCER.
THE SERIES...
TV ANNOUNCER (O.S.)
Cleon Jones thinks he's hit. I think the
ball hit him in the foot...
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Frequency" Scripts.com. STANDS4 LLC, 2025. Web. 10 Jan. 2025. <https://www.scripts.com/script/frequency_412>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In