From Here to Eternity Page #19
looking through records for a new choice. She speaks quite
conversationally, as if offered a pleasant compliment.
ALMA:
That's nice. Because I love you,
too.
She puts on a record -- "It All Comes Back To Me Now." It
plays throughout the sequence.
98.
TWO SHOT:
as Alma comes over to Prew.
PREW:
I mean it. I need you.
ALMA:
(as before)
I'm glad. Because I need you, too.
PREW:
(recklessly)
A thirty-year man is movin all
over, goin all the time. Up to now
I never thought a thirty-year man
had any business to think of gettin
married.
She stares at him, amazed, a touch angry.
ALMA:
You're a funny one, little Prew
boy.
PREW:
(hurt)
Yeah. Must be the altitude.
ALMA:
A very funny one that I cannot
figure out.
PREW:
Why's it funny if a guy wants to
marry you?
ALMA:
Because I'm a girl you met at the
New Congress Club! And that's about
two steps up from the pavement.
PREW:
Okay -- I'm a private no class
dogface soljer. And the way most
civilians look at it, that's two
steps up from no thin.
There is a silence. Alma is honestly distraught.
ALMA:
Oh, Prew, Prew, I thought we were
happy:
Why do you want to spoilthings?
99.
PREW:
Lissen, I ain't think in of now.
But I got a plan cookin in my head.
You want to go back to the States
in a year. Well, you could stretch
it some, make it two years. And I
could swing a Sergeant's stripes --
If I were a non-com the Army’d let
me pick my duty when I re-enlist.
(lost in the picture of
it)
And there's some posts back in the
States -- like Jefferson Barracks --
The married noncoms rate solid
brick houses... with lawns with new-
cut grass and walks with big old
oak trees...
ALMA:
Now I know you've lost your mind!
Sergeant under this Captain Holmes
of yours? It's all you can do to
keep out of the Stockade!
CLOSE SHOT PREW:
PREW:
I could fight.
TWO SHOT:
PREW:
It I go out for boxin he'd send me
to non-com school. The Regimental
Championship is next month. I bet I
could win the middleweight even
without training. I used to be
pretty good I could do it.
Alma is deeply moved. She speaks gravely, sincerely, not at
all immodestly.
.
ALMA:
No. I don't think you should give
in to The Treatment... even to
marry me.
PREW:
This’d be worth it.
100.
ALMA:
(almost desperately)
Prew -- it's true we love each
other now. But back in America, it
might be different... We might not
even want each other...
PREW:
Okay. But that ain't the real
reason.
ALMA:
All right. It's not.
PREW:
What's the real reason you won't
marry me?
ALMA:
I won't marry you because I don't
want to be the wife of a soldier.
PREW:
Well, that's the top I could ever
do for you -
ALMA:
Because nobody's going to stop
me from my plan. Nobody. Nothing.
Because want to be proper.
PREW:
Proper?
ALMA:
(impassioned)
Yes, proper. Respectable. Secure.
In a year I'll have enough money
saved. I'm going back to my home
town in Oregon and I'm going to
build a new home for my mother and
myself and join the country club
and take up golf. And then I'll
meet the proper, man with the
proper position. And I'll be a
proper wife who can keep a proper
home and raise proper children. And
I will be happy because when you
are proper you are safe.
PREW:
(bitterly disappointed but
admiring)
(MORE)
101.
PREW(cont'd)
You got guts, Alma. I hope you pull
it off.
The victrola record ends. Alma turns away from Prew and goes
to the victrola. Now that shots had her say with such
certainty, she deflates. Except for the fact that she looks
like a girl who never cries, she looks as if she might cry.
She lifts the record off the turntable.
ALMA:
But I do mean it when I say I need
you. Because I'm lonely. Sometimes
I'm dreadfully lonely... You think
I'm lying, don't you?
PREW:
No. Nobody ever lies about being
lonely...
Alma puts the same record on again. Prew looks out over the
beautiful view.
FADE OUT:
FADE IN:
INT. KITCHEN HOLMES HOUSE - DAY
CLOSE SHOT HOLMES
HOLMES:
-- I've known about it for a long
time! I've sensed it. And I'm not
going to ignore it any longer! I
want to know where you met him and
just who he is.
at breakfast in a nook off the kitchen. Holmes is a mixture
of petulance, anger and frustration. He doesn't touch his
food, but occasionally takes a sip of coffee.
KAREN:
I'm afraid I'm not going to tell
you.
HOLMES:
You can't keep a thing like this
hidden&
KAREN:
I'm not going to hide anything. I'm
just not going to tell you.
102.
She applies herself to her food, anxious to drop the matter.
HOLMES:
One thing I know. I know it's a
civilian. You'd be too discreet to
pick an Army man.
KAREN:
I don't think it's any of your
business who he is.
HOLMES:
It is my business! I'm your
husband! What do you think a
scandal would do to my chances for
a promotion? So if you're thinking
of a divorce, you can forget it!
Karen stiffens. She struggles to maintain her self-
possession. She manages it, keeps outwardly calm through the
scene.
HOLMES:
Now -- how does it feel to know
you'll have to live with a horror
like me the rest of your life?
KAREN:
Not very nice. But then there's the
compensation of knowing you'll have
to live with me the rest of your
life.
Her attitude makes Holmes progressively sorrier for himself.
CAMERA MOVES with him as during following he rises, goes to
stove, pours himself another cup of coffee. He spills a
little and the liquid sizzles on the burner.
HOLMES:
You don't know how a man feels
about a thing like this. It breaks
a man all up -- inside.
KAREN:
(dryly)
I gander why men feel so
differently about it than women.
HOLMES:
It's -- it's just not the same.
CAMERA MOVES with him as he returns to the table, decides to
try another tack.
103.
HOLMES:
Why do you think I've done all I
have...?
KAREN:
Done all what?
HOLMES:
Tried to be a Company Commander
when I hate it, worked my fool head
off with this miserable boxing
squad, tagged after the General
whenever I could.
KAREN:
I don't know. Why?
HOLMES:
Why, for you and for me. For our
home, that's why.
KAREN:
(dryly)
I always thought you did it because
you wanted to get ahead.
She finishes the last of her food, stands.
KAREN:
It's a lovely day out. I think I’ll
go for a walk.
Holmes catches her wrist, stops her.
HOLDS:
I’m willing to forgive you. Tell me
who he is. Make a clean breast of
it. And I'll forgive you.
KAREN:
I wonder which is hurt more -- your
pride or your curiosity?
She disengages her wrist.
KAREN:
(coolly)
When I'm ready to ask you for a
divorce we can discuss it again.
She goes to door to pantry, pauses there.
104.
KAREN:
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"From Here to Eternity" Scripts.com. STANDS4 LLC, 2024. Web. 20 Nov. 2024. <https://www.scripts.com/script/from_here_to_eternity_994>.
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