Fuga
- Year:
- 2006
- 110 min
- 49 Views
I want to put on a concert for piano
and orchestra.
I see you're anxious to work, um...
and... How's your father?
I brought the music.
No, wait a minute, we don't do things
as fast as you think here.
There's a calendar, a program
scheduled years in advance.
Now, I can understand your interest
...because I have enormous respect
for your training and I love it that
you're a musician;
but you have to take things easy...
How?
Where's the music?
Here
I have an orchestra inside my head.
Are you joking?
shhhh... they're tuning up
Stop fooling around!
Pa... pa papapapa... first
movement... parapparapparapa...
second movement,
this part is beautiful when the brass
dubs the strings... parapara...
third movement...
the violins...
and now a flute comes in sounding
like little girl's voices...
OK, OK, stop...
but a concert is a serious
undertaking,
it takes a lot of preparation...
I need somebody on the piano
Arturo Montero is the best there is at
the moment
A woman, it has to be a woman...
Thank you. Thank you. Any spare
change?
Double bass?
No, piano
ah...
Well?
Are you married?
What's that got to do with anything?
What's your name?
Georgina
Think about it...
Congratulations
Thank you
Good afternoon,
we're starting with the finale...
3-50 time.
Let's start pianissimo and slowly
build it up to a crescendo... OK?
3, that's it... crescendo, all crescendo,
that's it...
No! Hold it!
Look beyond the score, because
there's something hidden;
behind every note, there's
something hidden...
there's a secret.
Come on, now... and!
Better... OK 190 time please
This should be nervous,
let's see, it should be... tense,
uncomfortable.
That, that's me.
It's a wonderful composition,
powerful.
Every time I hear it, I feel that, that
I'm being dragged by the sea...
into the depths...
and I like it. That's strange, why do I
like it? why do we like it?
She, she's my sister...
You don't like it any more?
OK...
Well, your father already talked to the
people at the municipal theater.
Turn the light off.
In the name of the Father, the Son,
the Holy Spirit, Amen.
Brothers, I know that the death of our
loved ones always seems unfair,
that there are moments in life when
we think that we form part of...
My sister is not dead.
She transformed into something else.
I didn't see anything.
I watched from under the water.
There was only that music.
Argentinean?
You're Too?
Just keep going straight ahead.
Watch the car!
Sure.
How do I know you've got what I
want?
You'll just have to see for yourself,
what you see is what you get, right?
All right, no dirty tricks.
Hey, what's the matter, man? Are you
scared? Easy does it man.
My uncle Pato has had them for
years, like,
he tells me they're all valuable and
sh*t, so I called you right away.
This way.
This is it.
That's it, man.
Does that piano play?
Don't know. It's just there.
And your uncle?
Here he is, then.
Could we have some light?
Yeah, sure... Uncle Pato! We've got
company.
Where did he get this?
He's a musician,
kinda orchestra type.
He played the flute, those yellow
flutes,
those things. I don't know what
they're called, the rolled up one.
But he hit the bottle. Look at him,
he's a mess...
too much booze.
He played this music, sure,
but something happened to him and
he started drinking and drinking
and never stopped...
How much?
F***, I don't know.
Let's say 50,000 pesos?
Fifty thousand pesos for a few loose
scores?
Yeah.
Forget it...
Then let's say 40,000 pesos, OK?
And I'll give you my uncle's flute.
Horn, Too,
and I'm not interested.
Twenty for the scores and that's it.
Stop, stop.
What's the matter, Georgina?
I've told you a thousand times that
chord is not controlled, what...
It's not a butterfly that's playing your
chord,
it's a dead hand, a river of blood.
it's a dead hand, a river of blood.
I beg you, please, play it from your
womb.
Georgina!
We'll resume in an hour.
Georgina
Parsifal, Venus!
Are you Klaus Roth?
What do you want?
To talk you about Eliseo Montalbn.
What do you want to know?
I want to know whether he's alive.
I don't have the foggiest idea
and I don't care either.
But you were his doctor,
weren't you?
Much to my distress.
You know, I haven't seen
him for years
and I don't think I can be of any help.
Do you know if he left anything?
Such as what?
Letters, writings,
anything.
He used to write on walls,
but that was lost; the building is
falling to pieces.
Where?
The old psychiatric hospital.
In a room on the third floor.
Great.
One more question?
What?
What drove him insane?
Are you a musician?
Yes.
Then you'll know.
What's the matter?
You're on in three minutes and you're
not even dressed!
Did you see my mother?
Yes, there're lots of people.
What are you doing going over the
scores?!
You're on in three minutes?!
Are you uncertain?
No, it's not that...
Georgina...
She's on stage.
Concentrate, man!
Concentrate!
That girl's been consumed
by this task.
Second...
break a leg, Eliseo Montalbn...
right... I hope everything turns out
macabrely well...
OK:
Do it, man.
All set.
Burn them.
Let's go,
excuse me.
I'm tired of grieving,
I'm tired of all this noise and all these
people.
Who are they?
What do they want?
What happened, sweetie?
What did they do to you, sonny?
You're thirsty?
I don't like this place, Anbal.
I'm not going to leave him here;
over my dead body.
You've got this problem, not Eliseo.
I restructured this hospital myself;
trust me a little, will you!
Don't you talk to me like you're
campaigning.
How are you, minister?
Hello.
Ma'am...
How are you?
How wonderful that you've both
come. Sit, please.
sedative,
but he's, let's say, stable.
What do you think he has, doctor?
As you may know, many of these
disorders are hereditary;
they're dormant until triggered by
some trauma.
There are no nutcases in my family,
if that's what you mean.
Well, in my opinion,
Eliseo should stay here, under
observation for a few days,
so that the medical team and I can
then evaluate him
and make an accurate diagnosis.
There's absolutely no way that I'm
going to leave my son here.
You and nobody else will be
responsible
for what happens to Eliseo.
Nothing's going to happen
to him here,
nothing.
Mr. Roth, you do understand why my
son is here, don't you?
Don't worry, Minister,
your son will be treated according to
his stature;
trust your people.
They cut you off from everything
here, dearie.
All they're going to give you are pills
- cyclorazepan, amparax, saidon,
fluoxetina -,
and a little current all of a sudden
to make your hairs stand on end and
your ass tickle.
They're also going to feed you Mrs.
Lucre's food
that tastes like soiled sheets and
smells like piss.
It's all a big f***ing mess here,
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Fuga" Scripts.com. STANDS4 LLC, 2024. Web. 12 Nov. 2024. <https://www.scripts.com/script/fuga_8666>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In