Funny Face Page #7
- NOT RATED
- Year:
- 1957
- 103 min
- 1,417 Views
Lousy, rotten good-for-nothing!
''Having an evening of international
philosophy, poetry,
song and meditation tonight
at my salon.''
''Would be delighted if you would
join us. Emile Flostre.''
That's where she'll be tonight.
Not showing my collection.
I'm ruined.
I'll go to Flostre's tonight
and bring her back.
And take someone who isn't
emotionally invoIved. Like me.
You'll never get in.
Empathicalists have a very firm way
with hostile vibrations.
Let's turn into
a couple of friendly vibrations.
UntiI we get in. As they say,
if you can't lick 'em, join 'em.
- Do I look grubby enough?
- Yeah. How's the beard?
- Full of pizzazz.
- Come on.
Oui? Qui est vous?
Nous sommes voyager ici
pour la meditation.
Quels noms?
La.
de Florida.
- Florida.
- That's us. De Tallahassee.
Bon. Entrez.
- Come on, sugar.
- AIright, darlin'.
- Ou est Flostre?
- Pourquoi?
I don't know. I just asked.
On me demande
- (woman sobs)
- Pourquoi je l'ai tue
C'est triste!
- What's the matter?
- The song's a bundle of laughs.
Un moment de passion engageante
Je le detestais
She stabbed her lover
because she hated him.
Mais quand je l'ai vu
Mort, froid, et massacre
Now that the poor thing is dead...
Tout d'un coup, je savais bien
Queje l'ai aime
Now that he's dead, she loves him.
Ma tete eclate
Je suis completement derangee
This kid's a little confused.
Et maintenant
Il n'y a plus rien
Il n'y a qu'un seul remede
Now she's gonna get even.
- Je vais mejeter sur la rue
- She's gonna kill herself.
Corbillard
(man) C'est tragique!
- C'est tragique!
- You can say that again.
Hey!
Look up the airstay.
We're on the wrong floor.
Un moment, s'il vous plait.
Suivez moi.
Il me semble qu'il y a une erreur.
Il y a un autre couple
qui s'appelle Barker de Florida.
Oh-oh, the real Barkers.
Now what's this all about?
- They are not from Tallahassee!
- They ain't even from Miami.
in Tallahassee,
and I have been in every corner
of Tallahassee.
- Is this some sort of a gag?
- I know who he is!
- Il est un photographer de fashion.
- Fashion?!
She's a fashion editor.
Get 'em out!
At once,
or Mr Flostre will hear about this.
Now, wait, we're spiritual singers
on a tour and...
Now the hostile vibrations
have gone...
Attendez!
We are ready for your show.
- Command performance!
- Come on, Mama. We're on.
Let's give 'em the oId pizzazz.
Ring-a dem bells
Ring-a dem bells
We is goin'
Don't know where-a
All we know is
It's up there-a
Somehow we gotta
Climb that stair-a
Ring-a dem...
Ring-a dem...
Bells
(rings)
(music moves up tempo)
Come, all you children,
gather around
Gather around, you children!
And we will lose
that eviI spirit called voodoo
Nothing but trouble
If he's found you
If he has found you, children
But you can chase that hoodoo
With the dance that you do
Let us lead the way
Jubilee today
He'll never hound you,
step on the ground you...
Children!
Clap your hands
Slap your thighs
Hallelujah! Hallelujah!
Everybody come along
And join the jubilee!
Clap your hands
Slap your thighs
Don't you lose time
Come along
Now for you and me
On the sands of time
You're only a pebble
Remember trouble must be treated
just like a rebel
Send it to the deviI
Clap your hands
Slap your thighs
Hallelujah! Hallelujah!
Everybody come along
and join the jubilee!
So ring-a dem bells
Ring-a dem bells out
Ring-a them, ring-a them
Ring-a them, ring-a them
Bells!
(music moves down tempo)
Well, Mr Tallahassee, how we doin'?
Why, we's the two most friendly
vibrations you ever seen.
Hey, diddle diddle,
the cat and the fiddle.
The dish ran away with the spoon.
Do you know why
a chicken crosses the road?
No, why does a chicken
cross the road?
- To get to the second floor!
- You is a genius!
Roses are red,
the violets are blue,
the dresses is gotta be showed.
Let's get this show on the road!
Clap your hands, slap your thighs,
gimme that beat, boy...
Gimme that, gimme that
crazy knocked-out beat!
You gotta...
if you wanna get to the promised land
You gotta clap your hands
Clap your hands, slap your thighs,
gimme some heat, man!
Gimme some,
gimme some Dixieland beat!
When you hear that Dixieland,
you gotta clap your hands
Clap-a your hands
Clap-a your hands
Hallelujah!
Hallelu... Hallelu...
Hallelujah
Come along and join ourjubilee!
(applause)
(Jo) Intellectual gratification
is nonexistent.
- Only you can fuIfiI that potential.
- This is it.
- Flostre, there you are.
- Professor, we need you.
What are you doing here?
You look ridiculous!
We've come to see Flostre. Professor,
Maggie and I need guidance.
We realise what futile lives we lead.
- When did you realise this?
- Today. At about two o'clock.
- Just after lunch.
- Professor, don't believe them.
We want to sit at your feet
and learn.
We sit at your feet,
ignorant, but so willing.
You leave his feet alone.
Professor, they want to make
a fooI of you.
- Are you making a fooI of him?
- Me?
You're making things difficuIt.
You don't own empathicalism.
It's in the public domain.
- Why don't you trust these people?
- Because I know them well.
I know what they're here for
and it is not guidance.
Don't listen to her. She is a child.
They came to see me, not you.
To get me over to Duval's
to model their collection.
- I should have known.
- You should've heard what he said.
If we'd come a few minutes later,
you'd have found out for yourself.
You've said enough, Mr Avery.
Not yet. I haven't toId you
what a phoney you are.
- Get out of my house.
- I'm not ready to leave.
I think I can change your mind.
- Catch!
- (Jo screams)
Oh! Oh, no!
Look what you've done!
Bursting in here like a hoodlum.
- I never touched him.
- Go away!
It's time you woke up
to your responsibilities.
Will you please leave?
Duval can't show his collection
without you.
You can't do this to him,
or to all the others.
Hundreds of people.
I'm not interested in your people.
- Your empathy is a little one-sided.
- Get out!
AIright!
I assume you mean me, too.
On you it looks cute, sugar.
Well, you fixed everything!
If you can't lick 'em, join 'em
and if you can't join 'em, lick 'em!
- Tell Duval I'm sorry.
- Where are you going?
There's a plane to New York
at 10:
30pm and I'm on it.You can't do this to me! Come back!
How dare you leave me in the street
like this! Taxi!
- Have they gone?
- They've gone.
- And you're still here?
- I'm still here.
Are you alright?
Well.
In fact, I feel wonderfuI.
I can't tell you how sorry I am.
I had no idea they were coming,
or what got into Dick.
My dear, you mustn't assume guiIt
for something that was unavoidable.
They've gone.
You are here.
That's all that matters now.
Nice of you to say so,
but it was me...
You have the most penetrating eyes.
I can still see them
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"Funny Face" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/funny_face_8695>.
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