Gabrielle Page #4

Synopsis: Paris shortly before World War I. Wealthy and self-satisfied, Jean Hervey is returning home from work, describing life with his wife of 10 years, Gabrielle; he values her as impassive and stolid. However, that day she's gone, leaving a letter that she's joining a man she loves. Jean is devastated, but within minutes she's returned, telling him that her resolve has failed. Over the next two days, he questions, demands, begs, and parries with her: why did she leave, why did she return, does she love him, did she ever love him, who is her lover, is she passionate with her lover? She's calm as alabaster, reserved. Is she in danger? When she makes an offer, how will he respond?
Genre: Drama, Romance
Director(s): Patrice Chéreau
Production: IFC First Take
  3 wins & 6 nominations.
 
IMDB:
6.3
Metacritic:
79
Rotten Tomatoes:
74%
Year:
2005
90 min
$89,667
159 Views


Every morning I'll make sure

you're in pain.

It will eventually go away.

Ill see those dark clouds break up.

And maybe Ill let you know

that your torment is ending.

Who knows?

lmagine it:

Me, a bit surprised, saying,

''Gabrielle, you're back.''

I can see why my sadness intrigues you.

Im not surprised.

But don't expect it to go away.

If it does, however,

l won't let you see it.

You'Il see nothing but my pain.

You'l only see this sad face,

if I so decide.

And me?

Can you read my heart on my face?

The other way around!

Let's look at it the other way around.

Your letter was ful of ''l's''.

But him in there!

You, I know now.

Isn't it time to tell me about him?

My wifes mad about a tram conductor!

Who is this woman

under my roof, for whom a man...

But in fact,

hell tell me about you.

Go on.

Go talk to him.

You spoil my pleasure. I love music.

Hell hear you out

and answer you.

I know he will.

For once a recital

that resembles a real recital.

So what have you seen lately

to loathe?

Your loathings stimulate us.

We're not saying

you're always wrong.

How good of you.

Nothing much.

A dreary affair about an inheritance,

not worth getting angry about.

Sorry.

But true lucidity, with all its dangers,

is preferable to a life

that keeps all its promises.

Some promises are so vague.

Others we try to keep at all costs,

only to be hurt more.

Some dishes should be turned down.

Temperance is a virtue I honor

with an iron will.

You dont honor

"with an iron will"

No, you act. I know.

You didnt just discover lucidity.

But to me youve always had it.

Nearly.

Yes, nearly.

So you hurt yourself, is that it?

I won't let anyone else

have the honor.

Thats more like it.

Peace of mind guaranteed.

Everything a l right, Yvonne?

Me, too.

Here's something

for you to puzzle over

days on end.

The second time I was happy,

very happy,

is when I wrote my letter.

You know there was a letter?

That's when.

Yesterday, or thereabouts.

Incredible.

Time doesn't matter, I've learned.

It does it likes.

Like all of us.

Friends!

Dear loyal friends...

Thank you for being here,

for never missing an evening.

Weve been together for years,

and we preserve

one another

from the worst misfortunes.

And, personally,

I have never desired another life.

I feel fine,

I feel fine among you,

and I just wanted to say so.

I feel fine.

I wanted to certify it.

Madeleine can assure you

that l felt fine.

I feel fine.

That's my secret.

Oh, yes...

Gabrielle wanted...

wants?...

to make an announcement.

Maybe she no longer wants to.

No longer sure? No?

Yes, she's sure.

The time was ripe earlier,

and now it isnt.

And I won't address everyone

when only two of you

are concerned.

You'd be displeased with me.

Jean. first of all.

So we wait. s that it?

That's it.

Your niece had a winter wedding,

didn t she?

I never could understand why.

lt's not as nice.

Everythings so confined.

The church, the reception halls,

the endless meals...

May, June and July are better.

Especially June and July.

I don't know.

Cold wather

gives people rosy cheeks.

Where are you going?

- I'm going.

- What? Where?

- To him?

- No, alone.

Stay!

It can't end ike this.

Let me go!

STAY!

I loved you.

I love you, here and now.

You never loved me.

You needed some woman,

any woman,

a wife, any wife.

You married a woman I'm not,

that's all.

Sometimes Im sorry.

What do you know of my thoughts?

On returning, you seemed unhinged.

You listened so weII.

How you talk to me now!

Had I believed you loved me,

had I believed it for a moment,

Id have never come back.

Had I thought

l mattered at all to you,

Id have never returned.

When you don't matter,

you can come and go,

as if nothing had happened.

Nothing. Its so simple.

We're alone, Jean.

Don't you see?

Youre just trying to reassure yourself.

Stop it.

I knew that

what we experienced together saved us.

I knew we had the assurance

of a life without scandal

and without crises.

I knew it.

That we'd sleep the same sleep.

I wanted it just as you did.

No one knows

how well matched we were.

Much more than many others.

Yes, we were.

Then why did you come back?

I came back because...

that other life, with that man,

who is so kind,

attracts me...

That other life is too demanding.

My arms and legs arent enough

to absorb it all.

My body isn't big enough.

What style!

Where did you get that from,

for God's sake?

I must say it has a nice ring.

At least,

he didnt taint you.

Poor helpless little thing.

But what you ve said

has nothing to do with love!

Love's not this torment

that's made you act so oddly.

You won't drag me down with you!

I can stilI teIl true fee ings

from utter confus on!

I'm going to bed.

Good n ght, Jean.

I have something to do.

Did you fell any pleasure with him?

More pleasure than with me?

Of course I did.

You never felt any pleasure with me?

It wasnt that important to us, was it?

Ten years of life together,

here. in my house...

In this house.

So many memories come to mind...

The way you walk,

the way you say my name,

your heaving breast...

Ten years

should have appeased my desire.

A long time ago,

of course I... I mean we...

But that was the first five months.

Then habit sets in.

Habit of the person,

gestures, voice.

- the silence...

- Jean, please no!

- My wife's si ence...

- Stop it!

Is was all mine!

It was alI intimately mine!

It's Yvonne.

Leave it, Yvonne.

THE NEXT MORNING

YOU MUST HELP ME.

YOU ALWAYS HAVE...

You'll help me.

I need it.

You left me,

then you came back.

I don't understand.

But I will.

I make myself sick.

Get out.

Emotion s...

revolting.

You loved me, didnt you?

I mean...

a littIe? Tell me.

A long time ago, yes. I said so.

But that's aIl passed.

I dont resent you

for no longer loving you.

Once, yes thats gone.

I don't resent you now.

Come.

Come.

Lie down.

If you come to me, now...

Maybe...

I could...

Now.

Come.

There's no love, is that it?

There won't be any love.

ever?

And you can live with that?

Well, I can't!

HE NEVER RETURNED.

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Patrice Chéreau

Patrice Chéreau (French: [pa.tʁis ʃe.ʁo]; 2 November 1944 – 7 October 2013) was a French opera and theatre director, filmmaker, actor and producer. In France he is best known for his work for the theatre, internationally for his films La Reine Margot and Intimacy, and for his staging of the Jahrhundertring, the centenary Ring Cycle at the Bayreuth Festival in 1976. Winner of almost twenty movie awards, including the Cannes Jury Prize and the Golden Berlin Bear, Chéreau served as president of the jury at the 2003 Cannes festival. From 1966, he was artistic director of the Public-Theatre in the Parisian suburb of Sartrouville, where in his team were stage designer Richard Peduzzi, costume designer Jacques Schmidt and lighting designer André Diot, with whom he collaborated in many later productions. From 1982, he was director of "his own stage" at the Théâtre Nanterre-Amandiers at Nanterre where he staged plays by Jean Racine, Marivaux and Shakespeare as well as works by Jean Genet, Heiner Müller and Bernard-Marie Koltès. He accepted selected opera productions, such as: the first performance of the three-act version of Alban Berg's Lulu, completed by Friedrich Cerha, at the Paris Opera in 1979; Berg's Wozzeck at the Staatsoper Berlin in 1994; Wagner's Tristan und Isolde at La Scala in 2007; Janáček's From the House of the Dead, shown at several festivals and the Metropolitan Opera; and, as his last staging, Elektra by Richard Strauss, first performed at the Aix-en-Provence Festival in July 2013. He was awarded the Europe Theatre Prize in 2008. more…

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