Game 6 Page #7
- Year:
- 2006
- 15 min
- 426 Views
NICKY:
I was all noise. Played the radio
loud. Battled constantly with my
brother and sister. Here I am,
world.
PAISLEY:
I hear good things about the new
play.
NICKY:
So do I. Over and over.
PAISLEY:
Peter Redmond is an actor I admire
enormously.
NICKY:
Would you like to meet him?
PAISLEY:
He doesn't want to meet some out-of-
work ingenue.
NICKY:
afternoon. In case you haven't
noticed.
PAISLEY:
The fact is, I have to get going.
NICKY:
Is it true?
PAISLEY:
Is what true?
NICKY:
He wears a disguise.
PAISLEY:
Steven goes to extremes to protect
his privacy. No friends. No phone.
NICKY:
But you're his friend.
PAISLEY:
Sort of. Sometimes. You're not
building an obsession about Steven,
are you? Look. I understand opening-
night jitters, but you've got one
of the great actors in American
theater starring in your play.
47th Street between Broadway and Eighth Avenue.
INT. THE BARRYMORE THEATER - STAGE ENTRANCE
Nicky has been cornered just inside the entrance by the stage
manager, a small, fierce woman named RENEE SIMON.
RENEE:
I can't take this anymore. He
forgets simple lines. He forgets
where to stand. We tell him and
tell him and tell him. I know he's
a sweet man. I love Peter. It's not
his fault. But I've never worked in
a show where the leading man has
4parasites in his brain.
INT. THE BARRYMORE THEATER - THE ORCHESTRA
Nicky sits down in the orchestra, looking darkly into space,
brooding. He surveys the set, a working class kitchen, behind
it a backdrop of dark streets and looming tennaments. A
portly well-dressed man appears, moving along the row toward
Nicky. This is SIDNEY FABRIKANT, the producer.
NICKY:
opening.
SIDNEY:
Joanna loves this play. She has
sunk tons of money. She is
completely Ncommitted.
NICKY:
appreciate that, Sidney. But our
leading man can't remember his
lines. And his understudy can't
carry the play.
Nicky looks out at the rehearsal in progress on stage. The
director, JACK HASKINS and the actor PETER REDMOND
(50)confer, move about gesturing and blocking.
SIDNEY:
I had lunch with Joanna. She said
she told you about Peter. You
weren't concerned, she said.
NICKY:
hat was this morning.
SIDNEY:
So what happened since? You're
worried about this kid who writes
these reviews?
Nicky looks across the theatre. Paisley Porter sits alone,
tenth row center, watching rehearsal with rapt attention.
NICKY:
'm not worried about this kid.
SIDNEY:
Well I am. Worried sick. Everybody
quotes Steven Schwimmer. He's here
civilization. He kills a play every
time he farts.
NICKY:
Postpone. We have every right.
SIDNEY:
Too late. All the elements are in
place. Delay the opening and we
lose the theater.
NICKY:
I've had three straight washouts,
Sidney.
SIDNEY:
(deliciously)
You're dangling from the last
letter of your last name.
INT. THE BARRYMORE THEATER -THE STAGE - NICKY AND PETER
REDMOND - A LITTLE LATER
The actor sitting on the sofa. Nicky on one knee, leaning
towards him in intimate conversation.
NICKY:
Sidney remains optimistic.
PETER:
Sidney.
NICKY:
Sidney Fabrikant. Our producer.
PETER:
I was educated by nuns.
NICKY:
Yes.
PETER:
I have excellent long-term memory.
NICKY:
Yes.
PETER:
I kissed Shirley Felder on the
teeth.
NICKY:
Yes, Peter.
PETER:
But my parasite is consuming all
the new memories. Eating my lines.
NICKY:
You have to see the words. Try to
script. Imagine your lines high-
lighted with a felt tip pen.
PETER:
What color?
NICKY:
What was your favorite color
crayon, growing up?
PETER:
Burnt sienna.
NICKY:
Mine was cobalt blue.
PETER:
This is your history, isn't it?
Nicky? All around us. And my
parasite is consuming it.
NICKY:
Yes.
PETER:
laughing.
NICKY:
Yes.
PETER:
I can see her face so clearly. Dear
God. My heart was flying out of my
chest with love.
INT. THE BARRYMORE THEATER - THE WINGS
RENEE:
I hear he got the parasite in
Burma.
JACK:
I heard Borneo.
RENEE:
Why do we blame the Third World for
our parasites? Maybe he got it in
Denver or Minneapolis.
JACK:
Maybe he got it in Borneo.
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