
Gandhi Page #41
- PG
- Year:
- 1982
- 191 min
- 1,867 Views
For a second, utter silence.
And then the police begin to back away from their victims.
The marchers start to move forward. The police draw their
guns, and the marchers suddenly run at them, a guttural roar,
as though they were one single wild beast.
Featuring the police. They start to run, some turning to
fire at the pursuing crowd, then running on.
THE POLICE STATION - EXTERIOR - NIGHT
A small building for this small town. A policeman on duty
holds the door and the fleeing police, first one, then two
more, then the last three, run into the building.
The crowd surges around it, smashing windows, hurling stones.
Close shot. English cloth shirts pushed together and ignited.
Second close shot. Trousers, already aflame, being hurled
through a broken window. All around, the noise of the angry,
surging crowd, stones raining on the building. Shouts: "Out --
Out!"
Later. A corner of the building engulfed in flames. The camera
pulls back and we see the whole building swept with fire.
The heat of it keeps the crowd back but they are still
shouting "Out -- Out! -- Out" -- and a sudden cheer.
At the door of the flaming building. One policeman appears,
his face blackened with soot, his hands up over his head.
Another appears in the smoke behind him, and they start to
come out -- not only the original six but the five or six
others who were in the building -- rushing suddenly from the
heat of the fire.
Close shot -- the crowd. We are close on the body of the
first policeman as he runs into the crowd and on the instant
we see a sword slash at his arm.
Another angle. The crowd massed around the fallen figure, a
flash of the sword going up over the heads -- a breathless
pause -- and it comes down again... savagely.
Later. The flames of the crumbled building. The crowd has
gone and we only hear the roar of the flames. The camera
pans across the flames, and we see a skull, charred flesh
still clinging to it, the eyes black holes, the teeth bare
as it burns in the fire.
JINNAH'S DRAWING ROOM - INTERIOR - DAY
Close shot -- Gandhi. His face drawn, stunned, as he stares
emptily at the floor. He is sitting on the carpet in the
center of the room. A moment of silence and then we begin to
hear the tick of a clock, the sounds of others moving in the
room, and finally
PATEL'S VOICE
That's one bit of news they haven't
censored.
Another angle. Patel leans with one arm on a table, his mood
as devastated as Gandhi's; he is looking at an Indian paper
on the table by his hand. A moment then
JINNAH'S VOICE
Oh, it's all over the world...
(ironically)
India's "non-violence."
He has been standing, looking out of a window. He turns, and
tosses a newspaper on a desk. It is a New York Times and we
just glimpse the picture of the severed head lying in the
smoldering ashes.
And now we see Nehru and Azad in the background too. And
Desai. Jinnah as usual in a finely cut European suit, the
others are dressed in tunics of homespun as they will be to
the end.
NEHRU:
(bleakly)
What can we do?
GANDHI:
(sepulchrally)
We must end the campaign.
They turn to him -- a sense of surprise, but they don't really
believe he means the statement.
JINNAH:
After what they did at the massacre --
it's only an eye for an eye.
GANDHI:
(he hasn't moved; the
same tone)
An eye for an eye only ends up making
the whole world blind.
(Now he looks up at
them.)
We must stop.
PATEL:
(a baffled smile)
Gandhiji -- do you know the sacrifices
people have made?
He looks at him. Gandhi doesn't move. Patel looks up
hopelessly at Jinnah. Azad keeps his eyes fixed on Gandhi,
sensing, fearing what is going to happen.
JINNAH:
We would never get the same commitment
again -- ever.
He looks at Gandhi with a mounting sense of annoyance.
Gandhi is listening, but still withdrawn into himself.
GANDHI:
If we obtain our freedom by murder
and bloodshed I want no part of it.
NEHRU:
(pleading)
It was one incident.
GANDHI:
(quietly)
Tell that to the families of the
policemen who died.
Jinnah turns away in anger. Patel sighs. Nehru feels helpless
but he continues to try.
NEHRU:
Bapu -- the whole nation is marching.
They wouldn't stop, even if we asked
them to.
Gandhi stares into nothing -- mulling that. Finally
GANDHI:
I will ask. And I will fast as penance
for my part in arousing such emotions --
and I will not stop until they stop.
Nehru stares at him -- surprised. Azad is not.
JINNAH:
(disgustedly)
God! You can be sure the British
won't censor that! They'll put it on
every street corner.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Gandhi" Scripts.com. STANDS4 LLC, 2025. Web. 28 Feb. 2025. <https://www.scripts.com/script/gandhi_471>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In