
Gandhi Page #66
- PG
- Year:
- 1982
- 191 min
- 1,886 Views
He moves off, but has a sudden thought and turns to Patel.
GANDHI:
Ask Panditji to -- to consider what
we've discussed.
Patel nods soberly and Gandhi starts for the door, Bourke-
White moving with him.
GANDHI:
(of the photographs)
Enough.
BOURKE-WHITE
(a plea)
One more.
He has passed her, he's in the doorway. We see the crowd at
the end of the garden, where the light of the day is beginning
to soften. He turns, teasing in his slightly flirtatious way
with women.
GANDHI:
You're a temptress.
She shoots him against the door -- the crowd milling
distantly, waiting -- then she lowers her camera.
BOURKE-WHITE
Just an admirer...
GANDHI:
Nothing's more dangerous, especially
for an old man.
He turns; the last words have betrayed the smile on his face;
they have a painful sense of truth about them. Bourke-White
watches as he moves into the garden toward the crowd in the
distance.
She turns to Mirabehn.
BOURKE-WHITE
There's a sadness in him.
It's an observation -- and a question. Mirabehn accedes
gravely.
MIRABEHN:
He thinks he's failed.
Bourke-White stares at her, then turns to look out at him.
BOURKE-WHITE
Why? My God, if anything's proved
him right, it's what's happened these
last months...
Mirabehn nods, but she keeps on spinning and tries to sound
cynically resigned but her innate emotionalism keeps breaking
through in her voice and on her face.
MIRABEHN:
I am blinded by my love of him, but
I think when we most needed it, he
offered the world a way out of
madness. But he doesn't see it...
and neither does the world.
It is laced with pain. Bourke-White turns and looks out at
Gandhi -- so tiny, so weak as he walks between his "props."
He has now reached the end of the garden and is moving among
the crowd assembled there.
THE GARDEN - BIRLA HOUSE - EXTERIOR - TWILIGHT
Gandhi is moving forward in the crowd, one hand resting on
Manu, the other on Abha. He makes the pranam to someone, the
crowd is bowing to him, some speaking, and we also see the
crowd from his point of view -- "Bapu," "God bless you,"
"Thank you -- thank you." He turns to a very old woman, who
makes a salaam to him. Gandhi touches her head.
GANDHI:
Allah be with you.
Smiling, he turns back. A jostling, the sound of beads
falling.
MANU:
(to someone)
Brother, Bapu is already late for
prayers.
Gandhi turns to the person; he makes the pranam.
Full shot. Godse is making the pranam to him and he suddenly,
wildly draws his gun and fires. The camera closes on Gandhi
as he staggers and falls, the red stain of blood seeping
through his white shawl.
GANDHI:
Oh, God... oh, God...
Manu and Abha bend over him, silent in their first shock.
The sound of panic and alarm begins to grow around them,
they suddenly scream and begin to cry.
MANU/ABHA
Bapu! Bapu!
Blackness. Silence.
A moment -- we sense the blackness moving -- like dark smoke.
The camera is pulling back very slowly and we can tell the
blackness is smoke rising from a fire.
And now we see that it is a funeral pyre. And all around
that pyre a mass of silent humanity. Through the smoke,
sitting cross-legged near the rim of the flames, we see
Nehru... and Azad and Patel, Mirabehn and Kallenbach, the
drawn faces of Lord and Lady Mountbatten, Manu and Abha...
A helicopter shot coming slowly up the wide river, low, toward
a barge and a mass of people in the distance.
And now we are over the barge, and it is covered with flowers.
Flowers flow downstream around it. An urn sits on it --
containing Gandhi's ashes -- and Nehru stands near it, Azad
and Patel a little behind him. And as the barge floats down
the river, Nehru bends and lifts the urn...
Featuring Nehru. He swallows, restraining his own emotion,
and slowly, ritualistically, sprinkles the ashes over the
water.
And as they spread, we hold on that stretch of the river,
the flowers swirling languidly around it as the dark, timeless
current moves them toward the sea.
GANDHI'S VOICE
(weak, struggling, as
he spoke the words
to Mirabehn)
...There have been tyrants and
murderers -- and for a time they can
seem invincible. But in the end they
always fall. Think of it -- always...
When you are in doubt that that is
God's way, the way the world is meant
to be... think of that.
And slowly the camera begins pulling back, leaving the
flowers, the brown, rolling current as though leaving the
story of Gandhi, going far out, away from the great river,
reaching higher and higher, through streaks of clouds as end
titles begin.
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"Gandhi" Scripts.com. STANDS4 LLC, 2025. Web. 6 Mar. 2025. <https://www.scripts.com/script/gandhi_471>.
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