Gattaca Page #2
- PG-13
- Year:
- 1997
- 106 min
- 2,378 Views
In the bedroom JEROME removes a shirt from a drycleaning bag.
Printed on the bag - "Confidentiality Guaranteed". He emerges
from his bedroom, dressed in a smart albeit unconventionally cut
suit. He adjusts his tie in the mirror, careful not to disturb
the sachets attached to his fingertips.
INT. INVESTIGATOR'S POOL. MORNING.
A lone MAN swims a ferocious lap of freestyle in what appears to
be a pool of enormous length - yet he never reaches the pool's
end. We pull wider to reveal that the man is swimming against
an artificial current in a pool barely larger than himself.
Abruptly, the man stops and stands up - the fast-flowing current
instantly stilled. We glimpse the face of INVESTIGATOR LUCAS.
Thirties, he has a youthful yet rigid face. We have the
impression that he does not swim for pleasure.
EXT. CONDOMINIUM COMPLEX. MORNING.
It is still early as JEROME exits the building's underground
parking garage in an immaculate Studebaker Avanti and proceeds
down the long straight driveway. He exchanges a wave with a
GARDENER trimming a lawn.
The whir of the car's electric powered engine belies its
conventional appearance.
EXT. GATTACA AEROSPACE CORPORATION. DAY.
JEROME's car exits a highway and turns up the sweeping road
leading to the parking lot of "GATTACA AEROSPACE CORPORATION".
A sleek, modern, low-rise industrial compound boasting perfectly
manicured landscaped gardens.
INT. GATTACA AEROSPACE CORPORATION. DAY.
JEROME strides purposefully up to the entranceway with hundreds
of other GATTACA EMPLOYEES. He carries himself with a certain
arrogance, a cool detachment. All employees wear similarly
unconventionally-cut suits, short coiffed hair and robust tans.
The Gattaca employees are a seemingly equal split of men and
women and a diverse range of ethnicities.
They filter through a row of channels supervised by SECURITY
GUARDS. Each channel contains a computerized security device,
featuring a slim groove in which the employee places a finger
under the watchful eye of a Security Guard.
Jerome gives a polite nod to a Guard as he places his index
finger in the groove. His fingertip is jabbed with the
finest of needles and a minute blood sample taken.
The blood specimen confirms Jerome's identity - an ID photograph
appearing on a computer screen.
Out of the corner of his eye, Jerome spies a young woman
entering through the adjacent channel. She is also sneaking a
glance in his direction - IRENE. Catching each other looking,
they both quickly avert their eyes.
As Jerome enters the computer facility of Gattaca Aerospace
Corporation he furtively glances at the pin-prick puncture in
his fingertip sachet.
A GATTACA spacecraft skirts an asteroid. Taking advantage of
the rock's gravitational pull, the craft slingshots deeper into
the black void. Then abruptly the craft and the asteroid freeze
in mid-space, suddenly reverse direction and proceed forward
again - the spacecraft taking a slightly adjusted course.
We pull back to reveal that the journey is merely a highly
realistic graphic representation on a GATTACA computer screen
operated by JEROME.
Appearing simultaneously alongside the computer animation is a
seemingly never-ending column of computer instructions for this
celestial navigation - the incomprehensible language of the
computer programmer.
140 #x20x08x$$x20x08x$$x20x08x$$x20{
150 #x00x00x00x00x00x00x00x00x00x00
160 #xfexfexfexfexfexfexfexfexfexfe
Jerome is transported - plotting a path through the heavens.
As his fingers fly across the keys he does not once take his
eyes from the screen.
His is one of hundreds of ergonomically designed work stations,
arranged in ever-widening circles in a huge, curcular, well-
appointed if antiseptic room. Each curved desk contains a
computer terminal consisting of a keyboard and a slim,
transparent screen behind which is seated a PROGRAMMER,
designing software for the aerospace agency. At the center of
the room is a donut-shaped command console, chairs facing
outwards, from which operations are monitored.
Floor to ceiling smoked-glass curved walls offer the only
concession to nature - a tinted view of a man-made, meticulously
landscaped garden.
Jerome tears himself away from his screen and picks up a
discreet mini-vac. He vacuums between the keys of his keyboard.
DIRECTOR JOSEF, 50's, a shorter, official-looking man
approaches. His assistant IRENE stands at his shoulder.
DIRECTOR JOSEF:
You keep your work station so clean, Jerome.
JEROME:
--Next to Godliness, isn't that what they say?
The Director smiles at the notion and places a computer disc
on Jerome's desk.
DIRECTOR JOSEF:
I reviewed your flight plan. Not one error
in a hundred thousand keystrokes. Phenomenal.
(placing a hand on Jerome's shoulder)
It's right that someone like you is taking us
to the Belt.
(glancing to notification on Jerome's screen)
You have a substance test.
The Director briskly departs, Irene in tow. At a nearby work
station, a painfully thin programmer, NAPOLEON, perks up at
the mention of the test.
Jerome merely shrugs and pretends to reach down and scratch his
ankle. However he surreptitiously produced one of Eugene's
transparent specimen bags from his sock. An EXTREME CLOSE UP
reveals the bag's contents - flakes of skin, hair follicles,
eyelashes, a fingernail. Cupping the bag in his hand to avoid
detection, Jerome sprinkles the fraudulent body matter over his
keyboard, desk surfaces and the floor around his work station.
He opens his desk drawer and casually scatters the remainder of
the bag. Finally he inspects a comb already laced with two
hair follicles.
Jerome rises from his work station and makes his way towards the
testing lab.
INT. GATTACA AEROSPACE CORPORATION - TESTING LABORATORY. DAY.
White-coated LAMAR, forties, buzzcut, a man's man, checks
JEROME's eyes with an instrument. Satisfied with his
examination, he passes a transparent plastic container to
JEROME. Standing directly in front of the technician with his
back to camera, Jerome opens his fly. A steady stream of urine
begins to flow into the container from Jerome's hidden pouch.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Gattaca" Scripts.com. STANDS4 LLC, 2024. Web. 9 Nov. 2024. <https://www.scripts.com/script/gattaca_137>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In