Get Shorty Page #16
- R
- Year:
- 1995
- 105 min
- 1,015 Views
BEAR:
Not too bad.
CHILI:
How 'bout when you went down the stairs?
The Bear touches his thigh . . .
BEAR:
I think I pulled my quadriceps.
CHILI:
So . . . how many movies you been in?
BEAR:
About sixty.
CHILI:
No sh*t? What're some of 'em?
INT. HARRY'S OFFICE -- DAY
Harry is passed out with his head on the blotter when we
hear someone POUND ON THE DOOR. He jerks upright.
VOICE:
Harry Zimm?
HARRY:
What -- who is it . . . ?
Harry, his hair a mess from sleeping on it, looks up at the
door as it opens to reveal Ray Bones standing there.
RAY BONES:
The dipshit who's never been out've Miami.
Harry wakes up quick, nearly wets himself as Bones then
casually steps into the office.
HARRY:
Mr. Barboni. Well. This is surprise . . .
Scrambling now to play it the way Chili taught him, Harry
quickly gestures to the red leather chair arross the desk.
HARRY:
Please. Have a seat. Right here in this chair right here . .
.
As Ray Bones sits down, Harry moves to the blinds and opens
them. Problem is, the sun's setting, so there's no glare at
all. Ray indicates the nice red sunset . . .
BONES:
They say the f***in' smog's the reason you have such
beautiful sunsets.
Harry just smiles, sits down at the desk, things already not
going too well, about to get worse . . .
INT. WINGATE MOTORS OFFICE -- SAME TIME
The walls are covered with posters of Porsches and Ferraris,
the kind you can buy at the carwash with severely titted
chicks sprawled on the hoods. Bo Catlett is behind a big
wooden desk on the phone.
BO CATLETT:
Whatta you mean, he faked them out?
The Bear, sort of half doubled over . . .
BEAR:
He knew it was a set up. He was ready for it.
INTERCUTTING BO CATLETT & THE BEAR
BO CATLETT:
So where's the money?
BEAR:
BO CATLETT:
You guess? You mean you don't know?
BEAR:
I mean I don't care.
Bo Catlett looks into the outer office as a car pulls into
the garage. Three dark-shaded gentlemen step out of the car.
BO CATLETT:
Bear, I'm going to call you later.
INT. WINGATE MOTORS OFFICE -- DAY
Bo Catlett hangs up, gets to his feet as the men all look
into the office now.
BO CATLETT:
Mr. Escobar. What a surprise. Welcome to L.A.
We can now see that one of the Latinos is older, the other
two, younger, are his bodyguards. Mr. ESCOBAR, the older,
meaner one . . . steps into the office . . .
ESCOBAR:
Where is my nephew?
BO CATLETT:
Your who?
ESCOBAR:
Yayo. Where is he?
Bo Catlett stiffens . . . Uh oh.
INT. GARAGE -- DAY
As the two back doors of a limo slum shut. There's half
dozen other limos wedged in here.
Bo Catlett sits in the back, wedged in between the two
bodyguards, neither of whom has removed his shades. He faces
Escobar on the opposite seat.
ESCOBAR:
He's my sister's kid. No papa. Not too bright. Personally, I
think he's a retard. I only gave him the job as a favor for
my sister, you understand?
BO CATLETT:
Sure. Family. I know how that goes.
ESCOBAR:
He comes up here with our product. He suppose to come home
with five hundred thousand dollars. He never shows up.
Meanwhile, my sister's going crazy calling me all the time
worried about him. Me, I just wanna know what happened to my
focking money.
BO CATLETT:
Well, I don't know. I gave the man his money, sent him on
his way.
ESCOBAR:
You gave him the money?
BO CATLETT:
I gave him a key to a locker that had the money in it.
ESCOBAR:
Now why would you do that? Put the money in a locker?
BO CATLETT:
Because there were a zillion DEA guys hanging around the
terminal.
ESCOBAR:
(flat)
A zillion, huh? That's a lot.
Escobar studies him a moment. Bo Catlett shrugs.
BO CATLETT:
Maybe your nephew panicked, took off.
ESCOBAR:
Where's your partner, the jumpy one? Why isn't he here?
BO CATLETT:
He's around someplace.
ESCOBAR:
I hear he's around Palm Springs. Dealing our product.
Product we sold to you for five hundred thousand dollars.
(then)
Why do you keep talking to me bullshit? I think maybe I have
Ramon and Ceasar staple your tongue to your chin. What do
you think?
Bo Catlett barely glances at the bodyguards, smiles the
gleamy smile to the Latin guy in front of him . . .
BO CATLETT:
You know, you speak very good English, Mr. Escobar.
ESCOBAR:
I went to UC San Diego.
(then)
We're gonna spend the weekend at the Universal Sheraton.
We're gonna take the tour. See the shark. Check out the
Miami Vice Action Spectacular. After, we'll come here, get
our money.
One of the bodyguards says 'Your nephew' in Spanish.
ESCOBAR:
Oh, yeah, and Yayo, too.
INT. RONNIE WINGATE'S PORSCHE -- DAY
As Ronnie zigzags in and out of traffic, giving people the
'look' as he passes . . . on the carphone.
RONNIE:
His f***ing nephew?
INT. WINGATE MOTORS -- SAME TIME
BO CATLETT:
You get to town, you go straight to the bank, raid the limo
account.
INTERCUTTING RONNIE & BO CATLETT
RONNIE:
I'm already in town, but it don't matter. We got dick in the
bank. We dumped it all in Harry's movie.
BO CATLETT:
What I'm sayin' is the man wants his money and he wants it
now.
INT. HARRY'S OFFICE -- DAY
Ray Bones impatiently listening to Harry . . .
HARRY:
I'm talking about you, Ray Barboni, owning a piece of a
major motion picture. How big a piece is up to you. What I'm
saying, you could invest part of the three hundred Palmer
owes you or you could invest all of it. It's entirely up to
you . . .
Bones leans forward . . .
BONES:
Where's Leo Devoe? Where's Chili Palmer? Where's my f***in'
money?
HARRY:
Ray. Look at me.
Uh-oh . . . Ray's heard that one before . . .
BONES:
What?
HARRY:
Look at me, Ray.
BONES:
You say look at you?
HARRY:
That's correct. Look at me.
Bones shakes his head, stands up . . .
BONES:
I tell you what . . .
And in one fast move, Ray Bones grabs the phone off the desk
and slams it into Harry Zimm's surprised face . . .
BONES:
F***in look at that, a**hole . . .
Bones then yanks the phone out of the wall and throws it
down at Harry . . .
BONES:
And have a peek at that . . .
Ray Bones pulls a pair of black leather gloves from his
pocket and steps around the desk . . . begins kicking the
living sh*t out of Harry Zimm . . .
BONES:
You know, Harry, this is the exact f***ing thing I needed
after the f***ing plane flight. My ass fell asleep . . .
(kick)
. . . seven times. I need a little f***ing . . .
(kick)
. . . exercise.
Harry tries to push himself to his feet, but Ray Bones
stomps on Harry's hands . . . breaking them . . . and Harry
falls back down . . . Bones crouches down . . .
BONES:
You got a big problem, Harry.
Bones grabs him by the hair, picks him up and throws him
arross the room into the wall of pictures, many of them
coming off their hooks and falling on top of Harry.
BONES:
Hey, Harry . . . Harry. Don't you pass out on me. Look up
here . . .
Harry, a crumpled heap, looks up and we see his bloody
pummeled face as Ray Bones quickly crosses the room. He
steps on Harry's neck with his shoe, pinning him to the
floor . . .
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