Ghost Ship Page #2

Synopsis: In a remote region of the Bering Sea, a boat salvage crew discovers the eerie remains of a grand passenger liner thought lost for more than 40 years. But once onboard the eerie, cavernous ship, the crew of the Arctic Warrior discovers that the decaying vessel is anything but deserted. It's home to something more deadly and horrific than anything they've encountered in all their years at sea.
Genre: Horror
Production: Warner Bros. Pictures
  1 nomination.
 
IMDB:
5.5
Metacritic:
28
Rotten Tomatoes:
14%
R
Year:
2002
91 min
$30,100,000
Website
1,164 Views


VASILI:

I thought you say Tuesday.

MURPHY:

Better late than never.

VASILI:

(seeing the listing

barge)

What's this?

MURPHY:

You got a leak in the number nine

compartment.

VASILI:

No, no. You got leak.

MURPHY:

You pump it out and re-seam the hull,

she'll be good as new.

VASILI:

That cost me twenty grand at least.

MURPHY:

Fifteen, at the most.

VASILI:

Twenty. You knock off twenty and

then we see. After my guy looks at

it.

INT. VASILI'S OFFICE - DAY

In a prefab office with a view of the shipyard, Vasili cuts

a check as Murphy and Greer look on. He tears it out of the

book, handing it across the desk to Murphy, who inspects it.

MURPHY:

You're kidding, right?

VASILI:

You want fair pay, make hamburger

for Mickey D. Otherwise, please to

sign.

Vasili pushes a transfer register toward him. Murphy signs.

EXT. SHIPYARD - DAY

Greer and Murphy walk back toward the dock.

GREER:

Not bad for dragging a leaky tub

half way to Russia.

MURPHY:

He'll sell the scrap for three times

what he paid.

GREER:

I must be in the wrong business.

MURPHY:

You got that right.

GREER:

(imitating Vasili)

Better than "making hamburger for

Mickey D."

INT. BAR - NIGHT

A typical port town bar. Except this one is on an island in

the middle of the Bering Sea. Epps lines up a shot at the

pool table as a couple of SEAMEN check out her ass and a

tattoo of Wiley Coyote poking out of her pants. Greer reads

a paper near-by.

Murphy enters, crossing to the bar where Dodge nurses a beer

and a cigarette. Murphy throws down an envelope with Dodge's

name on it. Dodge picks it up, thumbs through a thick stack

of hundreds.

DODGE:

Much obliged, skipper.

INT. BAR - LATER - NIGHT

The place is a little more crowded now as Epps pushes her

way through to the bar, a cigarette dangling from her mouth.

She buys two beers and pays the BARTENDER from her envelope

of cash. She takes the beers back to the far wall where a

young off-duty COASTGUARDSMAN stands. He takes one, they

laugh.

AT A TABLE:

Beers, cigarettes and pay envelopes on the table before them,

Dodge, Greer and Murphy look on at Epps across the room, who

is showing the coastguardsman a birthmark on her neck.

GREER:

Looks like Epps' gonna get some

tonight.

DODGE:

With that coxswain d*ckhead.

MURPHY:

You aren't jealous, are you Dodge?

DODGE:

Are you kidding me? Jealous? Epps?

Gimme a break.

Greer and Murphy trade looks as Dodge raises his beer.

DODGE:

What a laugh.

A MINOR COMMOTION can be heard as they sit there.

WOMAN'S VOICE (O.S.)

I'll show you, b*tch!

They look over to see the coastguardsman's GIRLFRIEND, late

20s, hefty in a red miniskirt and big hair.

GIRLFRIEND:

You want to mess with me, I'll kick

your b*tch ass, girl.

WITH EPPS:

Epps coolly puts out her cigarette as a circle has gathered

around her and the girlfriend, anxious to see a girl fight.

EPPS:

I don't know what you're talking

about. I just bought this guy a beer.

GIRLFRIEND:

This "guy" is my man, honey.

COASTGUARDSMAN:

Darlene --

GIRLFRIEND:

You, shut up.

EPPS:

(starting off)

Listen, I don't want any trouble,

okay -- ?

GIRLFRIEND:

(stopping Epps)

Uh-uh. No. We're gonna fix this right

now.

MURPHY:

(stepping up)

What seems to be the trouble, ladies?

RIVETER:

Whyn't you mind your own business,

chief.

Murphy turns to see a shipyard RIVETER, a big man holding a

beer, still wearing his welding leathers. Murphy turns back

to Epps and the Girlfriend.

MURPHY:

As I said, what seems to be the

trouble?

RIVETER:

Didn't you hear me, grandpa? Or you

got your hearing aid turned down?

MURPHY:

I heard you. But I'm choosing to

ignore you. Epps, let's go.

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Mark Hanlon

Mark Hanlon is an American film director and screenwriter, best known for directing the independent film Buddy Boy and writing the Warner Bros. horror film Ghost Ship. more…

All Mark Hanlon scripts | Mark Hanlon Scripts

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