Ghostbusters II Page #6

Synopsis: After saving New York City from a ghost attack, the Ghostbusters -- a team of spirit exterminators -- is disbanded for demolishing parts of the city during the battle. But when Ghostbuster Peter Venkman (Bill Murray) learns that spirits have taken an interest in his son, the men launch a rogue ghost-chasing mission. The quest quickly goes awry, landing them in court. But when the ghosts turn on the judge, he issues an order allowing the Ghostbusters to get back to work.
Production: Sony Pictures Home Entertainment
  2 wins & 1 nomination.
 
IMDB:
6.5
Metacritic:
56
Rotten Tomatoes:
53%
PG
Year:
1989
108 min
675 Views


EXT. EAST 77TH STREET - HOLE - NIGHT (CONTINUOUS ACTION)

Venkman and Spengler start hauling in the cable as a Con Ed Supervisor's

car drives up, and behind it, the same police car they saw earlier. A

burly SUPERVISOR gets out and crosses toward them, followed by the two

cops.

SUPERVISOR:

(no nonsense)

Okay, what's the story here?

Venkman and Spengler stop pulling up the cable and Venkman tries the

belligerent worker ploy again, only this time he's wearing a Nynex

hardhat.

VENKMAN:

What, I got time for this? We got three

thousand phones out in the Village and about

eight million miles of cable to check.

SUPERVISOR:

(not buying it)

The phone lines are over there.

(points to the curb)

Venkman pops Spengler on the head.

VENKMAN:

I told ya!

Stantz can be heard ranting over Venkman's walkie-talkie.

STANTZ (O.S.)

(filtered)

Help! Help! Pull me up! It's alive! It's

eating my boots.

Venkman switches off the walkie-talkie.

FIRST COP:

You ain't with Con Ed or the phone company.

We checked. Tell me another one.

Venkman stares at the Cop for a long moment.

VENKMAN:

Gas leak?

INT. VAN HORNE STATION - SAME TIME

Stantz is hanging there, looking down into the shaft at the slime which

is now bubbling up the shaft after him.

STANTZ:

(shouting)

Get me out of here!!

Desperate now, he kicks wildly and knocks loose a section of an old,

rusting conduit.

INT. VAN HORNE STATION - BOTTOM OF THE SHAFT

The conduit falls on a heavy electrical transmission line, ripping

through the cable with a SHOWER OF SPARKS.

EXT. EAST 77TH STREET - HOLE - CONTINUOUS ACTION

Venkman, Spengler, the cops and the supervisor all react to a bright

FLASH deep down in the hole and a SHOUT from Stantz.

EXT. EAST 77TH STREET - STREET - NIGHT

One by one, all the streetlights go out; then the lights on all the

buildings along East 77th street; then the whole neighborhood blacks

out, and finally the entire city is plunged into darkness.

STANTZ (O.S.)

Sorry.

INT. DANA BARRETT'S APARTMENT - NIGHT (SAME TIME)

She walks around in the dark lighting candles and placing them all over

the living room. Then she finds a transistor radio and turns it on for

information about the blackout. She listens to a special news report

for a moment, then has a compelling impulse to go check on the baby.

She crosses to the nursery carrying a candle and quietly opens the door

and looks in. Suddenly the DOORBELL RINGS, scaring her half to death.

Leaving the chain on the door, she opens it a crack and sees Janosz

standing in the hall, eerily lit by a red emergency spot at the end of

the hallway. He looks slightly dazed and even creepier.

DANA:

(surprised)

Janosz?

JANOSZ:

Hello, Dana. I happened to be in the

neighborhood and I thought I'd stop by to

see if everything's all right with you --

you know, with the blackout and everything?

Are you okay? Is the baby all right?

His affected concern is chilling. She is frightened but conceals it

from him.

DANA:

(mechanically and cautiously)

We're fine, Janosz.

He tires to look around her into the apartment.

JANOSZ:

Do you need anything? You want me to come

in?

DANA:

No, everything's fine. Honestly. Thanks

anyway.

JANOSZ:

Okay, just thought I'd check. Good night,

Dana. Sleep well. Don't let the bedbugs

bite you.

DANA:

Good night, Janosz.

She closes the door behind him and double locks it, then stands there

staring into the candlelight, alone and afraid.

INT. HALLWAY OF DANA'S BUILDING - NIGHT (CONTINUOUS ACTION)

Janosz stands there in semi-darkness, then his eyes light up like

headlights and he walks off down the hall.

CUT TO:

INT. COURTROOM - WITNESS STAND - NEXT DAY

The JUDGE, a rather sour-looking jurist of the old school, calls the

court to order.

JUDGE:

I want to make one thing very clear before

we go any further. The law does not recognize

the existence of ghosts, and I don't believe

in them either, so I don't want to hear a

lot of malarkey about goblins and spooks and

demons. We're going to stick to the facts

in this case and save the ghost stories for

the kiddies. Understood?

DEFENSE TABLE:

Stantz leans over and whispers to Spengler.

STANTZ:

Seems like a pretty open-minded guy, huh?

SPENGLER:

His nickname is "The Hammer."

Stantz and Spengler are seated with their attorney LOUIS TULLY, lawyer,

CPA and former demonic possession victim. Louis is desperately paging

through a mountain of legal textbooks.

LOUIS:

(nervous)

I think you're making a big mistake here,

fellas. I do mostly tax law and some probate

stuff occasionally. I got my law degree at

night school.

STANTZ:

That's all right. We got arrested at night.

SPECTATORS' GALLERY

Venkman is talking to Dana at the wooden rail in front of the gallery.

DANA:

I wish I could stay. I feel personally

responsible for you being here.

VENKMAN:

You are personally responsible. If I can

get conjugal rights, will you visit me at

Sing Sing?

DANA:

Please don't say that. You won't go to prison.

VENKMAN:

Don't worry about me. I'm like a cat.

DANA:

You mean you cough up hairballs all over

the rug?

VENKMAN:

I'm El Gato. I always land on my feet.

DANA:

(sincerely)

Good luck.

VENKMAN:

Thanks.

She gives him a quick, unexpected kiss and exits. Venkman savors it for

a moment then goes back to the defense table.

PROSECUTION TABLE

Jack Hardemeyer, the mayor's principal aide, is goading the PROSECUTOR,

a very sober, humorless woman in her late thirties.

HARDEMEYER:

How are you doing, hon? Just put these guys

away fast and make sure they go away for a

long, long time.

PROSECUTOR:

It shouldn't be hard with this list of charges.

HARDEMEYER:

Good. Very good. The mayor and future

governor won't forget this.

He smiles conspiratorially and makes a point of passing the defense table

on his way out of the courtroom.

DEFENSE TABLE:

The Ghostbusters look up as Hardemeyer approaches.

HARDEMEYER:

(gloating)

Nice going, Venkman. Violating a judicial

restraining order, willful destruction of

public property, fraud, malicious mischief

-- smooth move. See you in a couple years

-- at your first parole hearing.

Herdemeyer exits. Louis looks devastated.

LOUIS:

Gee, the whole city's against us. I think

I'm going to be sick.

Spengler hands him a waste basket as the Prosecutor calls her first

witness.

INT. COURTROOM - WITNESS STAND - DAY (LATER)

The Con Ed Supervisor is testifying.

PROSECUTOR:

Mr. Fianella, please look at Exhibits A

through F on the table over there. Do you

recognize that equipment?

EXHIBIT TABLE:

Lying on the table are the basic tools of the Ghostbusting trade: three

proton packs and particle throwers, a couple of ghost traps, and various

meters and detection devices.

CON ED:

(o.c.)

That's the stuff the cops found in their

truck.

WITNESS STAND:

She continues.

PROSECUTOR:

Do you know what this equipment is used for?

CON ED:

(shrugs)

I don't know. Catching ghosts, I guess.

PROSECUTOR:

(to the Judge)

May I remind the court that the defendants

are under a judicial restraining order that

specifically forbids them from performing

services as paranormal investigators and

eliminators.

Rate this script:4.7 / 3 votes

Harold Ramis

Harold Allen Ramis (November 21, 1944 – February 24, 2014) was an American actor, director, writer, and comedian. His best-known film acting roles were as Egon Spengler in Ghostbusters (1984) and Ghostbusters II (1989) and Russell Ziskey in Stripes (1981); he also co-wrote those films. As a writer-director, his films include the comedies Caddyshack (1980), National Lampoon's Vacation (1983), Groundhog Day (1993), and Analyze This (1999). Ramis was the original head writer of the television series SCTV, on which he also performed, and he was one of three screenwriters of the film National Lampoon's Animal House (1978). more…

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