Ghostwatch Page #5
- NOT RATED
- Year:
- 1992
- 91 min
- 1,105 Views
(GHOST GRUNTING)
WOMAN:
A gruntor something like that.
If you can grunt,
can you speak?
GHOST:
Round and roundthe garden...
WOMAN:
Oh, dear God, save us.GHOST:
...goes the teddy bear.One stone,
two stone, take her...
WOMAN:
Who are you?What's your name?
-(GHOST TALKING INDISTINCTLY)
-WOMAN:
Jesus Christ!Are you joking?
GHOST:
(BREATHING HEAVILY)Very funny.
WOMAN:
Are you dead?Are you in heaven?
GHOST:
All good childrengo to bed.
(GHOST CONTINUES INDISTINCTLY)
Bizarre. And chilling too.
Well, forensic scientists
at Cambridge
examined the voice recording,
and compared it to Suzanne's
normal speech pattern.
And they defined it as the
voices of two separate people.
Two people, yeah.
-And, erm, we asked Suzanne
to see, if she could...
-Oh, my God!
DR PASCOE:
...imitatethe voice recording.
And she was unable to do so
for more than a few seconds.
MICHAEL:
That's her,trying it there.
DR PASCOE:
Yeah.-Try it again.
-(IMITATING GHOST)
Round and round the garden
like a teddy... Oh, my God.
-MICHAEL:
She can't do it.-No. Even under hypnosis,
we tried that.
-Really? And the same result?
-Still the...
What other evidence
do we have, Doctor?
Well, over the months,
Alan Demescu, my partner,
and I heard numerous noises...
Thuds, bangs, scratching on
the walls, knocking.
The sort of normal noises
you associate
with poltergeist activity?
What about this here, though?
Ah, well, this is...
This is my favourite, I think.
This pillow moved
diagonally to within
about a foot of my face.
Now, it's impossible to fake
that. How do you fake that?
MICHAEL:
(CHUCKLING)I don't know really at all.
Let's have a look at some more
evidence over here.
This is the wreckage evidence,
if you like.
This is an extraordinary
assembly of...
-There is this cup here
for instance.
-Yeah.
Right? Let me show that
in the camera there.
Now, how did
these breakages occur?
-Were they dropped?
-DR PASCOE:
Well, no...-The army did some analysis
of this for us.
-Yeah.
And they said it'd been caused
by intense temperature change.
Not by impact or shock.
MICHAEL:
Really?-This temperature...
There you are.
-DR PASCOE:
Yeah.MICHAEL:
Look,the headless lady.
And lots more guys here,
and crockery.
-Look at that.
-DR PASCOE:
Yeah.And clocks or watches
just stop when they're
in the house.
I mean, I just gave up
wearing one. There's no point.
MICHAEL:
And the favouritesin situations like this...
God, the spoons that are bent.
Quite remarkable.
Gellers, those sisters.
Yes, they weren't even
in the room sometimes.
You'd just open the drawer
and they are there.
-And you saw all this happen?
-Yeah, many times.
Many, many times.
Extraordinary.
Let's now look at another
piece of evidence, Doctor.
And that's the situation where
Suzanne's face at times is
covered with marks,
with lesions.
Before I talk to you
about that,
I'd like to talk to Suzanne.
And I think that...
Yeah, there they are.
-We're on. Yeah. Here we are.
-We're going live over there.
So I'd like to talk
to Suzanne.
Suzanne, when did you first
When did they first show?
About July, the first one was.
It was horrible.
Well, I'd just wake up
and it would feel like
someone was all over me.
And in fact, we've got there,
Dr Pascoe,
we've got some of the pictures
that were taken there
of the face of that girl
with these extraordinary marks
on them.
DR PASCOE:
Alan and I watchedthem appear on her face,
our eyes.
MICHAEL:
There'sanother shot there. Look.
Remarkable.
Now we've seen, Dr Pascoe...
We've seen the evidence
that you've collected so far.
I'd like your theory.
From what we've seen,
do you think that the
poltergeist activity,
such that it is,
is now centred on Suzanne?
Well, certainly as a female
approaching puberty,
she does conform
to the classic
typical poltergeist focus.
-Yeah.
-Broken family background,
she's introverted.
She tends maybe to direct
her stress and anxiety inwards
until it has nowhere to go,
and then... Bam.
I see.
Mrs Early there, in our
outside broadcast studio.
If she's... Yes.
There you are.
Mrs Early, I don't know quite
if you heard that,
what Dr Pascoe was saying.
Well, she said that Suzanne
was the classic
typical poltergeist focus.
She was the person that all
Well, there's nothing wrong
with my Suzie. I know that.
If my Suzie's funny,
well, how does that explain
like the glory hole?
It doesn't and it can't.
So you disagree with
Dr Pascoe's theory that
Suzanne's psychological
problems are the cause
of these disturbances.
I think what you're saying
really is, in fact, that you
believe it's a natural ghost.
Don't you, Lin?
Pam, I'm not
disagreeing with you.
Please believe me.
I'm on your side.
I know that
there's something there.
I'm just trying to understand
what it is.
A poltergeist
can be location-based
or person-based.
I mean, who knows?
Maybe this is both.
I mean, of course a lot
of people would have it that
Yeah, well, a lot of people
would have it at one time that
you couldn't walk on the moon.
All right. Well, in order to
avoid any accusations of bias,
I'd like to bring in
physicist Emilio Sylvestri.
sceptic society, CSICOP,
the Committee for the
Scientific Investigation
for Claims of the Paranormal.
He's in New York.
Good evening, Dr Sylvestri.
Good evening.
Thank you for joining us.
You've looked at the evidence
in this case.
I'd like to hear your
conclusions. What are they?
Well, I think
it's pretty obvious
there's nothing in the tape
that couldn't be faked.
totally inconclusive.
It could all be done
with wires, for all we know.
DR PASCOE:
And the legionson Suzanne's face?
Scratched by her fingernails.
DR PASCOE:
She's not lying.Believe her.
I'd love to.
The same as I'd love to
believe I'm going to heaven,
but... Doesn't make it a
scientific fact.
DR PASCOE:
But if people dobelieve in something,
surely, we shouldn't
discount it.
I mean, it's all part of
human experience and that's
what we're studying.
Well... Fine, fine.
But is it measurable?
Is it provable? No...
For years, parapsychologists
have been trying to prove
their loony theories
in laboratory conditions,
and they can't.
Yeah, that's right. We can't.
That's where we went wrong.
There are some things you
can't demonstrate in a lab.
Show me falling in love
in a lab.
Show me poetic inspiration
in a lab.
You can't. You've got to
get out of the lab
and into real life,
and that's what we're trying
to do tonight.
These people are not
deceiving us or themselves.
Look at them.
They're in trauma for God's
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