Gimme Danger Page #9
we were popular enough
that we could have gone out
and earned most of our bacon.
They wouldn't let us play.
our old weaknesses
and we were told
that we were gonna go live in Hollywood
in this firm Main Man house there.
And it was oil and water
James Williamson behaved badly
Iggy Pop behaved badly
Scott Asheton just looked at the floor
and let it roll
and Ron Asheton was embittered
and powerless and threw up his hands
and the group drifted into drugs.
Again, this embarrassed these people.
Defries came through town
one day in a limo.
I think he was gonna talk to me
about something
they could do with me
that didn't involve these guys
that would
put a positive spin
on his investment with me.
And he got me into his limo
and he said, "James..
"...I want to tell you
what we're going to do.
"We're going to take you to New York
"to Broadway
and you're going to be
Peter Pan."
If I'm pleased with myself
I have every good reason to be
And I, with deep sincerity
an-and I mean this.
I said, "No, no, no, Tony.
"I've gotta be Manson.
We've gotta make a movie."
He dropped me off and it was
that the rest of us
got thrown out of the house.
(Williamson) The brothers
moved back to Detroit.
Later on, Iggy and I
decided we would
give it another whirl.
And so we, uh, we created
what later became "Kill City."
We lucked out,
we-we had a friend, Jimmy Webb
he had a studio in his house.
It was funny, I mean,
you know, you'd have guys like
Art Garfunkel come in to the session
he'd listen to play backs
and then they would just leave,
you know?
And without anybody,
any takers for the album
we-we, we just called it quits.
Jim went off with Bowie to Europe...
...and I went to work
for a recording studio
but I, um, quickly realized
that there's only one thing
worse than playing in a band
you don't like
and that's recording
that you can't stand.
So, I-I really wasn't
very cut out for that
but I did learn a lot,
and it stimulated, uh
an interest in electronics,
and at that time
it was the very, very beginning
of the personal computer
and so I went off and I learned
how to do all that stuff.
I'll tell ya, uh, when I was
uh, studying engineering
to go from "The Stooges" to calculus
was a huge existential gap.
[man screaming]
So I went and moved
to the Silicon Valley
and started working
in the electronics industry
so, and I've been there ever
since, I mean, that's been
uh, 27 year career.
[rock music]
(Iggy)
After "The Stooges" collapsed
and then he did "Destroy
All Monsters" with Niagara.
[indistinct singing]
[rock music]
(Scott) I played five years in
the "Sonic Rendezvous Band"
with Fred Smith, and, um..
And once he did that was
the end of the band.
Went on another five years
playing with Scott Morgan without Fred
making $30, $40 a night.
Three sets a night.
I'd have day jobs.
Warehousing
landscaping
for two years I drove a taxi cab.
Just crummy jobs.
(Danny)
I think that "The Stooges"
reinvented music as we know it.
If I say that "The Stooges"
music is-is point zero
The "Ramones,"
who were a great love of mine
after that
knew each other not because
they liked each other
because they were the only four people
at their school
who liked "The Stooges."
with a heart full of napalm
I'm a runaway son
of the nuclear A-bomb
I am a world's forgotten boy
The one who searches and destroys
[rock music]
[indistinct singing]
(Dinah) Do you feel you've
influenced anybody in the..
I think I helped wipe out the sixties
[crowd laughing]
You'll get one number
and one number only
because I'm a lazy bastard.
This is "No Fun."
[rock music]
No fun my babe
No fun
No fun my babe
No fun
...want to be alone
I'm out here by myself
I don't want to be alone
In love
Nobody else
It's-it's Dionysiac.
If you know the difference
between Dionysiac
and Appolonian art.
[rock music]
[indistinct singing]
Now I want to be your dog
Now I want to be your dog
Come on
[instrumental music]
Yeah I do mean you
She got TV eye on me
(Mike Watt) There was
a movie "Velvet Goldmine"
in which one of the dudes
is a composite of
Ig and they wanted like some kind of
music coming from somebody
called "The Rats."
because he's from Midland, Michigan
to go with Ronny and he'd write songs
and he comes to New York
and we get to record with him, yeah.
And here I got to sit across
and Thrust, too, you know.
There's the guy doing the "TV Eye"
we could see his hands and play along.
It was a trip.
Uh, I got sick
when I was, uh, 42
and it almost killed me, this infection.
They had to put tubes in me
and I couldn't work bass,
so it was the first time
I stopped since I was thirteen
and when I came back
I was all atrophied and really lame.
I thought you were not supposed
to lose that kinda stuff.
So I panicked and then started doing
Stooges songs to get strong
and I put together some bands
just to do this.
There's not chord changes
but it's a lot about the feel.
So, "Little Doll," "Little Doll"
"Little Doll," "Little Doll."
On the West Coast I did one
with Perk and Peter
from "Porno for Pyros," and on the East
I did it with J and Murph from Dinosaur.
Well J gets his solo album
and he asks me to tour.
He says, "Man, it's hard for me
to sing every song every night
"so why don't you do some Stooges
like we did with those gigs."
And when we come through
Ann Arbor, he says
"You know Ronny" because of the..
Now I got his, uh, phone number.
I call him and he comes to the Blind Pig
and he jams Stooges with us.
So J says, "Come on tour!
"First two thirds will be mine, and then
the last third
we'll do Stooges."
Then 2002 comes and, uh..
Thurston is curating
a All Tomorrow Party
at UCLA and he says
"Why don't we get Scotty?"
You know.
He was living in his truck.
And so rent him a drum set and he comes
so me and J are playing
with both Asheton brothers
and we do some gigs in Europe...
...and that's where I think
It was time for me to record again
and, um..
I'd run out of things to say.
And my record label had, um...
...run out of patience with, uh
my middling sales
on the last couple of albums.
To pre-empt, uh, being produced
which was, is,
was the kiss of death to me
I offered to do a-a guest..
A guest star album.
everybody I thought of who was cool
and then I realized
none of them are any as cool
as "The Stooges."
[rock music]
Sometimes just a,
a hop or two in front of me
playing with J. Masci
from Dinosaur Jr.
I got a phone call oneday
from Ron Asheton...
...and he was saying,
"Well, we're playing
this thing with J. Mascis."
J. Mascis
pulled the whole thing together.
J. Mascis.
[rock music]
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Gimme Danger" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/gimme_danger_8967>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In