Ginger Snaps 2: Unleashed Page #2

Synopsis: Brigitte's on the run from Bailey Downs, and she tries to prevent what happened to her sister, Ginger, from happening to her by shooting up with monkshood. Eventually she collapses and the police that find assume the monkshood is an illegal drug, and she is sent to rehab. She is deprived of the only thing that will stop her from turning into a beast and killing everyone and everything in her way. She meets a girl who is quiet and not well-liked, and much like herself, by the name of Ghost that helps her deal with her new problem and to escape the werewolf curse.
Genre: Horror, Thriller
Director(s): Brett Sullivan
Production: Lions Gate Films
  3 wins & 2 nominations.
 
IMDB:
6.5
Rotten Tomatoes:
88%
R
Year:
2004
94 min
Website
153 Views


A circle of life begins anew

with a fresh set of these distinct

leaves.

...backyard in Southern Ontario

have grown at an enormous rate...

I think it is called the Manitoba...

Wolfsbane.

What are you doing in here?

It's amazing the things you'll find in

this place at night.

- Are you gonna give that to me?

- Mmm-hmm.

But I get to do it.

And I get to chose where.

- Why?

- I bet you were one of those girls

that always asked her mom "Why?"

"Mom, it's cold out, why?"

"Mom, it's dark out, why?"

I need that.

Why?

- Give it to me.

- Okay.

But it has to be in a place no one

else will see.

Pull down your pants.

F*** you.

That was way out of line.

Good night, Brigitte.

Why do all the ones that get killed

have tattoos?

"Why was he so anxious to get rid of

her?"

Because it was past her bedtime.

Let's go.

Cover your ears to his lies, Rocky.

"Late at night, in secret chambers

he carried out his reign of moral

terror."

Isn't that mortal terror?

No.

Oh, good boy.

Come here.

Abducted!

Yes, maybe that's it, we were abducted

by aliens.

And they've taken us back to their

planet

and put us in some kind of zoo.

But there's a sign that says,

- "Don't eat the humans"...

- Making up more childhood sexual abuse?

Sticks and stones, fatso.

...unless they're feeding us.

Why wouldn't they want to fatten us up

before the slaughter?

Unless they are feeding us and we just

don't know it!

...And they're just waiting and

watching...

Ping!

Oh!

This is getting so boring.

It's an ancient game,

the throwing of pennies at the local

moron or midget.

I can't see the TV.

I said I can't see the TV!

Would you like me to throw you at her

head?

What are you doing?

Wow!

Vicious, yet constrained.

That's noble, considering what you

could have done to her.

Next time I'd recommend smashing

Beth-Ann's head

against Koral's like a cymbal or a

battering ram.

- But there's always next time...

- Get lost.

When you close your eyes, is it hell

you see?

The faster you heal, the closer he

gets, B.

Or is that the closer he gets, the

faster you heal?

Oooh, here's a good one.

"At the dawn of darkness there was a

goddess of night

who walked the hills with a shepherd's

stick

and a pack of wild hounds.

The hounds"...

oh, they were from hell...

..."would do her evil deeds and she

wouldn't lift a finger."

"Her finger... it was finely jeweled

with baby's teeth."

There you are.

I'm on lunch duty.

You didn't like it when Tyler came

into your room, did you?

The others do.

He tells me everything.

We have an understanding.

- Do you turn at the full moon?

- You watch too many horror movies.

I'm not allowed to watch horror

movies,

or technically, to read comics.

Or to eat foods with gluten...

I'm too impressionable.

- Why doesn't that surprise me?

- Well, not the gluten thing...

that'sjust digestive.

Your ear.

Get out!

I know where Tyler keeps his stash.

I said, get out!

Ginger?

We really need to talk.

These last few days

I have been feeling very left out,

watching you hang out with all your

cool, new friends.

It's starting.

So it is.

Well, you have two options then, don't

you?

Either give in, or give up.

It only dies if you do.

I'm not gonna die.

Ugh.

Here you go.

Can I watch?

Go away, please.

Shh.

Hey!

You touch my stuff again

and I'll tell Alice where you keep

your comics.

Are you sniffing me?

I need it.

Yeah, you said that before.

Why'd you have to go and do this?

I made a mistake.

Please give it to me.

No.

There has to be consequences to our

actions

or there is no order.

And there has to be order in a place,

or things get very, very confused.

I said... I need it.

Save it for group.

Welcome to rehab, baby.

You're starting to understand, aren't

you?

How it all starts with wanting?

What were you thinking when he was in

that stall with you?

Because even I... really... was shocked.

I wanted the monkshood.

- I just...

- I just...

What did you want when he was pushing

up against you?

You're starting to figure it out,

aren't you?

How it all starts innocently enough,

today you want to f*** him...

tomorrow you want to bite a hole in

his sternum.

Think of these life skills

filling an imaginary backpack,

ready to hit the road anytime you do.

Close your eyes.

I am wiping all you've ever been,

all the names you've ever been called.

Names you've called yourselves...

that's ancient history.

Actually, it's not even history,

because what you're experiencing is

the world

for the very first time.

Think of the structure below,

the wood and metal that supports you.

And once your hand is in position

on your clitoris

we'll begin with a gentle,

counterclockwise rotation.

Mmm.

Experiment...

with rhythm.

Find your own.

Visualize the chest of a stranger

as his gaze penetrates you.

Now you are grabbing what's inside

him.

His heart.

The meat.

The sinewy muscle.

Does he scream as you are ripping his

tender flesh?

Oh yes.

And his blood...

it warms your throat.

Great form, B.

Brigitte?

Are you okay, Brigitte?

Beneath the skin

The beast within

Dieing to be

Beneath the stars

Tears and scars

Healing when

10 minutes to lockup.

I want you to come and see me.

I'm right here.

In my room.

That would be against the rules.

Please?

Do you smile?

What?

Can you smile?

See...

you smile at the world,

and the world will smile right back at

you.

You should be getting back to your

room.

Wll you come?

I'll think about it.

Rocky!

Look what I have!

Rocky!

Rocky?

Rocky?

Just leave it for him.

But Rocky always comes.

You don't look happy.

Are you gonna make me smile again?

Have you ever considered another

occupation?

You know what?

I am quite happy playing the small,

but vital role here at the care

facility.

I think it's 'cause

I'm a people person.

So, what is this stuff, anyways?

Does it matter?

Not really.

What's with that?

I have a great sense of smell.

Weird.

There's this vein down here

that is very private.

So you shave?

Well, I think that'sjust great.

Here you go.

Rocky!

Rocky?

Rocky!

Huh?!

Check back in on you in a half hour.

What?

"Rocky runs. Rocky plays.

Rocky misses the good old days."

Why'd you do it?

He wasn't doing anything to you.

I did not do that.

I told them not to leave him alone

outside...

he'd be vulnerable to all the dangers

of the night...

of which you're the worst.

How could I have done that?

I can't even get out of my room.

I don't know.

You... you move through walls or

something.

Ghost, if I could move through walls,

do you think I'd be in here?

This is important, where did you find

him? Outside?

By the back of the crematorium wall,

in the abandoned section.

- It found me.

- What found you?

I have to get out of here.

I can get you out.

What did you just say?

I know a way out,

through the vents.

But you have to take me with you.

I'll knock in a while.

Ghost? Ghost?

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Karen Walton

Karen Walton is a Canadian screenwriter. A native of Halifax, Nova Scotia, Karen Walton wrote the film Ginger Snaps, for which she won a Best Film Writing Canadian Comedy Award in 2002. She later wrote for the Canadian television series What It's Like Being Alone and also for three episodes of the American version of Queer as Folk, where she also served as executive story consultant. She appeared in the 2009 documentary Pretty Bloody: The Women of Horror. In recent years, she has served as a writer or writer/producer on Canadian television series including Flashpoint, The Listener and Orphan Black, which is distributed by BBC Worldwide and airs on BBC America in the United States. more…

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Submitted on August 05, 2018

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