Girl, Interrupted Page #5

Synopsis: Unable to cope with reality and the difficulty that comes with it, 18 year old Susanna, is admitted to a mental institution in order to overcome her disorder. However, she has trouble understanding her disorder and therefore finds it difficult to tame, especially when she meets the suggestive and unpredictable Lisa.
Genre: Biography, Drama
Director(s): James Mangold
Production: Sony Pictures
  Won 1 Oscar. Another 7 wins & 11 nominations.
 
IMDB:
7.4
Metacritic:
51
Rotten Tomatoes:
54%
R
Year:
1999
127 min
Website
14,033 Views


I have a problem coping|with this hospital. I wanna leave.

I can't do that.

I signed myself in.|I should be able to sign myself out.

You signed yourself into our care.|We decide when you leave.

You're not ready for it, Susanna.

Your progress has plateaued.

- Does that disappoint you?|- I'm ambivalent.

In fact,|that's my new favorite word.

Do you know what that means,|ambivalence?

- I don't care.|- If it's your favorite word, I would...

It means "I don't care."|That's what it means.

On the contrary, Susanna...

ambivalence suggests strong feelings|in opposition.

The prefix,|as in "ambidextrous," means "both."

The rest of it,|in Latin, means "vigor."

The word suggests|that you are torn...

between two|opposing courses of action.

Will I stay or will I go?

Am I sane or am I crazy?

Those aren't courses of action.

They can be, dear, for some.

Well, then, it's the wrong word.

No. I think it's perfect.

"What world is this?

What kingdom?

What shores of what worlds?"

It's a very big question|you're faced with, Susanna.

The choice of your life.

How much will you indulge|in your flaws?

What are your flaws?|Are they flaws?

If you embrace them, will you commit|yourself to hospital for life?

Big questions. Big decisions.

Not surprising you profess|carelessness about them.

Is that it?

For now.

This way, Susanna.

John was moved to the men's ward...

from Dr. Wick's office.

We live in a time of doubt.

no longer seem reliable.

- "End the war now! "|- "We are rich but our system"...

Daisy sent us a postcard|all about her new apartment.

She got a pussycat.

Where's Lisa?

You know where she is.

They just put her in another ward.

I think you need to get up.

I'm just going to rest for a while.|Just a little while.

What do you want?|What are you doing?

F***! You st...

Sorry. Too cold?

What the f*** are you doing?|Get me the f*** out of this tub!

Get yourself out.

Where's Lisa?|Where the f*** is Lisa?

What's the matter?|Can't hack it without her?

You banish her for singing to Polly?|We were trying to help her.

We were trying to help her!|This place is a Fascist torture chamber!

See, I worked in state hospitals.|This place is a five-star hotel.

Oh, Lordy, pick a bale of cotton

- "Oh, Lordy, pick a bale"...|- I can take a lot of crazy sh*t...

from a lot of crazy people,|but you...

you are not crazy.

Then what's wrong with me, huh?|What the f***'s going on inside my head?

Tell me, Dr. Val.|What's your diag-nonsense?

You are a lazy,|self-indulgent little girl...

who is driving herself crazy.

Oh, is that your own|medical opinion, huh?

Is that what you've learned in your|advanced studies at night school...

for Negro welfare mothers?

I mean, Melvin doesn't have a clue,|Wick is a psycho...

and you,|you pretend you're a doctor.

You sign the charts,|and you dole out meds.

But youse ain't no doctor,|Miss Valerie.

Youse ain't nothing|but a black nursemaid.

And you're just throwing it away.

You still wanna go to Florida?

Lisa, we need money, don't we?

- You've been tonguing your meds, right?|- Yeah, but I only have...

They gave me shocks again.

All right, Jamie?|I have to get out of here.

I'm Susanna.

What are we doing?

What is it?

" Dear sir,|please give Daisy Randone assistance...

installing a telephone|at 23 Vicar Street."

I thought|we were going to Florida.

We are. We just need a place to crash|till we get plane tickets.

Come on.

Nice coat.

What?

You don't want me, Tony.

Yes, I do, baby.

No, you don't.|I'm a crazy girl.

You're crazy,|so we can't have one night of bliss?

I am a crazy girl. Seriously.

- You've been in a hospital?|- Yes.

Do you see purple people?

My friend.|He saw purple people.

And so the state came|and took him away.

He didn't like that.

Some time went by, and he told them|he didn't see purple people no more.

He got better.

No.|He still sees them.

- Come on. We gotta split.|- Hey, somebody stop her!

She took my f***ing wallet!

Identify yourself.

It's Susanna and...|It's Susanna.

Daisy?

- You got Valium?|- Yeah.

Oh, wow. Cool pad.

Peace, man. Peace.

Come on. I'm sorry for being a b*tch.|I was a drag. That's for you.

That's Ruby.

My dad bought her for me.

This is the Castro Convertible.

- It pulls out.|- Yeah.

- Where's the bathroom?|- Right there.

- You don't have a tub.|- No, I don't.

- What about upstairs?|- No.

Yeah. Okay.

So, what,|did you two escape or what?

Actually, we're going to Florida.

All you have is mustard|and your chickens.

So, what are you girls|going to do in Florida?

I'm going to be the new Cinderella|at Walt Disney's new theme park.

Susanna's gonna be Snow White.

You can come if you want.

You can be the cocker spaniel|that eats spaghetti.

I wanna make pancakes.

I'm tired. I wanna go to bed.

In the morning. I want to make|pancakes in the morning.

There's a market on the corner.

Pans are under the sink.

Silver's in that drawer.

Do you have any money?

Do you have some sort|of a safety net down there?

People you know|down there in Florida?

Relatives?

Friends? Anything?

Yeah.

This is for your pancakes. Don't|make a lot of noise in the morning.

I like to sleep late.

I'll come down when I'm ready.

Give me the Valium.

We don't need your daddy's money.

Then leave it there.

Just give me the f***ing Valium.

- What's this, huh? What's this?|- Let go.

- Trying out your new silver?|- Get the f*** off me.

- Less appealing for Daddy?|- Lisa.

- Look at your own arm, a**hole.|- I'm sick, Daisy. We know that.

But you're in so-called "recovery"|playing Betty Crocker...

cut up like a goddamn Virginia ham.

Just stop it, okay?

Help me understand, Dais...

'cause I thought|you didn't do Valium.

Tell me how this safety net|is working for you.

Tell me that you don't take that blade|and drag it across your skin...

and pray for the courage|to press down.

Tell me how your daddy|helps you cope with that.

Illuminate me.

My father loves me.

I bet, with every inch|of his manhood.

Oh, God.

I'm going to sleep now.

Please be gone in the morning.

You're just jealous, Lisa...

because I got better...

because I was released...

because I have a chance...

at a life.

They didn't release you|because you're better, Daisy.

They just gave up.

You call this a life, hmm?

Taking Daddy's money, buying|your dollies and your knickknacks...

and eating his f***ing chicken,|fattening up like a prize heifer?

You changed the scenery|but not the f***ing situation...

and the warden makes house calls.

And everybody knows...

everybody knows that he fucks you.

What they don't know|is that you like it.

- Hmm? You like it.|- Shut the f*** up!

Hey, man.|It's cool. It's okay.

It's fine. It's f***ing fine.|A man is a dick...

is a man is a dick|is a chicken...

is a dad, a Valium,|a speculum, whatever.

Hmm? Whatever.

You like being Mrs. Randone.

Probably all you've ever known, huh?

Have fun in Florida.

Has she come down yet?

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James Mangold

James Mangold is an American film and television director, screenwriter and producer. He is best known for directing the films Cop Land, Girl, Interrupted, Kate & Leopold, Walk the Line, 3:10 to Yuma, and Knight and Day. more…

All James Mangold scripts | James Mangold Scripts

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Submitted on August 05, 2018

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