Girl Page #3

Synopsis: Andrea Marr is a bright, straight-A, mature, 18-year-old high school senior on the verge of womanhood who decides to abandon her sheltered, boring lifestyle and her bookish friend Darcy for a look into the local rock and roll scene as a groupie to local rock singer Tod Sparrow and learn more about the life of one who follows a touring band along with her new friends aspiring rock star wannabee Cybil, outgoing fellow groupie Rebecca, and music critic Kevin.
Genre: Comedy, Drama, Music
Director(s): Jonathan Kahn
Production: Sony Pictures Home Entertainment
  1 win.
 
IMDB:
5.9
R
Year:
1998
99 min
740 Views


that we can do it.

We are the greatest.

Right, Cybil?

What 's going on, Cybil?

- Mr. Jones.

I am the person responsible

for this disrespectful behavior.

Hey, yeah!

And you, take good.

You got to groupie.

Rubbish, I will not.

Is ridiculous, right?

I was looking for clues

this groupie-madness explain

me in the near

lead by Todd Sparrow.

Shitty idea.

I was cursed to

Virgin of the only colleges to be.

You dance really cool.

I know. I mean, thank you.

How do you know?

- They would have us almost trampled to death.

Do not you remember?

- Oh, the sweet boy. You were das.

Long day.

A long life, I'd say.

- I'm Kevin.

Andrea.

- I know.

Everyone already holds for the successor

by Kurt Cobain. Maybe they are here.

The record companies no longer know

that they should seek.

Anyone who 's what little

can on the guitar, is taken.

Even from 'NEM backwater like here.

It really is ok.

Unfortunately they can not distinguish

between good and bad.

Can not they?

- No. I can. You can do it.

Yes, anyone who enjoys listening to music, it can be.

- What he said

has never interested me.

I liked his voice.

And the way he said it.

I only wish that he continues to talk.

Record bosses hear any music?

- Nonsense, only listening to

if you sound like someone else.

Not if you 'have s own sound.

I listened to him no more. Any words

he was like a ricochet,

the giant swept through his apartment

and shot me directly in the groin.

At that moment I knew

that he would be the first.

What do you think?

I would never have dreamed,

I once in bed

of such a wonderful country lover.

Are you okay?

Ok?

Ok.

Still ok?

- And then it happened.

Who is it?

- It's me, Kevin.

The sweet boy.

- No, on the record.

Todd Sparrow, from the Color Green-time.

- Ok, go on.

Ok.

I heard his voice and knew

He was with me.

In the fall I'm going to

'Ne school of journalism in the Northwest.

This confuses our plans.

But I would like to see you again.

You love me too?

- I made this terrible mistake.

Yes, of course.

- This makes me incredibly happy.

Night, Kevin.

I'll call you immediately,

when I come home.

Hello, I'm not a virgin.

Good night.

- Night, honey.

Oh God.

Thank you, I love you.

- We love you too, little mouse.

Dream a Little Dream.

- Good night.

Good night.

I wondered if she did not

would love it if they knew

what I did today.

I was now a woman.

But I felt guilty. Not

because I had lost my innocence,

but because I had betrayed my heart.

And this heart belonged Todd Sparrow.

You had sex. Sh*t, did you have sex.

Look at you only.

Come on, tell me, you b*tch old.

How was it?

Pretty disappointing.

I think it was' s fault.

Oh, nonsense. Do you still have it all?

The first time you have to forget quickly.

For if now is a really,

then you are not sitting in bed crying:

"I'm not a virgin."

Think of it as a warm-up exercise.

As a warm-up exercise? And for what, please?

- Hi, Andrea.

Hi, Jonathan. Hi, Derek.

You know gays?

Cool.

Rebecca looked at me as if I did

the answer to many questions.

I knew that look,

because I just looked at Cybil.

The two are good friends of mine.

- This is great and you know it

I can not believe that Beac ..

- Hey, you've seen Todd random?

No, I did not.

- Hey, I've seen his girlfriend.

What's her name again?

- Carla. Sh*t, that is something of cold.

Yes arctic. She is big on space.

- Thank you, guys.

Then take care.

- Bec, I have to go. Until then.

Got it. Keep your chin up, Andrea.

Hi, C.

Carla.

He is in the "Strictly Locals".

- Who? I mean, whom You did, ..

Todd.

He is in 'NEM record store.

And? How are you doing?

- It is not long dominated it.

He will certainly be back.

It interests me, frankly,

not very.

Come here.

We'll see you, Andrea.

- Ok, I'm looking.

Perhaps we can then

at times longer.

She was so cool, so clarified.

This made her so attractive, so unapproachable.

No wonder,

that Todd spent so much time with her.

It was like 'ne revelation for me.

So I would be from now on.

Cool and clarified.

Say something. Say something.

Say something.

The "Where-is-the-toilet"-Andrea.

All vertical?

He always found the right words.

All right, so far. And what are you doing here?

I see through the windows.

Real hyper. You know those guys?

- I wish I would know it.

I wish I'd know them all,

Todd knows that. I wish

I would be so cool and could say "yes".

But that would somehow not me.

Yes, sure.

- Hard to grasp, Good Pig.

The Buzz is Mitchell's label.

He wanted to take us under contract.

But I ... I do not know.

What do you think?

- What do you not know?

He is so 's spoiled toffs

from 'Ner-rich family. No idea

how important it is music.

- Absolute nonsense!

Oh yeah? Why is that?

- Andrea betting everything on one card.

Well.

If Buzz uses the assets to

build a record label

he only wants to

his overbearing father rebel

by the money

invests in a risky industry.

Buzz will do so all the success,

not to hear from his father:

"You'll never make it. You are

A bottle. You and your record label. "

Why would he then signed a contract with

to make someone to whom he has not believed?

He has heard your music

and it is good.

Why hang around here any longer,

take 'ne with him on board!

If you hear your music means so much,

you should do everything

all to hear it. Because it determines

every man touched so like me.

My God.

I'm so sorry. I ...

did not you ...

I am so slipped out.

Is ok, Andrea.

Everything is ok.

Your booth is top class.

- You actually heard Carla.

Do you know you long time?

I mean, are you ...

We are very close.

She lets me stay here and ...

That's nice.

I think she is very nice.

Yes.

This is because my room.

He was not only a musician,

He was an artist.

And his world was

one giant screen.

Sit down.

What I play now is for you.

Is not ready yet, but I thought

you want ...

- You take off?

... Heard it before.

He sang with such passion. He sang

full of pain. He sang about 20 seconds.

That's all. It sucks.

- It's wonderful.

Awakens in me a strange feeling.

In you, I think, 'ne artist.

- Oh God, no. Unfortunately not.

Oh yes, I see.

- And then he said:

When you say your soul, it's so far,

is all that was before, forget it.

Only then you can drop it.

Will you let yourself fall, Andrea?

- Sh*t, of course!

Yes.

I knew what would happen now.

And I was ready.

Because in my mind it is

already happened a hundred times.

That was incredible.

Yes, that's it.

Thanks, I've never ...

I gotta go.

Where are you going?

- I ...

I promised the boys,

that we practice a bit.

What practice?

- Well, of course, with the band.

Lhr guys are famous.

You have to get going immediately to practice.

- Well, that 's guy wants to listen to us.

We just have to play sensational,

Do you understand?

Oh no! I was lousy, right?

Andrea, you were fabulous.

Yes, more than fabulous.

Listen, you can stay here as long

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David E. Tolchinsky

David E. Tolchinsky (born David Jan Edelson) is a screenwriter, playwright, sound designer, and academic. He is Chair of Northwestern University's Department of Radio-TV-Film and Founder/Director of Northwestern University School of Communication's MFA in Writing for the Screen+Stage. As a screenwriter, his feature film Girl is distributed by iTunes and has been seen internationally. He has been commissioned by such studios as Touchstone/Disney, MGM, Ivan Reitman's Montecito Pictures, USA Networks, Edward R. Pressman Film Corp, and Addis-Wechsler & Assoc./Industry Entertainment to write feature screenplays. He is the author of original screenplays such as The Last Crash and Reflections on a Teenage Anti-Christ featured in a New York Times article about home offices. Some of his work centers on teen subcultures such as heavy-metal fans, Florida surfer teens, teen groupies, and female football players, particularly in relation to social decay. He is also interested in horror, both psychological and physical. As a sound designer, he has designed the sound for interactive computer environments and video installations which have been exhibited internationally. In 2003, he was nominated for a Motion Picture Sound Editors Guild Golden Reel Award for his sound design for Dolly.In 2008, he was appointed as a Northwestern University Charles Deering McCormick Professor of Teaching Excellence. In 2009, he co-curated The Horror Show at Dorsky Gallery Curatorial Programs in New York City which explored horror in film, video, installation, photography, sculpture and painting and which was featured as a The Village Voice "Voice Choice for Art" and on their blog, and which was accompanied by a 32-page catalog. In 2011, he co-produced Debra Kahn Tolchinsky's Fast Talk, which investigates the accelerated speed of argumentation in college debate and which is available on iTunes and Amazon instant. Recently, he published "Where's the Rest of Me?" a reflective essay about Spalding Gray in Paraphilia Magazine and co-curated with Debra Kahn Tolchinsky The Presence of Absence sponsored by the Contemporary Arts Council at Hairpin Arts Center in Chicago, chosen by Chicago Magazine as one of the "16 best art gallery shows to see now in Chicago" and described in The Huffington Post as "The space is gorgeous, the art solid, challenging, yet accessible. This is a wonderfully odd, powerful, thoughtful show". He was also ranked #14 on New City's Film 50 2013: Chicago’s Screen Gems, was the recipient of a 2014 Illinois Arts Council Artist Fellowship in Literature, and was voted Best Director for his play, Where's the Rest of Me? (which was nominated for Best Play and which was an adaptation of his essay), at the 2015 Riant Theatre One-Act Play Festival in New York City. Most recently, his play Clear was published in Issue 3 2015 of Proscenium Journal, he was ranked number 8 with Debra Kahn Tolchinsky on New City's Film 50 2015: Chicago’s Screen Gems, he co-curated Sick by Seven (seven plays/films about mental health in the modern world) at A Red Orchid Theatre in Chicago as part of its Incubator Series, and was no. 7 on New City's Film 50 2017: Chicago’s Screen Gems. His students have included Dave Holstein (staff writer, the Brink), Jen Spyra (staff writer, The Late Show with Stephen Colbert), Eoghan O'Donnell (creator of The CWs The Messengers),Marisha Mukerjee (staff writer, Heroes Reborn), Sarah Gubbins (playwright, The Kid Thing and Cocked and TV writer, I Love Dick (TV Series) for Transparent's Jill Soloway), Erik Gernand (playwright, The Beautiful Dark), Andy Miara (former head writer, The Onion News Network)), J. Ryan Stradal (author of the New York Times best selling novel, Kitchens of the Great Midwest), Ethan Kass (staff writer, TNT's Murder in the First), Jenny Hagel (staff writer, Late Night Seth Meyers); Chris Bruss (head of digital content, Funny or Die); and Jordan Horowitz (producer, La La Land). He is a graduate of Yale (1985, BA, magna cum laude) and USC School of Cinematic Arts/School of Cinema-Television (1988, MFA). He continues to collaborate often with his spouse, the media artist Debra Kahn Tolchinsky. more…

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Submitted on August 05, 2018

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