Girl With A Pearl Earring Page #3

Synopsis: This film, adapted from a work of fiction by author Tracy Chevalier, tells a story about the events surrounding the creation of the painting "Girl With a Pearl Earring" by 17th century Dutch master Johannes Vermeer. Little is known about the girl in the painting, it is speculated that she was a maid who lived in the house of the painter along with his family and other servants, though there is no historical evidence. This masterful film attempts to recreate the mysterious girl's life. Griet, played by Scarlett Johansson, is a maid in the house of painter Johannes Vermeer, played by British actor Colin Firth. Vermeer's wealthy patron and sole means of support, Van Ruijven, commissions him to paint Griet with the intent that he will have her for himself before it is finished. She must somehow secretly pose for the crucial painting without the knowledge of Vermeer's wife, avoid Van Ruijven's grasp, and protect herself from the cruel gossip of the world of a 17th century servant.
Director(s): Peter Webber
Production: Exhibition On Screen
  Nominated for 3 Oscars. Another 17 wins & 41 nominations.
 
IMDB:
6.9
Metacritic:
72
Rotten Tomatoes:
72%
PG-13
Year:
2003
100 min
$11,505,906
Website
667 Views


that was painted before?

- You shouldn't believe gossip.

- Oh, I don't.

I'll tell Pieter

you asked after him.

Liver?

Griet.

You've heard?

I heard.

No smoke without fire,

they say.

- Is that what you think?

- No.

You're only a maid,

what can you do?

- I must get back.

- Don't walk away. Listen to me.

Just remember who you are.

Don't get caught up

in his world.

I am only a maid,

but I would never give in

to Master Van Ruijven.

I wasn't talking

about Van Ruijven.

Van Ruijven:

Ah, you girl, Griet.

Come here.

What were you doing today?

I missed you.

We both did.

I hear you've been of great use

to your master, pretty Griet.

All that grinding and stirring, eh?

Master and maid.

It's a tune we all know.

And you can practice together now

that we've made our bargain. Eh, Jan?

You won't forget, will you?

Good.

- What should I...?

- No.

No. I already... already begun

a group painting.

You're not to sit with Master

Van Ruijven, that much is agreed.

Thank you, sir.

I'm to paint you alone.

My daughter must not hear

of this other painting in her condition.

It's to hang

in his private cabinet.

He's no fool,

mind you.

An he won't be taken for one,

so don't think otherwise.

You're a fly in his web.

We all are.

Man:
You've to admit, my friend,

French swords are the best.

Tomorrow morning.

I cannot, I have work.

Find a way.

The front of your cap,

fold it back.

Take off your cap.

No, sir.

I cannot.

Cannot?

I will not.

I need to see

your face.

The cap covers too much.

There's some cloth

in the storeroom.

You know, I've a mind to go up there

one day and surprise him

in the act.

But you said yourself

it's very dull.

Oh, not with Emilie

when he's alone with some

young beauty.

Have you ever notice how

he never bothers with old women?

Only the young pretty ones.

On their own.

You'll have to wait then.

He makes only one painting

at a time.

Is that so?

Mistress:
Jan?

Jan?

My necklace.

Haven't you finished yet?

I'll be in my studio

until dinner.

Open your mouth.

Sir?

Open your mouth.

Less.

Now lick your lips.

Again.

Again.

(steps, door closing)

Girl:

Got you, got you, got you!

Wear these.

Good.

Look, Griet.

Point of light in the shadow of the neck

leading the eye.

Jan.

Sir.

- Do not ask this of me.

- It's needed.

The composition,

it's not balanced.

I've seen you paint

with no one there.

You want me to imagine

how the earring would look?

My ears are not pierced.

She'll find out.

This has to be, Griet.

See for yourself.

You looked inside me.

I've got you!

Now hold still.

I want to look at you.

Now, girl...

tell me how you get on

up there.

Has he found his composition?

Do you move him?

Do you inspire him?

Tell me, has the master's brush

unlocked the secrets of your heart?

Ripe as a plum...

still unplucked.

What's he playing at?

He made a bargain with me.

He's painting you at my pleasure.

- No!

- I've waited long enough.

What a great fool he is.

Don't fight.

No! No!

Woman:
Griet?

Not a word.

You'll lose your place.

He won't look at you again.

Woman:
Griet!

Ah, there you are, my dear.

The maid

kept me talking with some...

cock and bull story.

Well, girl?

What's to be done?

Master Van Ruijven

wants his paintings...

and he will bear no more delay.

If he crosses Van Ruijven over this...

he will lose him.

Then what?

My daughter is out for the day.

Do it now.

You do it.

Look at me.

Now turn your head,

not your shoulders.

Look at me.

There, that's it.

I'll see you later.

Don't rush away,

Griet, please.

Leave the house.

Join me and Paul

in the meat market.

- I must get back.

- I'll fetch your things,

I'll send someone.

No.

Our own life, Griet...

answering to no one.

Marry me.

(fast-paced steps)

(loud, distant arguing)

Mistress:
Laughing at me

in my own house.

I will see for myself.

No one will stop me.

There is nothing to see.

You're making yourself ridiculous.

Maria:
Calm, my dear.

Mistress:

I will not be calm!

Am I a child?!

Does no one speak the truth to me

in my own house?

By all the saints, if you would stop

screaming for a moment, I can explain.

More lies?!

I don't want to hear

any more of your lies, Mother.

I have a right to know.

So.

No more hiding now.

Here I am.

I want to see this painting.

There's no point.

No point?!

I am too stupid to look

at a painting now?

She can't read!

You know that?

Sit down.

You'll exhaust yourself.

Why can't I look?

It's just a commission. Gone

in a few days. You need never see it.

They are just paintings.

Pictures, for money.

They mean nothing.

Is it true she wore my pearls?

How could you?

How could you?

Show me this painting.

You'll make yourself ill.

You show me.

It's obscene.

Why don't you paint me?

Because you don't understand!

And she does?

(screaming)

No!

Get out of here!

Get out of my house!

(steps)

I've come

to the right place, then.

Tanneke?

This is for you.

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Olivia Hetreed

Olivia Hetreed is a British screenwriter and editor, and the current president of the Writers' Guild of Great Britain. In 2003, she received a BAFTA nomination for Best Adapted Screenplay for adapting Tracy Chevalier's best-selling novel Girl with a Pearl Earring into the film of the same name. Hetreed has also been credited as the screenwriter for productions based on the works of Geoffrey Chaucer, Emily Brontë, and Caroline Lawrence. As a result, she has been called an "expert in literary adaptations." more…

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Submitted on August 05, 2018

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