Godzilla Page #15
- PG-13
- Year:
- 1998
- 139 min
- 2,873 Views
An armed blockage seals the Jersey entrance to the
Lincoln tunnel. We widen to reveal Audrey and Animal by
a small side entrance. Animal works the lock.
AUDREY:
What are you doing?
ANIMAL:
It's the maintenance entrance. Runs
along the side of the tunnel. When
they repaired it last year I worked on
a piece about it.
Just then the lock TURNS and the door opens. They
enter.
136 EXT. GEORGE WASHINGTON BRIDGE - JERSEY SIDE - SUNSET136
A line of military vehicles approaches and slowly passes
through a guarded entrance, each vehicle checked. Nick
and Raymond's Humvee nears.
ANGLE - GUARDED BLOCKADE - CONTINUOUS
Raymond's Humvee rolls up and a GUARD walks up to the
window.
GUARD:
(checking clipboard)
Who you boys with?
NICK:
Oh, we're with the three two.
GUARD:
I didn't ask you, soldier.
NICK:
Sergeant O'Neal just called down for
us to join in.
Now he's suspicious. The guard approaches Raymond, checks
him out.
GUARD:
You got a problem talkin'?
RAYMOND:
(perfect southern accent)
Why no sir, I'm fine.
The Guard is suspicious but on a tight schedule. Finally
he waves him through.
GUARD:
All right, keep it moving.
RAYMOND:
(ala Presley)
Thank you very much.
They drive off. Nick is stunned by the act.
RAYMOND:
Elvis Presley movies.
(by way of explanation)
He was the King!
137 INT. LINCOLN TUNNEL - MAINTENANCE DOOR - SAME - NIGHT137
The door creeps open. Animal leans out to find the
tunnel deserted. He and Audrey step out and into the
tunnel. We FOLLOW them as they are headed for the exit
of the tunnel into Manhattan.
138 INT. RAYMOND'S HUMVEE - NIGHT138
Raymond and Nick drive through Central Park. We can SEE
dozens of military people and vehicles in a large
meadow.
139 EXT. CENTRAL PARK - LARGE MEADOW - NIGHT139
The enormous pile of fish is getting dumped in the
center of the field as many others are planting land
mines. Tanks, rockets and soldiers align the area.
The convoy of vehicles turn onto the meadow but Raymond
and his men keep going straight. They drive slowly right
past the trap sight and out of the park.
TIRES SQUEALING TO A STOP
Doors slam and immediately boots march past. We WIDEN to
reveal Raymond's team quickly gathering their gear and
heading down the subway entrance.
Raymond grabs a heavy bag and tosses it to Nick who
nearly topples from the weight.
RAYMOND:
Be careful with that.
Nick looks into the bag and sees a bag marked
EXPLOSIVES. Shocked he looks back at Raymond, but he's
gone. Nick regains his breath and follows.
THE FISH:
Older and nastier, but the same fish we saw in the
tunnel before. We FOLLOW the beam to its owner and find
Nick. We WIDEN to reveal that we're....
140 INT. SUBWAY TUNNEL - MOMENTS LATER - NIGHT140
The crisscrossing beams from the assault team's
flashlights nearly blind us as Nick leads the team
cautiously into the depth of this tunnel. Periodic fish
are found along the way. Suddenly the faint HUMMING
sound in the tunnel STOPS.
Everyone freezes as the wind shifts direction. A
familiar SMELL passes over them as they sniff the air.
NICK:
They've turned off the ventilation
system. They're calling him to
dinner.
RAYMOND:
Let's hope we are not the hors
d'oeuvres.
Nervously they continue onward.
141 EXT. 23RD STREET SUBWAY STATION - SAME - NIGHT141
Animal and Audrey arrive, spotting the assault team's
vehicles. They head carefully down the stairs.
142 INT. 23RD STREET SUBWAY STATION - SAME - NIGHT142
Audrey and Animal, camera in hand shooting everything,
climb down into the station. Animal rushes to the end of
the platform and searches down into the tunnels.
VIDEO P.O.V. - DARK TUNNEL - DISTANT LIGHTS
Through the camera we SEE the lights in the distance of
the tunnel.
ANIMAL:
(whispering)
They're down there. Let's go.
Animal jumps off the platform, down onto what's left of
the tracks. Audrey squeamishly follows.
143 INT. TUNNELS - NICK & TEAM - SAME - NIGHT143
Nick kneels down to inspect some debris. An old
SCREECHING SOUND is heard in the distance. Suddenly the
ground begins to quake. Dust falling. The SCREECHING
gets louder and louder.
Raymond moves up to Nick and points ahead. Nick nods in
nervous agreement. Just as they move towards the sounds
the ENTIRE WALL OF THE TUNNEL COLLAPSES next to them.
Bursting through the tunnel wall GODZILLA appears. His
enormous claws burrowing, he makes his way through and
into the tunnel. Quickly he moves past the team.
The team DIVES into a cross tunnel just as the colossal
beast BLASTS past them, barely missing them.
144 INT. 23RD STREET SUBWAY STATION - TUNNEL ENTRANCE144
Audrey and Animal have just gotten into the tunnel
entrance. The entire place is shaking. Audrey is in a
panic.
AUDREY:
Animal, let's get out of here.
But Animal hoists his camera and starts filming as
SOMETHING is moving TOWARDS them. Audrey is tugging at
him as the shaking gets more violent. With all her
strength, she finally gets Animal to start moving
backwards.
Just as they're out of the tunnel, the CREATURE BLASTS
outward. Audrey and Animal DIVE into the maintenance
ducks along side the tracks to avoid collision.
ANGLE - AUDREY AND ANIMAL
Animal is shielding Audrey with his body. She looks up
just in time to SEE Godzilla CRAWLING UP and out through
the ceiling. An amazing site.
AUDREY:
Shoot! Shoot it!
Animal grabs his camera and gets the last moment of it
disappearing from view. Once gone, they both break into
enormous sighs of relief and nervous laughter.
145 INT. TUNNEL - SAME145
Recovering, Raymond and the team walk back into the main
tunnel. They near the hole Godzilla just created,
examining it. Nick climbs into the hole.
NICK:
I guess we go this way.
Raymond and his men follow.
146 INT. COMMAND TENT - WAR ROOM - SAME - NIGHT146
Major Hicks is at the radio as the Generals sit behind
him.
MAJOR HICKS:
(into radio)
Sergeant, status?
147 INT. CENTRAL PARK - SAME - NIGHT147
The park is bathed in light. Armed troops surround the
area. Tanks and missile launchers are in place. Sergeant
O'Neal kneels down by a sandbag fortification.
SERGEANT O'NEAL
(into radio)
Any sign of it?
148 EXT. ROOFTOP - SPOTTERS - SAME - NIGHT148
From the rooftop of one of the central park south high
rises, a team of SPOTTERS scan the area.
SPOTTER P.O.V. - THROUGH BINOCULARS - GODZILLA
Moving steadily towards central park, Godzilla makes his
way up seventh avenue.
SPOTTER:
Got him. Section 5, heading north to
target.
149 EXT. CENTRAL PARK - SERGEANT O'NEAL - SAME149
The Sergeant gives the nod and several teams of shooters
take off running, taking positions. The tanks turn their
gun turrets towards downtown, expectantly. Missile
launchers turn, arming devices locked.
150 INT. COMMAND TENT - WAR ROOM - SAME - NIGHT150
Major Hicks stands near a computerized schematic of
Manhattan. A large RED FLASHING BLIP nears Central
Park.
151 EXT. SEVENTH AVENUE - GODZILLA - SAME151
Godzilla moves up 7th Ave. He reaches Central Park South
and STOPS. He glances over to the park where bright
lights are glaring.
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