Godzilla Page #8
- PG-13
- Year:
- 1998
- 139 min
- 2,853 Views
LUCY:
I left my forgery kit back at the
office.
Audrey looks over at a young ten year old boy holding
his backpack, a RULER sticking out of the back.
AUDREY:
Hey, do you have any glue in your
bag?
KID:
What's it to you?
AUDREY:
Can I use some?
KID:
What do I get?
AUDREY:
The warm feeling of helping your
fellow man.
KID:
Five bucks.
AUDREY:
You're kidding, right?
The Kid simply puts his hand out.
58 EXT. NEW JERSEY TRAIN STATION - LATER58
People FLOOD off the train out into the station.
P.A. ANNOUNCER
Please exit the station. For those of
you without accommodations, the city
has opened up shelters on Monroe and
60th and at Bergenline and 72nd.
Please exit the...
Audrey and Lucy walk through the crowd. Audrey turns and
gives Lucy a kiss.
AUDREY:
Wish me luck!
LUCY:
Audrey, I don't think this is a very
good idea. Caiman finds out and he'll
have your job.
AUDREY:
I'm tired of waiting for someone else
to give me an opportunity, Luce. If
there's a story here I'm going to find
it.
Lucy nods in acceptance as Audrey disappears into the
dense crowd. Lucy worries for her friend.
CUT TO:
"YUM YUM DOUGHNUTS" BAG - PRE-SUNSET
Carried along with a Styrofoam cup of coffee. We WIDEN
TO REVEAL a MAN carrying the junk food to a GREY VAN
parked not too far from the Command Center Tent across
the way.
The man knocks on the back of the van. The van opens to
reveal...
59 INT. RAYMOND'S VAN - PRE-SUNSET59
Filled with high tech monitoring equipment, Raymond and
his men are listening in to a conversation. The man with
junk food hands it to Raymond.
RAYMOND:
Merci.
He opens the bag and takes out a croissant. He bites
into it and grimaces. To wash away the taste, he drinks
from the coffee. It's worse than the croissant.
RAYMOND:
You call this coffee?
MAN:
(French accent)
I call this America.
The man takes a seat near Raymond as Raymond turns up
the volume on his headset.
MAYOR (O.S.)
(mid argument)
You're telling me that in an election
month I've evacuated the entire city
for nothing?
60 INT. COMMAND TENT - WAR ROOM (TENT) - PRE-SUNSET60
From behind the Mayor's head we SEE the monitoring
device attracted to his collar. As he speaks we WIDEN TO
REVEAL...
MAYOR:
Do you realize what this evacuation
will cost the people of this city!?
Representatives of all branches of the military,
National Guard and the Mayor's office are here. The room
overflows with people. Nick, Elsie and the scientist
stand near the back of the tent.
ADMIRAL PHELPS:
We're been monitoring the waters
around the island. As far as we can
tell it hasn't left the area.
MAYOR:
But you don't know for sure.
MAJOR HICKS:
We think there's a strong reason to
believe it may be hiding inside one of
the buildings within the sequestered
area.
MAYOR:
But you don't know for sure!
Just then Sergeant O'Neal enters hurriedly. He wants to
speak but waits for the opportunity.
MAJOR:
(controlling his temper)
Mr. Mayor, if he's not in one of those
buildings then we give the all clear.
But not until we've checked each
building!
SERGEANT O'NEAL
Sir, that may be more difficult than
we originally projected.
MAJOR:
More good news?!
SERGEANT O'NEAL
We've run into a problem.
CUT TO:
A SIGN READING:
SUBWAY STATION: 23RD STREET - SUNSETWe CRANE DOWN to reveal several military sedans pulling
up into FLAT IRON SQUARE (where Broadway meets 5th).
Sergeant O'Neal leads the team out of the cars and down
a subway entrance.
61 INT. SUBWAY STAIRWELL - CONTINUOUS - SUNSET61
Marching down the stairs, the team enters into the very
large subway station. For all we see it seems like a
normal subway station except for the fact that every one
of the team members look ASTONISHED.
SERGEANT O'NEAL
Lt. Anderson and his men found this
late this afternoon.
The camera makes a hundred and eighty degree turn as we
suddenly SEE what the team is staring at...
AN ENORMOUS HOLE
The four normal subway tunnels have been CARVED OUT
making one GIGANTIC TUNNEL. Debris and crumbled brick
are everywhere. Several SOLDIERS with flashlights
approach the hole.
Lt. Anderson moves over to the astonished group. Some of
the scientists fan out, examining the area.
LT. ANDERSON
We were checking the office building
above when we discovered the floor was
gone.
LOW ANGLE - REVEALING THE HOLE IN THE CEILING
We SEE that not only is the ceiling gone but the
building above is hollowed and torn to shreds. Another
hole in the building leads to the street.
LT. ANDERSON
When we learned he could burrow his
way through the tunnels we realized he
could be out of the quarantined zone.
MAJOR HICKS:
Christ. How many tunnels lead off the
island?
LT. ANDERSON
Only five, Sir. We've checked them
all. He hasn't used any of them.
MAJOR HICKS:
Have them sealed off.
LT. ANDERSON
And how should we do that, Sir?
MAJOR HICKS:
Fill them with cement, brick them up,
put land mines in them, bombs, I don't
know, just make sure that goddamned
thing doesn't leave the island!
ANGLE - INSIDE DARKENED TUNNEL
As the SOLDIERS slowly move down deeper into the
tunnels, their flashlight beams scan the area. Could
they stumble onto something dangerous?
ANGLE - NICK
as he approaches Major Hicks and Sergeant O'Neal.
NICK:
You know, he's not an enemy trying to
evade you. He's just an animal.
MAJOR HICKS:
What are you suggesting?
NICK:
When I needed to catch earthworms, I
knew the best way to catch them was
not to chase them. I had to draw them
out.
ANGLE - SOLDIERS - DARKNESS
Still moving deeper into the tunnel we get the feeling
these soldiers may just waken a sleeping giant.
BACK TO TEAM:
Nick moves to the edge of the platform, looking off into
the dark tunnel.
NICK:
All we need to do is find out what it
wants, what it needs, and he'll come
to us.
ANGLE - SOLDIERS - DARKNESS
The lead Soldier SEES something. Cautiously he moves
forward thinking he's onto something. We HEAR something
MOVING in the darkness.
We FOLLOW his beam as the noise grows clearer. The beam
falls onto something on the floor...
A FISH:
Flopping on the ground is a large FISH. As the beam
moves farther along we see two, no, three fish ahead.
CUT TO:
62 EXT. NEW YORK CITY STREET - POST-SUNSET (MAGIC HOUR)62
A battalion of armored TANKS roll down this deserted
city street. A large number of GROUND TROOPS march
behind.
COBRA HELICOPTERS - SAME - MAGIC HOUR
Banking in formation, the helicopters swerve, heading
towards mid-town Manhattan.
SAND BAG FORTIFICATION
Soldiers pile up sand bags, creating a make shift
fortification. SHARP SHOOTERS and a BAZOOKA BRIGADE
settle into place.
63 EXT. FLAT IRON SQUARE - SAME - MAGIC HOUR63
Major Hicks moves over to a jeep and grabs the radio.
64 INT. COMMAND TENT - SAME - MAGIC HOUR64
Major Hicks sits by a bank of communications
technicians.
MAJOR HICKS:
Where are they now?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Godzilla" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/godzilla_541>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In