Goliyon Ki Rasleela Ram-Leela Page #8

Synopsis: Modern adaptation of William Shakespeare's 'Romeo and Juliet' with an Indian twist, the film focuses on the story of Ram and Leela, their love, lust and the drama afterwards.
Production: Eros International
  29 wins & 90 nominations.
 
IMDB:
6.4
Rotten Tomatoes:
78%
NOT RATED
Year:
2013
150 min
$2,386,695
Website
3,843 Views


That's what he lives for now.

Neither will he answer your calls,

nor will he meet me,

you very well know what

answer I will come back with.

This relationship is over now.

My first night will be with

Ram or this will be my last night.

Few songs were demanded

from me to sing.

I'll sing a couple of lines.

From the movie, 'I've seen the

country as well as the foreign land.'

Where is Rambhai's shop?

This...is the one.

- Is he inside?

- Should be...

Oh Rasila bhabhi? What

are you doing in our Video store?

Welcome, please come in...

I am shocked to see you here...

Are you also interested

in "action" films?

We are watching one right now,

comejoin usmplease

sit...enjoy yourself...

I need to meet Ram.

Not Ram, call him Rambhai.

I need to meet Ram bhai.

Say "please"...l

need to meet Ram bhai.

Please, I need to meet Ram bhai.

You had your fun?

Now call Ram... I have

an important message for him.

But Rambhai is not here.

I know he is inside, I will

go and look for him myself...

Rambhai is the new

Don of the Rajadis.

Did you take an appointment

to see him, Rasilaji?

No? So you can't meet him.

Listen, I have to deliver

an important message to him.

It is for his own good.

Isn't it wonderful...

First Dhankor did

"good" to Rajadis...

...and now Rasilaji

has come as our saviour.

Give us a chance,

we can also do some "good",..

...since Saneras have no men left.

Bastard...

Go away!

Ram bhai is not here...

mwhatever you want to say,

say it in my ears.

You disgusting animal!

Leave me!

Sanera womenmsharp and cheeky.

Oh Look...

...your blouse is all wet.

Let me help you dry it.

Leave me.

Take it.. - Leave.. leave me.

Hey, leave her.

Leave her alone.

Stop, have you all lost it?

You want revenge

from a helpless woman?

If Rambhai hears of this,

he will kill every one of you.

My husband was right...

There are no men in the Rajadis.

- Want to see my manhood?

- Hey!

If you even try to touch me

this time... I will rip you apart.

Now, go and tell your Ram bhai...

Leela will never be his.

This is my promise.

Rasila bhabhi, what did Ram say?

Tell me...

...what happened bhabhi?

Pleasemwhat was his answer?

This is what those Rajadis did.

Hey look there...

"stop!

Run away!

Ah...here is her shawl...

the wretch must be around!

You bloody Kesar I won't spare you!

Let's go!

Now its war in Ranjaar!

We will teach them a lesson

for trying to touch our women.

Veer, Mandar,

Velji, Pranjeevan, come here.

Our revenge will start right here,

right now!

Yes, brother!

The first bullet,

will be fired on them.

If we can't punish these bastards"

"these rapistsmthen

throw away your guns!

You avenged your brother's

death rightaway...

...today when it's about our women,

you are giving us a lecture?

What revenge are you

talking about Rambhai?

You want us to abandon our guns?

so here!

I asked you to abandon your guns...

not your manhood.

Will the Saneras stop

even if we abandon our weapons?

I can see,

the end is near for the Rajadis.

How could Radhubhai

crown you as our Don?

Hey, stop!

You BastardmBuahujoor...

kill him right now...

This tone has to change.

Our guns are done talking...

...now the time has

come for us to talk.

Oh Rambhai, we could've discussed

this over the phone as well.

Why did you take the

trouble to come here?

My mobile number is 9285000011...

Anyways its Navratri, you're fortunate

to witness the Goddess herself.

Takemprasaad (offering to God).

Pride against pride,

an eye for an eye, enough of this.

I am standing right here,

unarmed, kill me...

...if that's what

brings your son back.

And one last thing, we Rajadis respect

and protect our women with our lives.

And if you doubt that, try

building a relationship with us.

Long live Lord Ram!

Goli, see who's calling?

Uncle, unknown number... 9285000011

say--.

Ram bhai, you recognized my number?

A real man's voice echoed

in this mansion after long.

You were right,

let's build a relationship.

And hey Leela, where are you going!

She was sitting right here,

but at the mention of your name,

she blushed and ran away.

Tomorrow is the first night

of Navratri celebrations,

You must come.

My official invitation,

Must be at your doorstep by now.

I hope you appreciate

my offering Ram bhai.

Actually, these Peacocks were

making too much noise around here.

We are enemies no more...

...so I hope you will be

there tomorrow night?

Baa,

if the invitation is so fancy,

then your hospitality will

be worth experiencing.

I will be there.

Get ready.

Thank you...

Alright then, see you tomorrow...

Rest in Peace...

oh I mean may your day be peaceful.

If he is a lover,

then I am a killer.

For the first time in Ranjaar, a

man has fought for a woman's honor.

Be it Rajadi or Sanera...

For us you are our Don Ram bhai.

This turban is for

every woman's pride.

Bhaimbhai...

bhai... bhai...

As I await for my true love,

I dance without shackles...

My pulse races to

the beat of every drum,

And I wait for you to come

and change the rhythm of the life.

"Hey, drums beat. Come fast.

Open the shackles of my feet."

"Drums beat."

"Drums beat with the kettle-drums

with huge sounds."

"Drums beat."

"Drums beat with the kettledrums

with huge sounds."

"There is knocking on the door."

"But he hasn't yet come."

"Since then, yeah, since then

I've been waiting.."

"Now open your arms and come."

"My heart roams here and there in joy,

getting all restless."

"The words of my beloved

speak out loud."

"Drums beat."

"Drums beat with the kettledrums

with huge sounds."

"Drums beat."

"Drums beat with the kettledrums

with huge sounds."

"Hey, drums beat. Come fast."

"Open the shackles of my feet."

"Drums beat."

"Drums beat with the kettledrums

with huge sounds."

"Drums beat."

"Drums beat with the kettledrums

with huge sounds."

"This green lemon-tree.-"

"..and green betel-tree."

"O Lord, don't refuse.."

"Please have a little stay

at my house."

"I'll not stay."

"As Goddess Sita is

waiting at my home."

"Sita, Alone there.."

"..waits for Ram and Lakshman."

"Every moment passes in agony."

"Now come and dance with me."

"Why do you shiver so much."

"Now don't be afraid of your heart."

"Peacocks now speak in the gardens."

"And the geography of

my heart has changed."

"Drums beat."

"Drums beat with the kettledrums

with huge sounds."

"Drums beat."

"Drums beat with the kettledrums

with huge sounds."

"Hey, drums beat. Come fast.

Open the shackles of my feet."

"Drums beat."

"Drums beat with the kettledrums

with huge sounds."

"Drums beat."

"Drums beat with the kettledrums

with huge sounds."

"Drums beat."

"Drums beat with the kettledrums

with huge sounds."

"Drums beat."

"Drums beat with the kettledrums

with huge sounds."

"Drums beat."

"Drums beat with the kettledrums

with huge sounds."

"Drums beat."

"This green lemon-tree.-"

"..and green betel-tree."

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Sanjay Leela Bhansali

Sanjay Leela Bhansali (Gujarati: [ˈsəndʒeː ˈlilɑ ˈbʱəɳs̪ɑli]; born 24 February 1963) is an Indian film director, producer, screenwriter, and music director. One of the most successful filmmakers in Indian cinema, Bhansali is the recipient of several awards, including four National Film Awards and ten Filmfare Awards. In 2015, the Government of India honoured him with the Padma Shri, the fourth highest civilian award. Bhansali made his directorial debut with Khamoshi: The Musical (1996), for which he received the Filmfare Critics Award for Best Film. He rose to prominence in Indian cinema with the commercially successful and widely acclaimed romantic drama Hum Dil De Chuke Sanam (1999), the romantic drama Devdas (2002) — which received nomination for the Best Foreign Film at British Academy of Film & Television Awards (BAFTA) — and the drama Black (2005), for all of which he received multiple Best Director Awards and Best Film Awards along with additional Critics Award for Best Film for the latter at Filmfare Awards, and multiple National Film Awards for the latter two. However, he followed it by directing consecutive commercially flop films such as Saawariya (2007) and Guzaarish (2010), however, Guzaarish received positive reviews from critics and audiences. This changed with his adaptation of Shakespeare's Romeo and Juliet — the tragic romance Goliyon Ki Raasleela Ram-Leela (2013) — opened to positive reviews and strong box office collections, for which he received several awards and nominations. His home production biographical sports film Mary Kom (2014), had him receive his third National Film Award. His period dramas Bajirao Mastani (2015) and Padmaavat (2018) rank among the highest-grossing Indian films of all time. For the former, he won the National Film Award for Best Direction, as well as Best Director and Best Film Awards at Filmfare. He is an alumnus of the Film and Television Institute of India. He is the founder of the production house Bhansali Productions. Bhansali has adopted the middle name "Leela" as a tribute to his mother, more…

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Submitted on August 05, 2018

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