Gone Girl Page #10
NICK:
Think.
ANDIE:
I don’t know. I’ll have to check my
red-panty inventory.
NICK:
Baby, I need you to take this
seriously. And this is the last
time we can see each other until...
Andie is on top of him but now pauses in her invasion.
ANDIE:
Until when?
NICK:
Until it’s safe. Andie, she’s my
wife.
GG - Blue Draft — 8/29/13 56.
ANDIE:
You told me you were going to get a *
divorce.
He grabs her by both arms.
NICK:
Never say that out loud again.
She stares at his hands until he removes them. Then she takes
them and places them back on her. She begins moving his arms
like a puppet, from her waist, up to her breasts. She presses
her cheek against his so she can whisper.
AND IE:
I don’t want to fight. I just want
to be with you. That’s all I want.
She begins kissing him. Then she reclines, still holding his
hands on her. She pulls down the top of her sundress, yanks
the bottom hem up over her (red) panties, arranges herself
like a (soft) porn star. Tugs at his pants.
ANDIE (CONT’D)
The last time you’ll see me. Make
the most of it.
87 INT. SOMEWHERE - SOMETIME 87
A pen—for a funeral home, gnarled—cursives across the. DIARY.
DATE:
October 2, 2011. We see the words as we hear:AMY (V.0)
My husband has come undone.
People in black are filing up the sidewalk, women bearing
foil-covered casseroles; men bearing bottles of liquor.
89 INT. DUNNE DINING ROOM - DAY 89
A crowd in black, murmuring, consoling. A table packed with
Funeral Food:
Butter-roll sandwiches and bread dips. NICK andGO are together, greeting mourners; AMY is off by herself.
AMY (V.0.)
We moved to Missouri to save *
Maureen, but it turns out we *
couldn’t.
GG - Blue Draft - 8/29/13 57.
90 INT. DUNNE KITCHEN - NIGHT 90
Nick is at a laptop, looking at his online bank account. As
he hears Amy, he switches the screen to his fantasy baseball.
AMY (V.0.)
I used the last of my trust fund to
buy him a bar, but so far it’s just
costing us more money.
91 INT. DUNNE BEDROOM - DAY 91 *
Nick is on top of Amy, thrusting into her from behind, a hand
in her hair. Mostly dressed: She’s in a bathrobe; he’s *
dressed for work. *
AMY (V.0.) *
Nick uses me for sex when he wants.
Nick pulls off her, kisses her cheek.
AMY (V.0.)
Otherwise, I don’t exist.
92 INT. DUNNE BEDROOM — NIGHT 92 *
NICK is primping in front of the mirror.
AMY (V.0.)
Last night, I went from desperate
to pathetic. I became someone I
don’t even like. The kind of woman
I used to mock.
AMY:
You’re out so much. Stay with me.
NICK:
I’m already late, Aim.
AMY:
Well, then can I come? *
NICK:
It’s just a bunch of dumb high- *
school buddies. *
He kisses her on the cheek. AMY gets in front of the door. *
AMY:
(thumb to her chin)
Do our code:
no bullshit.GG - Blue Draft - 8/29/13 58.
NICK:
Babe, I thought we weren’t going to
be those people.
He tries to get around her~ she blocks him again, Sigh. He
does the CODE, brusquely, as he tries to get past her.
AMY:
Hey, I was thinking. Something
positive. Maybe it’s time...
NICK:
Now is the worst time.
AMY:
It’d be a new start. For us. For *
me. I’d have a real purpose here. *
He grabs her by the arms, moves her.
NICK *
A child is not a hobby, Amy. *
He heads downstairs, Amy trailing.
A93 INT. STAIRWAY - NIGHT A93 *
ANY *
Not a hobby. An inspiration. *
Amy blocks his exit out the front door. A dark moment.
NICK *
We could have had this fight four *
hours ago. *
AMY *
I didn’t know it was going to be a *
fight. *
NICK:
You really want to be the couple *
who has kids to save our marriage? *
AMY *
Save? *
NICK *
Reignite,. jump-start, whatever *
works for you. *
GG — Blue Draft 8/29/13 59.
AMY *
You said save. *
He goes to leave. She puts a hand on the door. *
AMY (CONT’D) *
You’re really just going to walk *
out now? You are such a coward. *
He grabs her, hard, pushes her from the door. *
NICK *
Bye. *
ANY:
We can’t go on like this. I won’t.
NICK:
What, this isn’t good enough for
Miss Amazing?
AMY:
(blocking door again)
It’s not even close to good enough.
SNAP. NICK shakes her, shoves her. She falls and hits her
head—HARD—on the newel post. He stands over her, fists
clinched.. .until he takes a breath.
NICK:
Sh*t. I’m sorry. I’m so sorry.
He sits beside her, holds her in his arms.
AMY (V.0.)
What scared me wasn’t that he *
pushed me. What scared me was how *
much he wanted to hurt me more.
What scared me is that I’d finally
realized:
I am frightened of my ownhusband.
94 INT. BONEY’S CAR - MALL. PARKING LOT - NIGHT 94
Boney and Gilpin in the vast, empty MALL parking lot.
GILPIN:
You sure we don’t need backup?
BONEY:
I’ll protect you.
GG — Blue Draft - 8/29/13 60.
They walk the mall exterior. A SUBURBANITE bursts out a far
door, beelines to a minivan, tucking stash into his jorts.
Frozen escalators, dried fountains. The SKYLIGHT is cracked.
As Boney and G±lpin move toward the giant Dillard’s at the
end, HUMAN BEINGS hide, scuttle. We hear a baby cry.
GILPIN:
Someone should burn this place.
A raccoon runs across the hall. They train flashlights on it.
GILPIN (CONT’D)
You really think this is anything?
BONEY:
Cross it off the list.
Their flashlights pick up outlines of bodies asleep outside
BONEY (CONT’D)
Nick Dunne played Little League
with my kid brother.
GILPIN:
Yeah?
BONEY:
He was nice to him. Not many kids
were nice to my brother.
It’s incredibly TIDY, lit by camp lanterns. PEOPLE drugged or
PASSED out everywhere. Under a sign marked HOME GOODS, two
TEENS in polo shirts are tweaking hard, pushing each other
back and forth robotically, reciting the Gettysburg Address.
TEEN ONE:
Now we are engaged in a great civil
war *
A group of DEALERS, 30s and 40s, are reclining on sleeping
bags like Boy Scouts, reading paperbacks by flashlight. They
rise to meet BONEY and GILPIN. They’re lean, hardened, but
dressed in cast—off clothes from their former lives: Gamma
Phi Dad’s Weekend 2011, Greenf air Golf Club, Mizzou Tigers.
GG - Blue Draft - 8/29/13 61.
JASON, the leader, wears a short-sleeve button down. He
approaches with a tough face. . . SMILES when he sees BONEY.
JASON:
What’s up, Rhonda?
TEEN TWO *
testing whether that nation, or any *
nation so conceived and so *
dedicated- *
BONEY:
(greeting everyone)
Hi Jason. Kyle. How ya doing, Chad?
TEEN TWO *
—can long endure. *
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