Gone Girl Page #24

Synopsis: In Carthage, Mo., former New York-based writer Nick Dunne (Ben Affleck) and his glamorous wife Amy (Rosamund Pike) present a portrait of a blissful marriage to the public. However, when Amy goes missing on the couple's fifth wedding anniversary, Nick becomes the prime suspect in her disappearance. The resulting police pressure and media frenzy cause the Dunnes' image of a happy union to crumble, leading to tantalizing questions about who Nick and Amy truly are.
Genre: Crime, Drama, Mystery
Production: 20th Century Fox
  Nominated for 1 Oscar. Another 65 wins & 177 nominations.
 
IMDB:
8.1
Metacritic:
79
Rotten Tomatoes:
87%
R
Year:
2014
149 min
Website
10,012 Views


BONEY:

Your girlfriend is so cute, Nick.

NICK:

Is that what this is about?

Boney stops short, seething.

BONEY:

I’ve treated you beyond fair

throughout this investigation. I’ve *

given you the benefit of the doubt

over and over. Whenever you said *

something stupid, I thought, Maybe *

he’s just stupid. I was wrong. *

That’s what this is about.

GILPIN:

(holding a club)

These the clubs you don’t play golf

with?

GG - Blue Draft - 8/29/13 136.

NICK:

None of this is mine, none of this

was put here by me.

A uniformed officer marches out from the woodshed, holding *

the gift-wrapped BOX with the PUNCH and JUDY puppets. He *

walks past them to POLICE VAN. *

BONEY:

Got the makings of a real man cave.

Everything just waiting for the

wife to go away for good.

But NICK has stopped paying attention because GO is being

helped into a police car.

NICK:

Hey, you can’t do that!

BONEY:

Of course we can.

We hear a strange CLICK and WHIR. Out of the woodshed comes

the ROBOT DOG, a cop piloting the controller. The dog BARKS.

231 INT. LAKEHOUSE - NIGHT 231

Desi very deliberately turns off the Sharon Schieber show.

Amy gets up to turn on the laptop. DESI takes it away.

DES I:

Amy, it’s time to move on. What can

I do to help?

AMY:

I need some time to think. *

DES I:

That’s the last thing you need.

AMY:

Desi— *

DES I:

For 20 years now, you’ve kept me *

dangling. Finally, last night you *

came to me, and you chose me.

Follow that instinct. Don’t trust *

the instinct that left you beaten *

and homeless, sleeping in your car, *

fearing for your life. *

AMY looks truly panicked.

GG — Yellow Revisions 9/27/13 137.

DESI (CONT’D)

I’m not going to force myself on

you.

He goes into the kitchen, begins taking away anything

decadent. Cheese, chips, etc all go into a bag.

AMY:

I understand what you’re saying,

Desi, I do. I’ve just been so

mistreated, for so long, I’ve

forgotten how to behave.

DES I:

I’ll move in here tomorrow. We’ll

work on it. Until we get it right.

I just want you to be y~ again.

He runs his hand through the hair that should be blonde.

232 INT. POLICE STATION HALLWAY - NIGHT 232

Nick and Tanner conferring as they head to interrogation.

TANNER:

They only took Go to f*** with you.

NICK:

She is not spending another second

here. We tell Boney everything.

TANNER:

We tell Boney as little as *

possible. Without a body, without a *

murder weapon, they’ll be desperate *

for a confession. So let them talk.

We can jumpstart your defense.

NICK:

My defense is the truth.

Tanner tries not to roll his eyes at the naivety. But can’t. *

233 INT. POLICE STATION - NIGHT 233 *

BONEY is getting settled: tape recorder coffee, pens, legal

pad. NICK studies her. Tries to break the ice.

NICK:

You got kids, Rhonda?

She looks startled. Holds up one finger.

GG - Blue Draft - 8/29/13 138.

BONEY *

Daughter. *

NICK *

What’s her name? *

BONEY *

Let’s start. *

BONEY sets PUNCH and JUDY in their box on the table. *

BONEY (CONT’D) *

Recognize these? *

NICK *

Amy’s anniversary present to me. *

BONEY *

Is this how she told you she was *

pregnant? Mommy, Daddy, Baby? That *

make you mad? *

BONEY gives him a stony look. Sets the diary on the table. *

It’s singed on the sides but fine inside. *

BONEY (CONT’D)

Recognize this?

NICK:

I’ve never seen it in my life.

BONEY:

Amy’s diary. We found it at your

father’s house.

Nick and Tanner exchange a look: Ohhh this is bad.

BONEY (CONT’D) *

This your wife’s handwriting? *

Nick reaches for the diary, BONEY pulls it back. *

NICK *

I think so. *

BONEY *

So does our expert. Want to play a *

little true or false? *

She takes out a stack of Xeroxed papers, each flagged with a *

color code stickie. She presents him the first sheet: *

GG - Blue Draft - 8/29/13 139.

BONEY (CONT’D) *

(reading) *

And then he brushes the sugar off *

my lips so he can taste me. *

NICK *

(moved) *

Yeah, that’s true. *

Next sheet is slapped down. *

BONEY *

You thought quinoa was a fish? *

NICK *

(sudden laugh) *

I still don’t know what it is. *

She slaps down another sheet. *

BONEY *

She wanted to get pregnant—you *

attacked her. *

NICK *

I hit her? Never. *

BONEY *

She says pushed. You pushed her. *

NICK *

Did not happen. *

Slaps down another sheet. *

BONEY *

She tried to buy a gun. *

NICK has no idea what to say. Boney slaps down another. *

BONEY (CONT’D)

Shall I read you the last entry?

This man might kill me. In her own

words:
This man might kill me.

NICK:

Convenient end note. *

GILPIN enters the room, motions to BONEY. They stand in the *

doorway, joined by DONNELLY, who hands BONEY a bag. They *

confer intensely in low voices. BONEY returns holding an *

evidence BAG containing a burnt CLUB. She holds it up to the *

JUDY puppet so NICK can see it’s the missing handle. *

GG — Yellow Revisions 9/27/13 140.

BONEY:

The missing handle. Big as a 2 by

4, right? Big as a club. We found

this Day One. In the fireplace.

Your office. Didn’t know what the *

hell it was but, fire in July? We

bagged it.

NICK:

I have never seen that. I have

never—

BONEY:

We just tested it. Fire doesn’t

erase blood, Nick. So. Finally: *

Nick Dunne, you are under arrest

for the murder of your wife, Amy

Elliott Dunne.

234 OMIT - INT. POLICE STATION - MORNING 234

235 OMIT - INT. POLICE STATION - LATER 235

236 INT. JAIL - MORNING 236

Nick is asleep against the cinderbiock wall.

GUARD:

Dunne? You got a hell of a lawyer.

TITLE:

July 14, 2012

NINE DAYS GONE:

237 EXT. JAIL - MORNING 237

A football field’s worth of cameras. Tanner runs Nick into a

car, where Go awaits. NEWSVANS and reporters from all over

the nation—and the BBC—are running amok.

NICK:

(to Go)

You’re ok?

Go waves him off.

NICK (CONT’D)

(to Tanner)

What’s this mean?

GG - Blue Draft - 8/29/13 141.

TANNER:

You’re out on bond. You can relax

at home while we prep for trial. *

NICK:

Take a bubble bath.

GO *

Tanner, is there any f***ing lead *

on Amy? *

TANNER *

I’ve had my two best guys looking. *

Nick looks up:
Yes?

TANNER (CONT’D)

She’s air.

Hands beat against the car window. Yells. PROTESTERS hold *

posters. NO TO VIOLENCE AGAINST WOMEN! and MURDERER! and WHAT *

DO YOU KNOW, GO? *

NICK *

Come home, Amy. I dare you. *

FADE OUT:
*

238 OMIT - EXT. DUNNE HOUSE - DAY 238 *

239 INT. LAKEHOUSE - DAY 239

AMY (V.0.)

More coffee?

FADE IN:

A bountiful breakfast is on a perfect table. Orange juice in

crystal, silver shining. DESI is smiling benevolently.

Rate this script:5.0 / 1 vote

Gillian Flynn

Gillian Schieber Flynn (born February 24, 1971) is an American author, screenwriter, comic book writer and former television critic for Entertainment Weekly. Flynn's three published novels are the thrillers Sharp Objects, Dark Places, and Gone Girl, the last of which she adapted for the screen in the 2014 film of the same name directed by David Fincher. more…

All Gillian Flynn scripts | Gillian Flynn Scripts

0 fans

Submitted by acronimous on July 02, 2017

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Gone Girl" Scripts.com. STANDS4 LLC, 2024. Web. 20 Nov. 2024. <https://www.scripts.com/script/gone_girl_1169>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Gone Girl

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Which film won the Academy Award for Best Picture in 1998?
    A Life Is Beautiful
    B The Thin Red Line
    C Shakespeare in Love
    D Saving Private Ryan