Gone Girl Page #8
next to him. He’s flipping channels like the remote is a gun.
He watches her as she tidies. She sees a shopping bag; starts
pulling out the contents: a laptop, Ipod, a dozen PS2 gaines.
AMY:
More games?
NICK:
(eyes on TV)
I felt I needed to shoot something. *
AMY *
What’s the laptop for?
NICK:
Laptopping. *
She folds her arms. Sighs. A “let’s talk” sigh.
NICK (CONT’D)
Right, I forgot. You can give your
parents $879,000 without asking me, *
but god forbid I buy Legend of *
Zelda without your permission. *
AMY:
You’re spending a lot.
NICK:
Amy, I know you don’t trust me. You
don’t trust my judgment, you don’t
trust my intentions—
AMY:
What are you talking about?
NICK:
That’s the basic tenet of a prenup,
right?
AMY:
Why are you throwing that in my
face again?
GG - Yellow Revisions 9/27/13 45.
NICK:
It’s easy to throw.
AMY:
Nick, I don’t get it. It’s like
you’re daring me to be someone I
don’t want to be. The nagging wife.
The controlling b*tch. I’m not that
person. I’m your wife.
That reaches Nick. A beat. He takes a breath.
NICK *
I’m sorry. I just— I’ve had a job *
since I was 12. I mowed lawns and *
dug post holes and flipped burgers. *
I worked all these shitty jobs so I *
could go to college, and get a job. *
I don’t know how to not have a job. *
AMY *
You’ll get another- *
His cell rings. He lets it. *
NICK *
—and it’s great that we have your *
money. At least when I had a job. *
Now it’s different. Now: I’m *
beholden to you. *
He checks display and sees who it is. Picks up. *
NICK (CONT’D)
Hey Go.. .what’s wrong?
AMY (V.0.)
Suddenly I knew everything was
about to get worse.
72 EXT. DRURY LODGE - MORNING 72
A CLOSEUP of Amy’s photo on a homemade POSTER held by a
little girl, hopping out of an SUV. The child drags it
through a busy parking lot: Two newsvans, SUV5, station
wagons. Women pile out. A strangely festive air: Many wearing
red white and blue of the 4th of JULY weekend.
TITLE CARD:
JULY 7, 2012
TWO DAYS GONE:
GG - Yellow Revisions 9/27/13 45A.
73 INT. DRURY LODGE BALLROOM - MORNING 73
Volunteers transform the dingy ballroom into the Find Amy
headquarters. PHONE BANKS plugged in; a GIANT AMY HEADSHOT is
hung; DONUTS. A few PHOTOGRAPHERS take shots. It feels like
the desperate campaign headquarters of a losing politician.
NICK enters, and FRIENDS and NEIGHBORS rush to WELCOME him.
He makes old women blush; he charms the bashful kids of old
girlfriends. Lots of hugs. A group of overtanned
FORTYSONETHINGS eye NICK, whispering like girls—their leader,
SHAWNA, catches NICK’s eye. NICK smiles, politely. From
across the room, GO sees all this and rolls her eyes: Same as
always. MARYBETH sees this and IT IS NOTED.
NICK extricates himself and spots BONEY heading to him. He
passes DESI COLLINGS, all grown up (and unrecognized). DESI
is protectively holding a handful of FLIERS with Amy’s PHOTO.
The two exchange a glance as they pass each other.
GG - Blue Draft - 8/29/13 46.
NICK:
(eyeing DESI)
You know that guy?
BONEY:
Don’t worry, we videotape everyone *
who comes in or out of these *
things. You tend to get a lot of-
NICK:
Do—gooders?
BONEY:
Freaks. Hey, meant to ask you: *
Noelle Hawthorne?
NICK shrugs:
Who?BONEY (CONT’D)
Lives on your street? Amy’s best *
friend.
NICK:
I have never heard the name Noelle *
Hawthorne.
BONEY:
She and her husband have triplets?
NICK:
OhI Right. No. Best friend? Amy *
doesn’t even know her. I mean, to *
wave hi, but.. .no.
At the snack table, a HOMELESS GUY is stealing food. NICK
excuses himself to have words with him as GILPIN sidles up.
BONEY:
He acted like Noelle was a complete
stranger.
GILPIN:
Of course he did.
NICK hands the homeless guy a bag of bagels to go.
GILPIN CONT’D)
Oh, look, he’s being a good guy so
we can all see him be a good guy.
BONEY:
You really don’t like him.
GG - Blue Draft - 8/29/13 47.
GILP IN:
What’s to like?
Volunteers are dispersing to search sites. Each VOLUNTEER is
holding a colored piece of paper with the name of a site on
it:
FOREST GLEN. RIVERWALK. NICK spots MARYBETH and RANDleaving and is about to head over when he gets another
glimpse of DESI—the two lock eyes.
NICK can’t quite place him, but DESI starts moving, and NICK
follows, weaving through the crowd. Exits into:
The hallway is VACANT. Nick’s DISPOSABLE begins buzzing. He
ducks farther down the hall. NICK is picking up just as:
SHAWNA peers around the corner. Nick abruptly ends the call.
SHAWNA:
Nick? I just wanted to introduce
myself. My name’s Shawna Kelly.
Nick nods:
thanks. He’s seething at the interruption.SHAWNA (CONT’D)
I’m so sorry for your.. .troubles.
NICK:
That’s very kind.
He gives her an after—you gesture but she doesn’t budge.
SHAWNA:
Are you remembering to eat?
NICK:
Lotta cold cuts.
Again:
After you.SHAWNA:
I’m going to fix you up my world
NICK:
That’s very sweet of you and very
unnecessary.
He tries again to get past her. He pats her on the arm as a
goodbye, she puts her hand on top of his.
GG - Blue Draft - 8/29/13 48.
SHAWNA:
You have to keep up your strength.
She digs through her handbag, grabs a cell. Jams her face
against his.
SHAWNA (CONT’D)
NICK—just wanting to leave—reflexively grins. CLICK. She
shows him the photo: The two of them, cheek to cheek,
Shawna’s glossed lips pouty. Without context (and even with),
the photo is wildly inappropriate, a little sleazy.
NICK:
Oh. You know what? That’s-please
delete that would you?
SHAWNA:
It’s a nice photo.
NICK:
It’s just not appropriate. Do me *
the favor, would you?
SHAWNA debates.
NICK (CONT’D) *
I’m asking you nicely: Please *
delete that photo. *
NICK tries to lean past her and hit delete. She holds the *
cell away from him—hey!—he tries to grab it.
SHAWNA:
What is wrong with you?
NICK grabs her arm. It’s the first time he seems dangerous.
NICK:
You can’t share that with anyone.
SHAWNA:
I’ll share it with anyone I like.
SHAWNA scrambles past him, shoots down the hall to the
elevator.
SHAWNA (CONT’D)
A**hole.
NICK rests his head against the wall. Breathes.
GG - Blue Draft - 8/29/13 49.
NICK:
Pull it together, Dunne.
The room is almost empty. GO is waiting, eating a donut.
GO:
Marybeth’ s pissed.
A small, disgusting sandbar: overflowing trash bins, dirty
diapers, a bench covered in obscene graffiti. Volunteers are
fanning along the river, searching. A SEARCH DOG is sniffing
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Gone Girl" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/gone_girl_1169>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In