Good

Synopsis: John Halder is a 'good' and decent individual with family problems: a neurotic wife, two demanding children and a mother suffering from senile dementia. A literary professor, Halder explores his personal circumstances in a novel advocating compassionate euthanasia. When the book is unexpectedly enlisted by powerful political figures in support of government propaganda, Halder finds his career rising in an optimistic current of nationalism and prosperity. Seemingly inconsequential decisions lead to choices, which lead to more choices... with eventually devastating effect.
Genre: Drama, Romance, War
Director(s): Vicente Amorim
Production: ThinkFilm
  2 nominations.
 
IMDB:
6.2
Metacritic:
40
Rotten Tomatoes:
32%
R
Year:
2008
92 min
Website
223 Views


Dr Halder, Reichsleiter

Bouhler is waiting.

- You don't know what this is about, do you?

- What?

Uh... The letter I received...

It was marked "Reich Committee For

The Scientific Registration... "

"Of Severe Hereditary

Ailments. " That's correct.

It's just I have no idea what that

could possibly have to do with me.

Are you suggesting

there's been a mistake?

Heil Hitler.

Doctor Halder.

- Have we caught you at a bad time?

- Yes.

No, I did have to shuffle

a few tutorials, but...

Not every day one is summoned

to the Chancellery of the Fhrer.

Indeed.

Sit.

As Chairman of the Party's

Censorship Committee,

it's my job to keep a vigilant

eye on modern literature

to ensure that it embodies the

proper spirit of National Socialism.

I've asked you here to clarify your views on

a matter of personal concern to the Fhrer.

Your novel.

It raises controversial questions

on the theme of the right to life.

Some of your conclusions

are quite revolutionary.

Are they?

Well, I take it the views expressed

here are ones that you yourself hold?

It's been some years since I wrote it.

Of course, it's a work of fiction.

- Give it back!

- Give it back. Lotte! It's Eric's homework.

- But I know the answer, it's easy.

- Give it back to him.

You're an angel for cooking again.

Hm. Yes, I know I am.

Are you sure you don't mind?

No

- When I get going I can't seem to stop.

- Shh!

No, it's fine.

- Stop it!

- John!

God! Lotte, come here.

John!

Keep stirring this slowly, all right?

That's my girl.

- Johnnie!

- Coming, Mother!

There's someone at the door!

Theodore.

- Didn't you hear me knocking?

- Yes.

A mathematician! Just

the fellow we need.

Helen, your father's here.

- Oh.

- It's you I wanted to see.

- Hello, Father.

- Now, John... John!

Eric?

Help has arrived.

Now, John, I have told you this before.

- You have to shake yourself

out of this apathy. - Right.

I have just come from the Rector...

What are you making?

- Er... Some kind of vegetable...

- Goulash!

Yes.

There are changes coming at the

university sooner than you think.

Promotion will automatically

go to party members.

If you're not careful,

you'll be out of a job.

John!

Yes, Mother!

Mind the onions.

Coming!

- I'm here.

- Where were you?

- No, don't let them take me, Johnnie!

- It's Theodore.

You remember

- Helen's father.

I was sorry to hear you'd

been back at the sanatorium.

Helen, can you please come up?

- You need to go again?

- I couldn't hold it.

Oh, Mother.

"Dans une langue que nous savons,

"nous avons substitu I'opacit

des sons la transparence des ides. "

Transparency of ideas,

relativity of perception.

Music and faith.

Memory and guilt.

The most potent memories are

those we recapture involuntarily.

A chance sound...

the tap of a spoon against a plate

as he waits there in the library...

and suddenly happiness

floods through him.

He is transported back in time to a train

stopped in the middle of the countryside.

He is watching the sun light up a

little row of trees in the distance.

Outside, a railway man

is tapping a wheel with his hammer, and

it is an echo of this precise sound...

Lovely.

Better leave it there for today.

Go on, have a look.

Off you go.

Ah, Professor Mandelstam, we really should

do something about this, shouldn't we?

Go to the Rector?

Please, John, I don't

think that's a good idea.

For either of us.

In fact, I'm afraid I must go further.

As Head of Department

it is up to me to ensure that the works

of the proscribed authors are removed.

Not only from the library...

but also from your curriculum.

- Which authors did you have in mind?

- Proust for a start.

- Because he's French?

- John, please, don't be obtuse.

What if I refuse to comply?

Then I would have no

option but to dismiss you.

Sh*t!

Yes?

Isaw your light was on. I was just coming

out of the library. I need your advice.

I'm Anne, by the way. Anne

Hartman. I come to your lectures.

Yes, I've noticed you...

but you're not on my course.

Probably wondering who I was.

Or maybe you weren't.

History... that's what I'm supposed

to be doing but I don't know why.

I just can't see what it

has to do with anything.

Sitting all day in some stuffy lecture

theatre listening to some boring old...

That's not what I mean. Your lectures

- that's why I'm here.

You make them all come alive.

I heard what you said

to Professor Mandelstam.

I wish more people would stand

up for what they believe in.

- And what do you believe in, Miss Hartman?

- That's just it.

I know what I like, I know what's

good, I feel it passionately.

But when it comes to ideas,

they just don't seem real.

Maybe that's why you're

here. At university, I mean.

- To try and connect that passion.

- Did it work for you?

I hope so.

Yes, I think so.

This is what I believe in.

Books?

Does make me sound

rather fusty, doesn't it?

Perhaps you're right. What do a load

of old books have to do with life?

Who knows? It might be liberating

just to chuck them all out.

Make a fresh start.

And here I am writing another one.

Adding to the pile.

- What's it about? Your novel.

- Oh.

- A man who kills his wife.

- Oh!

Because he loves her,

you understand? Erm...

- She's incurably ill.

- How awful.

Yes, I know, really. Whoever is going

to want to read something so depressing?

How awful about the poor woman, I mean.

Of course people will want to read it,

it sounds so romantic. To kill for love...

# I crop by the

Neckar I crop by the Rhine

# Now I have a sweetheart

# And now I have none

- # What use is cropping if none is mine

- I love this song.

The problem is I'm imagining it.

Really?

It's not funny, Maurice.

How long has this been going on?

Don't know.

- A few months.

- Three months, six months?

I don't know.

Could it be the end of January, say?

Thereabouts, I suppose.

Why? Do you think there

is some connection to...

Well, we put the country

in the hands of a lunatic...

Taking refuge in fantasy might be a

rational response to an irrational world.

- Why singing?

- I don't know.

No idea?

Why not?

To be honest, John,

I'm all out of ideas.

I've been cooped up in this little room all

day listening to the twisted sexual fantasies

of a bunch of the most unattractive

housefraus you could ever wish to meet.

Desperate for a cold beer and a nice shallow

conversation I don't have to read anything into.

The point is, Maurice, I'm her

teacher. It's a position of trust,

- like yours with your patients.

- Ah.

Or should I say, most

doctors with their patients.

That's not the point. The

point is, have you f***ed her?

The question isn't whether or not I've slept

with Anne... which, for the record, I haven't.

- For Christ's sake.

- The question is why,

when the idea even crossed my mind,

Istarted hearing bloody Mahler.

- That's interesting you should choose

a Jew. - What gave you that idea?

She's as Aryan as they come. Not that

Rate this script:0.0 / 0 votes

John Wrathall

John James Wrathall GCLM, ID (28 August 1913 – 31 August 1978) was a Rhodesian politician. He was the last white President of Rhodesia (later holders of the post were only acting as such). He formerly worked as a chartered accountant. more…

All John Wrathall scripts | John Wrathall Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Good" Scripts.com. STANDS4 LLC, 2024. Web. 17 Nov. 2024. <https://www.scripts.com/script/good_9170>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Good

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is "voiceover" in screenwriting?
    A Dialogue between characters
    B The background music
    C A character’s voice heard over the scene
    D A character talking on screen