Grand Hotel Page #22

Synopsis: Grand Hotel is a 1932 American Pre-Code Metro-Goldwyn-Mayer drama film directed by Edmund Goulding. The screenplay by William A. Drake is based on the 1930 play of the same title by Drake, who had adapted it from the 1929 novel Menschen im Hotel by Vicki Baum. As of 2016, it is the only film to have won the Academy Award for Best Picture without being nominated in any other category. The film was remade as Week-End at the Waldorf in 1945, and also served as the basis for the 1989 stage musical of the same title. During the 1970s, a remake, to be set at Las Vegas' MGM Grand Hotel, was considered.
Genre: Drama, Romance
Production: MGM Home Entertainment
  Won 1 Oscar. Another 1 win & 1 nomination.
 
IMDB:
7.6
Rotten Tomatoes:
86%
NOT RATED
Year:
1932
112 min
1,021 Views


The boys sit down on the bench.

THE CAMERA MOVES TO KRINGELEIN.

Kringelein and the police officer move towards the desk in

ear shot.

KRINGELEIN:

Please, officer.

OFFICER:

That will be sufficient for the

present, sir, you may travel in peace.

Kringelein exits.

CUT TO:

CORRIDOR BY ELEVATOR

As Kringelein emerges from the elevator, Suzette speaking to

the Floor Clerk.

SUZETTE:

And they've taken him away.

FLOOR CLERK:

Yes -- it's terrible.

SUZETTE:

Madam must not know -- you understand --

Madam must not know.

FLOOR CLERK:

I will tell the maids. I cannot answer

for downstairs --

Suzette hurries down corridor. By this time Kringelein has

arrived at his door, he opens it.

CUT TO:

KRINGELEIN'S ROOM

Kringelein opens the door and enters. Flaemmchen is looking

into space. A lovely picture. Morning light over her hair,

she is dressed.

KRINGELEIN:

What's the matter?

FLAEMMCHEN:

Oh -- I was thinking -- Poor Baron --

Lying there, his eyes so open.

KRINGELEIN:

You loved the Baron, didn't you?

FLAEMMCHEN:

Yes --

KRINGELEIN:

So did I. He was friendly to me as

no man ever was.

FLAEMMCHEN:

Perhaps he really was a burglar --

But they don't kill a man for that.

KRINGELEIN:

He was in desperate straits. He'd

been trying to raise money all day.

He laughed -- Poor devil! And then a

man like Preysing kills him.

FLAEMMCHEN:

(naively)

I didn't like Preysing right off.

KRINGELEIN:

Then why did you have anything to do

with him?

FLAEMMCHEN:

(simply)

Money!

KRINGELEIN:

Yes, of course, -- money!

FLAEMMCHEN:

You don't understand that do you?

KRINGELEIN:

Of course I do -- I never knew what

money really meant till I started

spending it. Do you know --

(he is silent a moment)

I can hardly believe that anything

so beautiful should come to me from

Preysing -- I'll take care of you.

Will -- will you let me?

FLAEMMCHEN:

What?

KRINGELEIN:

You'll have a good time with me.

Want to? I've got enough money. Ten

thousand two hundred in my pocketbook.

Three thousand four hundred that I

won. It will last a long time. I can

win more -- we'll travel.

FLAEMMCHEN:

Yes -- to Paris? I wanted to go there

always.

KRINGELEIN:

Wherever you like. Here I'll give

you the money I won, three thousand

four hundred. Later you can have

more.

FLAEMMCHEN:

Later?

KRINGELEIN:

When I -- I'm ill, Flaemmchen -- It

will not be long -- I'll not last

long. Will you stay with me until...

FLAEMMCHEN:

Nonsense! We'll find a great doctor,

he'll cure you. They can cure anything

these days.

KRINGELEIN:

Do you believe that you will have a

better time with me than you would

with Preysing?

FLAEMMCHEN:

Oh yes, of course.

KRINGELEIN:

(takes her hands)

Do you like me better?

FLAEMMCHEN:

You're a good man, Mr. Kringelein --

a very good man.

Kringelein straightens, happy, inspired, a smile on his face.

He assumes in his gestures. Takes the telephone.

KRINGELEIN:

(into telephone)

When is the next train leaving for

Paris? -- Yes... Get two tickets for

me... and my bill please... and the

lady's -- Miss Flaemm's.

(puts down telephone)

(to Flaemmchen)

We have to hurry let's pack -- we'll

have breakfast on the train.

CUT TO:

CORRIDOR:

The figure of Grusinskaya is standing at her door, there is

no one with her. Suzette steps out.

SUZETTE:

Madam, it is Mr. Meierheim -- he is

waiting downstairs.

GRUSINSKAYA:

Where is Pimenov? Where is Pimenov?

(she looks off.)

FLASH OF PIMENOV

coming out of the elevator.

Grusinskaya hurries down to Pimenov -- they meet.

PIMENOV:

(breathlessly)

He will be on the train.

GRUSINSKAYA:

But when did he go? How do you know?

She crosses and looks in the Baron's room. A maid is there

changing the bedding. The room is unoccupied otherwise.

GRUSINSKAYA:

Baron von Gaigern has left?

The maid nods.

GRUSINSKAYA:

When? How long ago?

Maid shrugs her shoulders.

VOICE OF FLOOR CLERK

The Baron left about half an hour

ago, Madam.

PIMENOV:

Oh -- Gru -- come, come -- we'll

lose the train.

While they are waiting for the elevator Grusinskaya is like

a live electric wire.

The elevator arrives. They are stepping in.

CUT TO:

LOBBY:

General activity. We hear the cry go up:

VOICE:

Madam Grusinskaya's car...

Grusinskaya comes out of the elevator followed by Suzette

and Pimenov. Meierheim meets her.

MEIERHEIM:

Come along, oh, Madam, come along.

The train will be going.

GRUSINSKAYA:

Wait a minute. I've got to ask myself.

PIMENOV:

What's the use of asking, Gru -- he

is at the train -- He will be there.

MEIERHEIM:

The troupe, the scenery, everything --

all on board, waiting. You have a

rehearsal in Vienna tomorrow morning.

Come, Madam, are you mad?

Grusinskaya crosses to the desk. She speaks to Senf.

GRUSINSKAYA:

Have you seen Baron von Gaigern?

ROHNA:

(comes over quickly)

The Baron is not here, Madam.

GRUSINSKAYA:

He is gone?

ROHNA:

Yes, Madam.

MEIERHEIM:

Four minutes past. Please come.

PIMENOV:

Come, Lisaveta, he will be there --

he will be there.

MEIERHEIM:

(calling)

Madam Grusinskaya's car.

Grusinskaya, followed by the others, sweeps out towards the

door.

CUT TO:

EXTERIOR HOTEL:

Grusinskaya emerges, followed by the others. The sunlight

hits them.

GRUSINSKAYA:

Oh, the sun -- it will be sunny in

Tremezzo --

MEIERHEIM:

Every seat for the opening has been

sold at Vienna. Sold out for three

days.

GRUSINSKAYA:

I know -- I know -- but it will be

sunny in Tremezzo. We'll have a guest

then.

SUZETTE:

(knowingly)

Yes, Madam.

VOICE:

Madam Grusinskaya's car.

Grusinskaya moves forward.

CUT TO:

LOBBY:

SENF:

(at telephone)

Grand Hotel, Head Porter. What?

There's been -- a child born? A boy!

Yes! My child born! It is healthy...

and my wife? Doing well -- all well!

(to Clerk)

The child has come. They are both

alive. My child...

CUT TO:

BY ELEVATOR:

At this moment Kringelein and Flaemmchen are coming out of

the elevator, Kringelein is carrying his suitcase.

A bellboy attempts to take his bag but Kringelein, still

confused draws his hand with the suitcase away from the

bellboy.

FLAEMMCHEN:

Let him take it.

BELLBOY:

Your bag, your Excellency --

Hearing the word 'Excellency' Kringelein goes through a

transformation. He stands and with a flourish hands the

suitcase over to the boy. He is a big man now.

KRINGELEIN:

(very definitely to

boy)

Cab please!

BELLBOY:

Cab, for his Excellency, Mr.

Kringelein!

KRINGELEIN:

(to Flaemmchen)

And now we travel, Flaemmchen...

Glad?

FLAEMMCHEN:

Am I!

KRINGELEIN:

(to Senf)

Is the bill ready -- the lady's too?

SENF:

At once. Any forwarding address, Mr.

Kringelein?

KRINGELEIN:

Yes, Paris -- Grand Hotel.

FLAEMMCHEN:

How do you know there is a Grand

Hotel?

KRINGELEIN:

Oh, there must be one in Paris...

They have everything in Paris.

SENF:

Your bill, Your Excellency.

Kringelein pays and taking Flaemmchen's arm starts to move

away from the desk, General business ad lib of tipping. Boys

line up, making a deep bow. There is almost a triumphant

march as Kringelein and Flaemmchen move towards the door.

SENF CLERK BOYS:

(in chorus)

Come again, your Excellency.

Rate this script:5.0 / 1 vote

William A. Drake

December 9, 1899 in Dayton, Ohio, USA October 28, 1965 (age 65) in Los Angeles, California, USA more…

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