Grave Encounters 2 Page #2
- Top take two. Mark.
Money.
Jared, we're going to go to the,
ah, bird's-eye view shot. Is that good?
Yeah, that sounds good.
Oh, my God, Jennifer.
You are officially on your way
to being the next great scream queen.
- And I'm going to help you get to that spot.
- Really? - Yes!
Ah, Alex, how is a guy supposed to stand up
after he's dead?
That, that doesn't make any sense.
That's gonna be an awesome jump-scare.
Trust me, man.
I know what I'm doing.
I'm a pro.
Who?
What did he say?
Well, check it out.
What, wha, what is that?
Is that a phone number or something?
Forty-nine, fourteen, one-twenty...
Nah, it's too many numbers
to be a phone number.
Who, who is this?
Who sent it?
Alex has a YouTube stalker.
Doesn't make sense. I checked out the websites.
I double-checked it out with Google Maps.
It doesn't make sense, man.
I just don't know why he sent it to me.
No, no, no. Wey, wey, wait.
Go back to that, to that last part where you were
saying about the longitude latitude numbers.
That was good stuff.
Okay, yeah, all right.
Forty-nine, fourteen, a hundred
and twenty-two, forty-eight.
The message from Death Awaits. It's...longitude
and latitude numbers, I think.
Where do you think they lead to?
Vancouver, Canada, to the exact location of
a mental institution called... [CENSORED]
Now, I think this is the place
where they filmed Grave Encounters.
They called the building
Collingwood within the movie,
but Collingwood doesn't exist...
(CENSORED) does.
And it's all the same
sh*t they talked about.
Ya know, built at the turn of the century,
crazy doctors, lobotomy...All that sh*t.
It's all real.
It all happened.
Where the hell's the night vision button?
There it is.
Where the f*** are you?
Dude, Trev, look at this.
- I can see why people think this is scary.
- You watchin' this?
So many people online think this is real.
I'm not the only one.
People thought the Blair
Witch Project was real, too.
Yeah, and Paranormal Activity,
and that stupid one in space on the moon.
It's just a marketing gimmick, Alex.
That's exactly what they want you to think.
It's just a movie.
And...I mean, it's not even
a very good movie at that.
I mean, look at these special effects.
None of the actors in this film have done
anything since this film release. Not a thing.
Can you explain that? He's been dead
for f***in', like, eight years now.
Kenny Sandwall.
Suicide. 2004.
Self-inflicted shotgun wound.
The dude went crazy.
What about your own movie, Alex? You still
need to cast the role of the police sergeant.
You need to get on that sh*t ASAP.
Hey everybody.
I actually have some questions that I need help getting
answers for the movie I was reviewing last week,
Grave Encounters.
I'm trying to get in touch with the directors or
some of the actors or anyone involved with the film,
but I can't find any information on them.
There's something about it that doesn't make sense,
and I just kinda want to get to the bottom of it.
So if you or anybody you know
knows how to get in contact with them,
please just comment back.
It would be greatly appreciated.
Help!
Help! Somebody help me!
Help!
Please, please
Why are you doing this?
Just let me go.
Aah!
Help! Help!
Aaaahhhh!
Time for your appointment.
No, no, no, no, no.
Aah!
Aaah, you f***ing psycho!
Looks like you've got a cavity.
Please.
No, no, no, no, no, please no.
Please, no.
Aaaaaaaaaaaaaaaaaahhhhhhhheeeeeeiiiiiiii!
Cut!
Cut, cut.
Ah!
What'd you think?
- D'ya like it?
- Umm.
It, it was good.
It wa...it was good.
I just, ah, I just got some...
I'm just trying to think.
I got some stuff.
You don't seem very happy about it.
- Like, was it my performance? You want me to do it differently?
- No, not all. It wasn't your performance.
Well no, because, like, I rehearsed this
four different ways, so we can...
Not your fault, okay?
- It's not...
- Dude, what the f*** you talking about, man?
It looks...good.
I'll give you that, but its cliche, man.
Look there's a guy in a mask and a girl
getting tied up. We've seen this before.
Yeah, dude, it's f***in' torture porn, man.
People love that sh*t.
Saw made like a hundred million dollars.
Yeah, I don't really care.
I dunno.
I need to rethink the whole third act.
Just wrap everyone, okay?
I need to rewrite the ending.
All right everybody.
That's a wrap for today.
- Really?
- F***, yeah.
Ah, hell, yeah!
Let's go get day-drunk.
Hey, Jen, that was really good.
That was scary.
Thanks.
- Turn that frown upside down.
- Sorry...Can you not film me right now?
All right. So I just logged on to my email,
and I had a message from that YouTube user
that's been messing with me
for the last little while.
Check out what he sent me.
This is a photo of Sean Rogerson
when he was younger.
The woman next to him must be his mother.
It came with a phone number.
It's, ah, local to Washington,
so I'm going to give it a shot.
Maybe it has something to do with his mom.
See what I can find out.
[Phone ringing]
- Hello?
Hi, is this the, ah, Rogerson home?
Yes.
And I'm just trying to get a hold of Sean.
Is he around?
Why do you want to speak to Sean?
Well, I'm doing a thesis project on a film
he was a part of called Grave Encounters.
I'm trying to get an interview with him.
It would be really helpful if you guys... if
I wasn't the only one who was navigating...
Well, you aren't.
Well, yeah, a lot of good that did us.
This is why Terminator turned bad.
They don't want to help us.
Computers don't want to help us.
It's just in their nature.
This is it.
All right, so what's
this broad's name again?
Delia, Trevor, for the eighteenth time.
And she said that Sean
would be here for sure?
Sean would be here at three o'clock,
he'd be down for an interview.
Let's make it happen.
Ich, ni, san, let's go.
- Jared, you...
- What?
...ah, hold back.
We're going to film this from a wide...
See I don't know why you
brought your camera.
Why'd you bring your camera?
It's for my f***ing documentary,
for the fifteenth time.
- Your documentary doesn't really apply to this scenario.
- Your documentary doesn't apply to this scenario.
That's precisely what my documentary
is about is this scenario...
Shut up!
- Hi.
- Alex?
Yes, Alex, and this is my friend Trevor.
Hi, I'm Trevor.
Nice to meet you.
Why don't you come in
before you catch cold?
Thank you.
Guys! Wait up!
Can, can I get you boys
some tea or some coffee?
I've got some really nice tea in the pot.
Um, I'm, I'm good, but thank you though.
I appreciate it.
I'm, I'm, I'm fine as well.
I think we're all good.
How's the, how's the frame look?
It looks hot.
Mrs. Rogerson, is Sean around right now?
Ah, he just stepped out.
You just missed him, but
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