Grave Encounters 2 Page #4

Yeah?

I'll talk to you, okay?

But not here, and not on camera.

You be at my offices tomorrow

at two o'clock, hmm?

Yeah, okay.

- Thank you.

- Mmmhh.

F***, yeah!

Testing, testing, one, two, three?

Testing.

Give me some good stuff.

Welcome to Hartfeld Productions.

How can I help you?

I have a meeting with Gerry at two o'clock.

- Alex?

- Yeah.

Please sign in.

So, how much do you know, hmm?

Give it to me straight.

I know everything.

I know Grave Encounters was real.

I know Sean Rogerson and the

rest of the crew are dead.

To be clear, unless there's actually

a body, you're not legally dead.

You're a missing person.

And, thank God for that.

So, you admit it.

The footage is real.

Yeah.

Every last frame of it.

Well, except for a few cheap visual effects

that we added at the last minute.

What about the...families?

Christ, kid!

It's called the non-disclosure agreement.

You made them sign a

non-disclosure agreement?

You're goddamn right I

did, and you know what?

For a nice chunk of settlement money,

they were more than happy to sign it.

You think I'm a big scumbag, right?

I guess I just don't

understand why you did it.

Listen, when I first saw those

tapes, I was scared to death.

You understand?

I mean, I even thought

about destroying them.

But after all the settlements, I was close

to bankruptcy, and so...I had an idea.

Why not release it as a film?

You know, maybe we could

recoup some of our losses.

And it worked great.

They already want a sequel.

Grave Encounters 2.

Can you believe that?

The directors, the Vicious

Brothers, who are they?

Um, why don't you follow me?

When you f*** this thing up...

when ya, when ya put the audio...

Meet the Vicious Brothers.

Hey Gerry.

Yeah.

That's Colin, right there, and that's Stu.

They're my interns.

See, I just had these guys pretend to be the directors

of the film and then go out and do all the press.

And because they're non-union,

I don't have to pay them scale...

Hah, you know, you get all these students, and

all these kids up here from UCLA and USC,

and they're just so goddamn incompetent...

So now you know the truth.

How you gonna get away with this?

We already have.

I'm gonna tell everybody.

You go ahead.

Who's gonna listen to you?

You're a nobody.

The only reason I agreed to this meeting was

to see if you had anything solid against me.

Which...you don't.

We'll see about that.

Yeah. Yeah, we will.

I'm gonna leave now.

The guy's a f***in' douchbag.

Who's gonna listen to you?

You're a nobody.

See?

This is why I asked you to come.

Well, yeah, man, I mean if this

is true, that's f***ed up.

I didn't ask him to say any of this.

Wow!

He's a f***in' douche!

Well, he's also right.

I mean nobody's gonna believe us.

We need proof, ya know.

What d'ya mean, proof?

I've been thinking a lot about this.

Guys, this is the film I wanna make, right?

Okay, think about it.

We're already in the second act, right?

I mean, you've been filming

everything on your... camera phone?

Jared, you've been filming it.

Think about it, dude.

It's a documentary, but it's

also a horror film, right?

How is it a horror film?

Okay, I got another message

from Death Awaits.

He lives in Canada, right beside the

hospital where they shot Grave Encounters.

That's how he knows so much about it.

See, he wants to meet us on

the inside of the building.

That...is where we get our proof.

You want to drive to Canada?

It's like a two-hour drive.

We'll bring Jared, Tessa...

we'll film the whole thing.

Its a goddamn movie, man.

For the fifteenth f***ing time,

I'm not driving to Canada to go

on a f***in' wild goose chase.

- I'll go.

- Are you kidding me?

I mean, can you explain this?

No, but...

Why would he say that?

I don't know.

Jared, you in?

You're coming, right?

Cinematography credit.

- You're in?

- Yeah!

Let's do this!

You're my producer.

I need you there.

We could get into Sundance with this sh*t. All right,

this is the sh*t that could put us on the map.

Trust me.

- Okay, all right, let's do this.

- Yes!!

Oww!

No, we don't own it...you know who

has to pay for it gets messed up?

No, we don't own it...you know who

has to pay for it gets messed up?

Alex!...cuz if I'm at the

border wait, honestly.

We're going to f***in' BC.

There's BC bud!

Hey, you should tell us about

Grave Encounters another time.

We are on our way to (CENSORED) Hospital.

Makin' movies.

This is where we are right now, okay?

How do you know that?

Take it.

Border crossing!

- We're going the right way.

- Is it illegal to bring marijuana...

- Are you kidding me?

- ...across the border?

No, Trevor, it's totally illegal.

Well, Canada's loose on that, right?

Oh, my God, are you f***ing kidding me?

Alex, pull over.

We need to drop something off.

- Oww!

- You like it so much.

I can see it in your eyes!

Do you know how to get to

(CENSORED) by any chance?

- Ladies and gentlemen, welcome to Vancouver.

- Vancouver!

Keep out!

Violators will be...

- I'll do it.

- Then do it.

All right.

That's one tough b*tch!

Is there...is that it?

That's...

Do you see that?

Are you kidding me?

- Are you looking at that building?

- You see that?

Well, I'd say they succeeded

in building a f***ing creepy building.

Jesus Christ!

This place is huge!

Alex, do you know which one they shot at?

I think this is it.

Let's go check it out.

[sirens wailing]

Security guards!

Security guards.

Oh, sh*t!

Roll on this.

F***ing Canadian rent-a-cop,

you guys, seriously.

You guys, let me do the talking.

Trevor...

Don't say anything.

Sh, sh, sh...

Excuse me.

This is private property.

Didn't you see the sign back there?

Sorry.

Hi, I'm so sorry.

We're film students, and we're just trying

to get some shots for a school project.

We're just trying to get some exterior

shots of the building. That's all.

Well, I'm sorry. These buildings

are full of asbestos, all right?

It's highly dangerous. You guys are

going to have to get out of here.

Turn the camera off.

No!

Absolutely not.

You're not allowed to be filming here, okay?

Theres no filming on the premises.

I understand that.

We'll leave.

You're gonna, you're gonna

have to give me the tape.

- I'm not giving you sh*t, buddy.

- I need the tapes from all the cameras.

- No!

- Give me the tape. Give me...Give me the tape!

Woh, woh!

What the f***!

Keep going.

Keep going, Alex!

- What the f*** just happened?

- F***in'...Sh*t!

Just keep going.

What a f***in' a**hole!

Why would a mental institution

that's been abandoned for over thirty years

have a f***in' security guard, huh?

I don't even know what to call you.

Shhh, what are you doing?

We're gonna get f***in'

kicked out on the first day.

- Huh?

- Seven one three.

This one's good.

This is it right here.

We, uh, we just tried to capture some shots of the hospital

from outside, but we were harassed by a security guard

who tried to take one of our cameras away.

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