Grave Encounters 2 Page #7

Synopsis: For people who don't believe the events of Grave Encounters (2011).Grave Encounters, film student Alex Wright is out to prove them wrong. Alex is as obsessed with the first film as the 20 million people who viewed its viral trailer on YouTube. While he and his friends research the events and visit the real psychiatric hospital depicted in the original film, they find themselves face-to-face with unspeakable evil, banking on the hope that their knowledge of the original film will help them survive the sequel.
Genre: Horror
Director(s): John Poliquin
Production: Tribeca Films
 
IMDB:
5.1
Rotten Tomatoes:
25%
NOT RATED
Year:
2012
95 min
Website
351 Views


- Trevor, get away from there.

Trevor, stop!

Oh sh*t!

Sweetie, what are you doing here?

Where are your parents?

Hello.

I'm Caitlin.

What's your name?

Do you want to play a game with me?

Do you want ta...

[loud roaring]

[screaming]

- You guys, move out.

- Slow down!

Tess!

Tessa!

What the f***?

Where, where is she, where is she, huh?

[air horn]

- Did you hear that? Did you hear that?

- Tessa!

- Tessa!

- Tess!

Alex?

Trevor!

Where the f*** are you guys?

Oh sh*t.

Don't be afraid, okay.

She won't harm me.

[loud roar]

Oh my God!

F*** you!

Leave me alone.

F***!

[loud roars]

[screams]

[heavy breathing]

How do you work this thing?

C'mon, c'mon.

You guys!

Alex!

Oh God!

C'mon.

You guys!

F***!

Where are you?

[banging doors]

[screams]

Get off me!

Don't touch me!

Help me!

Help me!

Aaahhh!

Get the f*** off me!

Aaaahhhh!

(Sobbing)

Please!!

My name is Alex Wright.

This is Jennifer Parker and

that's Trevor Thompson.

We came here to find the proof that

the movie Grave Encounters was real.

It's all f***ing real.

We already lost Jared and Tessa.

- I don't think we're going to be seeing them again.

- [sobbing] Don't say that!

- Shhh, shhh.

- Don't do that!

There has to be a reason why it brought

us here, why it brought me here, I mean.

Film everything.

He wants me to film

everything, and I don't...

I don't know why.

- Alex, turn the f***ing camera off.

- F***in' sh*t! I'm NOT going to turn the camera off.

[Loud bang]

Shhh...shhh...shhh...shhh...

I am not gonna let anything

happen to you, okay!

Nothing is gonna happen to you.

[whispering]

Why the f*** are we going upstairs?

[electrical sounds]

What is that?

Uh, please don't go in there.

What if it's Tess?

It's not.

Man, Alex, turn it off.

Turn it off, turn it off,

f***ing turn it off, man!

F***ing security guard!

Jesus!

Turn it off...turn it off...turn

it off...and f*** me!

(Sobbing)

Is he dead?

I think so.

Aaaahhhh!

- I'm trying.

- Turn it off, turn it off, turn it off.

Please.

My God, it hurts.

Get it off, get it off of me, please.

[screams]

Well, it was f***ing stupid

for me to come here.

- Sh, sh, shhhh.

- Okay.

- Quiet.

- F***, I can't believe...

Look.

Guys, look.

I mean it looks like this

sh*t's coming off already.

- Bet I can pry it off.

- What?

Okay, let's go quickly, quickly.

Just don't f***ing stand

there, give me the crowbar.

- Hurry up.

- It won't come off.

Come on.

You guys, get it off.

Come on, come on, come on.

Oh sh*t, okay.

Come on, come on.

Let's get out of here, let's go.

Let's get out of here, right?

[screaming]

[growling]

Get the bag.

Come on.

Forget the bag!

Let's go!

Hurry! Go!

Run, run!

[growling] [screaming]

Oh, sh*t!

C'mon!

Go, go, go, go, go, go...

C'mon! Let's go!

Jen!

Oh sh*t!

[roaring]

- Christ, let's go!

- F***!

[siren wailing]

Jared! Jared!

You can't help Jared.

Come with me. Come here.

We gotta go!

F***!

F***!

Trevor, get the camera.

Sh*t!

He took the f***ing camera!

[sobbing]

We made it out of the building.

We f***in' made it!

Did ya see that?

Did you f***ing see that?

I told you it was real.

[sobbing]

- Alex!

- Alex, what the f*** are you doing in there?

Alex, get out here!

- We have to do something about it.

- Don't think about it. Get your stuff!

F*** off! We have to do something.

We can't just leave!

- We'll call someone.

- I don't know where the f*** it went!

Trevor, hurry up.

F*** you, Alex.

[ding]

[elevator music]

I'm upset you got so obsessed

with that f***ing movie.

I'm sorry.

What the f*** do you want me to say?

I'm sorry, huh? I didn't know

anything of this was going to happen.

Tessa's probably dead.

But you get your f***ing

project credit, huh?

- Shut up.

- Shut up! Shhh.

What the f***?

Oh, no.

No, no, no, no, no...

We were just in the hotel!

F***, don't do it. It's f***ing useless.

No, we weren't. We were in the building.

- What the f*** you mean we were in the building?

- What the f*** do you think!

It's what the building f***ing does!

(Sobbing)

Take your bag, huh.

No, I don't wanna.

No, I don't want to go.

- No, I don't wanna go.

- Come on, just keep walking. Go.

This is...f***ing bullshit!

Alex, where we gonna go now, man?

I'm not f***ing dying down here.

To lose them now would just...

I think they're about ready to snap.

[breathing heavy]

[creaking sounds]

What the f*** is that?

Jen!

You guys, I can't see anything!

- Jennifer!

- Alex, where are you?

Jen, Jen, where the f*** are you?

- Jennifer, where are you?

- I'm here.

- I'm right here!

- Okay, sh*t.

Trevor, turn the thermal cam on.

Yeah, okay.

F***in' see anything?

It still works.

Still works.

I can see you guys.

Jen, keep walking. Come towards my voice.

I'm right here.

I'm right here.

I'm right here.

Right here.

[Ghostly whispers]

- Let's go. C'mon, let's go.

Oh God!

What do you see?

- You don't wanna know.

- Tell me, what do you see?

Ahh!

[growling]

Tell me what you see.

What is it?

Ahh!

Turn that light off!

- Turn that light off!

- You gotta help us!

- Please help!

- Come with me.

- Please, please.

- Follow me.

C'mon.

Get in!

Hurry!

Hurry!

Trevor, you back there?

Turn it off...

Move!

F***!

Guys, guys.

Stop, stop, stop, stop!

My f***ing foot's caught!

Guys, don't...

What the f***?

....What the f***?

F*** me!

Oh, f***!

Ahhhhhhhhhh!!!!!!!!!

Trevor, Trevor!

Oh, my God, Trevor!

Where were you?

What happened?

What the f*** happened?

What happened?

I don't want to talk about it.

Who are you?

Agh, agh! Right, that means the

changes are getting longer!

You been living in here?

First sixty-five. Minus one eight five.

Right there!

Ugh, ugh, ugh!

- Wait.

- Ugh, ugh!

You're Lance Preston.

Sean Rogerson, the actor, right?

You've been alive this whole time?

Who's alive?!

Who's alive?

[rat scurries]

[kissing sounds]

What's he doing?

What's he doing?

Hi buddy.

Are you my friend?

- F***!

- Hee, hee, hee, hee...

Ah, gross!

Oh, oh, oh my God!

Want some?

You gotta help us find a way

out of this goddamn building!

Be patient.

- What?

- Patience?

Yeah.

What ward are you in?

Uh, Sean, we're not patients, okay.

We're film students.

We broke into the building.

Why?

Why would you do that?

Because we needed to find the truth, okay,

about your film.

What?

What film?

What film!?

- Good evening, and welcome to another episode...

- Sean!

This is the trailer for your movie

Grave Encounters.

Hah, hah, hah.

"...a dumping ground for embarrassing

family members rather than..."

Oh.

Ashley.

Fog came for her...

...took her away.

Sh*t, there must be a

way out of here, right?

Anything.

You must know something.

Kenny's got the keys!

Kenny's got the keys!

Kenny's got the keys!

Kenny's got the keys!

Kenny's got the keys!

- Don't f***in' touch me!

- Kenny's got the keys.

He's gonna come for us.

Just wait a couple more days.

He's not going to come for us, Sean.

Rate this script:0.0 / 0 votes

The Vicious Brothers

The Vicious Brothers are Canadian-American filmmakers Colin Minihan and Stuart Ortiz. They are best known for writing and directing the cult horror film, Grave Encounters and for writing and producing its sequel, Grave Encounters 2. They also wrote and produced Extraterrestrial, which Minihan solo directed. more…

All The Vicious Brothers scripts | The Vicious Brothers Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Grave Encounters 2" Scripts.com. STANDS4 LLC, 2024. Web. 7 Jul 2024. <https://www.scripts.com/script/grave_encounters_2_9281>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Grave Encounters 2

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is one key element that makes dialogue in a screenplay effective?
    A Long monologues
    B Overly complex vocabulary
    C Excessive use of slang
    D Natural-sounding speech that reveals character and advances the plot