Gravesend Page #7

Synopsis: Four young men spend their Saturday night trying to come up with the money to cover up the accidental death of a family member. As the night grows old, the tensions between the four rise and the situation becomes all the more desperate.
Genre: Crime, Drama
Director(s): Salvatore Stabile
Production: Palm Pictures
  1 nomination.
 
IMDB:
6.3
Rotten Tomatoes:
60%
R
Year:
1997
85 min
61 Views


YOU HAVE TO COME BACK

TOMORROW.

WHAT ARE YOU:

TALKING ABOUT?

I COME IN HERE:

EVERY NIGHT.

I PLAY LOTTO.

YOU'RE BETTER OFF.

LISTEN,

I'M DOING YOU A FAVOR.

YOU'RE BETTER OFF.

YOU NEVER WIN.

COME BACK TOMORROW

WHEN HE'S IN.

WHAT ARE YOU:

TALKING ABOUT,

NEVER WIN?

I'M DOING YOU

A FAVOR.

YOU'LL SAVE SOME MONEY.

I HAVEN'T HAD A FAVOR

SINCE I COME IN HERE.

I JUST WANT TO PLAY

MY NUMBERS.

COME ON.

KNOW WHAT THE ODDS ARE?

DO YOU KNOW:

WHAT THE ODDS ARE?

YEAH.

DO YOU KNOW WHA THE ODDS ARE?

YEAH.

YOU NEVER WIN.

IT'S STATISTICS.

I'VE BEEN AT THIS

FOR 20 YEARS

WITH THE SAME:

NUMBERS,

AND SOMETIME:

IT'S GOING TO COME

AROUND.

YOU'RE STARTING

TO IRRITATE ME.

ARE YOU LISTENING

TO ME?

DON'T YOU LISTEN?

LISTEN TO ME:

FOR ONE SECOND.

I'M THE CUSTOMER.

MY JOB IS TO TALK.

YOUR JOB:

IS TO LISTEN.

WHEN MR. COU IS HERE,

I GET SOMEBODY:

TO LISTEN TO ME.

SHUT UP!

SHUT THE F*** UP!

YOU NEVER WIN.

I'M DOING YOU A FAVOR.

I COME HERE,

AND YOU START:

TREATING ME:

LIKE THIS,

LIKE I'M NOT GOING

TO GO RIGHT DOWN--

JUST SHUT UP!

WHAT THE F*** IS THIS?

DON'T YOU MOVE.

I'LL BLOW YOUR HEAD OFF.

BLOW MY--

LET ME TIE:

THIS GUY UP, MAN.

GET HIM OFF OF ME.

PUT SOMETHING:

IN HIS F***ING MOUTH

BEFORE I--THAT'S IT.

THIS HURTS.

HERE'S YOUR F***ING

MAGAZINE.

YOU WANT YOUR MAGAZINE?

Sal:
TERENCE WAS ONE OF

THE FEW BLACK KIDS

IN THE NEIGHBORHOOD.

HIS FAMILY WAS SUPER RICH,

SO ZANE MADE SURE

THEY REMAINED FRIENDS.

ZANE BORROWED HUNDREDS

FROM TERENCE:

AND NEVER EVEN THOUGHT

ABOUT PAYING HIM BACK.

HE NEVER SAID THANK YOU

OR ANYTHING.

WHEN ZANE MET TERENCE

AT THE DINER THAT NIGHT,

TERENCE WAS:

A LITTLE FED UP WITH ZANE.

HE WANTED HIS MONEY BACK.

GET YOUR BOYS:

OUT OF THE WAY, MAN!

GET YOUR F***ING BOYS

OUT OF THE WAY, MAN!

COME ON.

SHUT THE F*** UP,

MIKEY, AND DRIVE.

YOU KNOW, YOU'RE

A P*SSY, MAN.

I'M A P*SSY?

YEAH, YOU'RE

A P*SSY, MAN.

WHY COULDN'T YOU

JUST FIGHT HIM:

ONE-ON-ONE?

I DID.

'CAUSE YOU'RE

A P*SSY.

F*** YOU.

A P*SSY?

ANYBODY COULD HAVE

PULLED OUT A GUN,

BUT TO USE IT:

IS ANOTHER STORY,

MAN!

YOU'RE

A P*SSY.

COME ON, GUYS.

STOP SCREAMING.

ALL RIGHT?

I HATE YOU, MAN.

YOU'RE SUCH

A F***ING P*SSY.

SHOOTING YOUR BROTHER

WASN'T GOOD ENOUGH?

F*** YOU,

YOU A**HOLE.

GUYS, COME ON,

I'M GOING

TO CRASH.

AM I THE F***ING

P*SSY, MIKE?

MIKE,

AM I A P*SSY?

NO.

DO YOU THINK:

HE'S A P*SSY,

MIKEY?

HUH?

WHAT DO YOU:

THINK?

NO DOUBT:

IN MY MIND,

MAN.

ZANE, YOU'RE

A P*SSY.

F***ING P*SSY.

HOW THE F***

CAN YOU CALL ME A P*SSY

ONE SECOND,

COME ON,

SHUT UP, RAY.

AND THEN THE NEXT SECOND

NOT CALL ME A P*SSY?

RAY ONLY ASKED:

ME A QUESTION,

YOU KNOW.

YOU EVEN LOOK:

LIKE A P*SSY

WITH THAT HAIR:

AROUND YOUR MOUTH.

AM I A:

F***ING P*SSY, CHICK?

F***ING HOLE YOU

GOT FOR A MOUTH.

SHUT THE:

F*** UP.

CHICK, AM I

A P*SSY?

YOU WANT ME:

TO BE HONEST:

OR LOYAL?

I WANT YOU TO BE

LOYAL, MAN.

NO, YOU'RE NOT

A P*SSY,

BUT YOU KIND:

OF LOOK LIKE ONE

AROUND THE MOUTH.

GODDAMN RIGHT,

MAN.

F*** YOU.

GET THE F***

OUT OF HERE, MAN.

NOT ONLY DO YOU:

LOOK LIKE A P*SSY,

NOT ONLY DO YOU:

ACT LIKE A P*SSY,

MAN, YOU EVEN

SMELL LIKE A P*SSY.

HOW THE F***

WOULD YOU KNOW:

WHAT A P*SSY IS?

ONLY F***ING P*SSY

YOU HAD:

IS YOUR F***ING

BROTHER'S FIANCEE'S

P*SSY.

OH, YEAH.

WHO'S THE

F***ING P*SSY?

YEAH, THAT'S RIGHT.

HUH,

TOUGH GUY?

I SMELT HER P*SSY,

MAN, BUT I TELL YOU

WHAT,

YOU KNOW, IT WASN'T

NEAR AS ROTTEN:

AS YOUR MOTHER'S

P*SSY.

YOUR MOTHER'S P*SSY

WAS PRETTY F***ING

ROTTEN.

PULL THE:

F***ING CAR OVER.

PRETTY F***ING ROTTEN.

PULL THE F***ING

CAR OVER, MAN.

I'LL KICK YOUR

F***ING ASS.

PULL THE F***ING

CAR OVER.

YOU'RE A F***ING

P*SSY, MAN.

PULL THE F***ING

CAR OVER,

RIGHT THE F*** NOW.

F*** YOU, MAN.

I AIN'T SCARED

OF NO F***ING BODY,

RIGHT?

YEAH? YEAH, RAY,

I'LL FIGHT YOU, OK?

THAT'S RIGHT, MAN.

WHO FREAKIN' KNEW

THE F***ING MUSIC

HANDS,

F***ING BUSTED

UP, RAY?

HUH?

NO.

ARE YOU AFRAID TO WIND UP

IN THE F***ING GRAVE

LIKE YOUR BROTHER,

RAY?

THIS IS A BIG:

F***ING JOKE TO YOU,

ISN'T IT, MAN?

LOOK, RAY.

ZANE DIDN'T MEAN

WHAT HE SAID:

BACK THERE.

I DON'T F***ING

CARE, OK?

LOOK, I'M SORRY

ABOUT WHAT HAPPENED

TONIGHT.

I DON'T CARE

IF YOU'RE SORRY,

MIKEY.

IT WAS AN ACCIDENT.

IT'S NOT AN

ACCIDENT.

WHAT THE F***

YOU LOOKING AT?

HUH?

[SPEAKING NATIVE

LANGUAGE]

GO LOOK AT:

F***ING MARK, MAN.

YOU TELL ME:

THAT'S AN ACCIDENT.

DOES IT LOOK LIKE

AN ACCIDENT?

HE PUT A F***ING GUN

UP TO HIM, MAN,

AND HE SHOT HIM!

MOTHERFUCKERS,

HUH? HUH?

COME ON.

WETBACK.

[SPEAKING NATIVE

LANGUAGE]

COME ON.

COME ON, F***ER.

COME ON.

MOTHERF***ER

CAN'T EVEN FIGHT.

I'LL FIGHT BOTH YOU

MOTHERFUCKERS.

COME ON.

YOU F***ING P*SSY

MOTHER--

COME ON,

YOU F***ING P*SSY.

YOU GO OUTSIDE:

AND YOU TAKE:

A F***ING LOOK

AT MY BROTHER, MAN, OK?

Clerk:
HEY, YO.

WHAT YOU DOING?

HEY, HEY.

Ray:
HEY, HEY, HEY.

HOLD IT, MAN.

COME ON.

[SPEAKING

NATIVE LANGUAGE]

Zane:

CHICK! MIKE!

HEY, MIKE.

HEY! I'LL GIVE YOU--

I'LL GIVE YOU $40.

GET THE F***--

MIKE!

GET OFF HIM!

LET'S GO.

COME ON.

GET OFF.

GET OFF.

UNH.

COME BACK HERE.

MIKE, COME BACK HERE.

RAY'S IN A FIGHT.

COME ON.

LET'S BACK HIM UP.

COME ON.

LET'S GO.

LET'S GET

OUT OF HERE.

JUST SEND OUR MAIL

TO THE TIJUANA JAIL

[SIREN]

JESUS! F***!

F***!

I KNEW IT!

GUYS, THE COPS

ARE THERE.

MIKEY,

PULL IT OVER.

COME ON.

DON'T PULL

IT OVER.

MIKEY, PULL IT OVER.

SHUT UP!

I ROBBED:

THE GODDAMN STORE.

GO OVER THE STATEN

ISLAND BRIDGE.

MIKEY--

ONCE YOU GO:

OVER THERE,

THEY CAN'T PULL

US OVER.

IT'S ANOTHER STATE.

MIKEY,

PULL IT OVER.

DID YOU:

ROB THE PLACE?

YES, I ROBBED

THE PLACE.

DID YOU GET MONEY?

I GOT CHIPS.

I GOT RANCH CHIPS.

YOU F***ING

A**HOLE.

MIKEY,

PULL IT OVER.

YOU CAN'T OUTRUN

THAT F***ING COP

CAR.

Chicken:
IT'S NOT

ANOTHER STATE.

Ray:
MIKEY, JUST

PLAY IT COOL, OK?

JUST PLAY IT COOL.

RAY, ISN'T

STATEN ISLAND:

ANOTHER STATE?

NO! PLAY IT

COOL, MAN.

JUST GO OVER:

THERE.

F***!

F***ING SH*T.

JUST GO OVER THERE.

SH*T, MAN.

GODDAMN. MY JOINT IS OUT.

DON'T SAY

A WORD.

PULL IT:

OVER NOW, MAN.

Ray:
PULL OVER.

CHICKEN, PUT YOUR

JOINT OUT.

ROLL DOWN:

THE WINDOW.

ROLL DOWN:

THE WINDOW.

LET ME:

TAKE CARE OF THIS.

[RAY BLOWING]

PUT THE THING:

OUT ALREADY.

SIT DOWN.

HEY, GET BACK THERE.

COME ON.

PUT YOUR HANDS:

ON THE F***ING HOOD.

RIGHT HERE.

PUT YOUR HANDS:

ON THE HOOD.

RIGHT HERE.

NICE AND SLOW.

NICE AND EASY, PAL.

JUST WAIT RIGHT:

HERE.

WHAT'S

THE PROBLEM?

WHY DON'T YOU

TELL ME WHAT:

THE PROBLEM IS?

HE WAS:

IN MY STORE.

HE STOLE MY:

POTATO CHIPS.

OH, YEAH.

OK, ALL RIGHT.

I UNDERSTAND.

I UNDERSTAND.

JUST GET BACK:

IN THE CAR.

YEAH, YEAH. JUST GET

BACK IN THE CAR.

I'LL HANDLE IT.

ALL RIGHT. OK, AMIGO,

I GOT YA. I GOT YA.

DID YOU TAKE:

HIS F***ING CHIPS?

DID YOU TAKE:

HIS POTATO CHIPS?

NO, I DIDN'T TAKE

HIS POTATO CHIPS.

WHAT ABOUT YOUR BOYS

IN THE CAR OVER THERE?

HEY, GUYS,

LET'S GO.

DON'T, F***--

DON'T--DON'T MOVE.

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Salvatore Stabile

Salvatore "Sal" Stabile is an American television and feature film writer, director and producer. Born in Brooklyn, New York in 1974, Sal directed his first feature film, Gravesend (1997), when he was 19 years old. Stabile has gone on to write for numerous television shows, including The Sopranos (2001) and Rescue Me (2004). more…

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Submitted on August 05, 2018

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