Gravity Page #13
For a long beat Ryan merely sits there. She is gently humming a
tune.
It is a LULLABY.
SHE SURRENDERS.
SHE WEEPS.
A quiet deep sorrow that silently grows in intensity and that
finally explodes into-
A SOFT WAIL.
TEARS float around her like tiny satellites.
The cold and the gentle humming of the Soyuz cradles Ryan.
She closes her eyes, and as her breathing relaxes she begins to
fall asleep, until-
CLICK CLICK CLICK.
Ryan opens her eyes, startled.
CLICK CLICK CLICK.
Ryan turns in confusion and looks at-
THE PORTHOLETHROUGH
THE GLASS, the helmet of an astronaut is looking in.
IT IS MATT.
He knocks once more, this time louder.
CLICK CLICK CLICK.
Ryan is still drowsy and does not understand what is going on,
when she sees that-
The latch on the porthole begins to move.
RYAN (CONT’D)
No... no.. don’t.
But the latch continues to open.
Ryan immediately straps herself to the commander chair.
The latch keeps turning.
Ryan covers her eyes and face with her hands when
THE LATCH RELEASES and
The VACUUM of space sucks in one sharp gust all the air inside
the cabin and with it every sound.
The straps hold Ryan back as objects gush out through the hatch.
Her hands press tightly covering her face.
On the Control Panel alarms begin to flash.
A SHADOWY FIGURE makes its way in and with one sharp motion-
Turns and closes the hatch. Presses a green button and-
The cabin begins to pressurize.
And sound re-emerges with the beeping of the alarms as-
The red-orange-green graph on the control panel show the
atmospheric levels reaching green.
Ryan uncovers her face and stares from the shadows at the
figure, who straps into the seat next to her. He unlocks the
TAKES OFF HIS HELMET.
COUNTRY WESTERN MUSIC escapes into the cabin.
MATT:
Ahhhh! Alright, check your watch. 13
hours, 11 minutes. Call Anatoly, tell
him he's been bumped.
MATT (CONT’D)
Bit gloomy in here. How ‘bout a little
light?
He taps a few buttons on the console and a face blooms:
Matt.
Ryan stares, mouth agape.
RYAN:
How did you?
MATT:
Trust me, it’s a hell of a story.
RYAN:
But how did you?
He reaches out and effortlessly flicks a myriad array of
switches. Instantly, the alarms go silent.
MATT:
That’s better.
RYAN:
How?
Ryan looks at him wide eyed, wanting to know how-
MATT:
I found a little extra battery power.
I’m just happy you’re still alive. To
be honest, I thought your chances were
slim to none. By the way, did you find
the vodka?
RYAN:
You never told me where.
Matt fishes a SMALL FLASK from under his seat, spins off the
cap...
MATT:
Oh well... To Anatoly! Na zdorovje.
...and takes a big gulp. He offers the flask to Ryan, who
appears to be dozing off. She blinks, shakes her head.
RYAN:
No.
He studies her.
MATT:
No? Right, let’s get out of here.
He looks at the monitors, where the Chinese Station is seen.
MATT (CONT’D)
We’re ‘bout a hundred miles to the
Chinese Station. A little Sunday
drive.
RYAN:
We can’t.
MATT:
Course we can.
RYAN:
There’s no fuel. I tried everything.
MATT:
Well, there’s always something we can
do.
RYAN:
I tried everything.
MATT:
Did you try the soft landing jets?
RYAN:
They're for landing so.
MATT:
Well landing is launching it's the
same thing, didn't you learn about
that in training?
RYAN:
I never got to land the simulator, I
told you.
MATT:
But you know about it.
RYAN:
Ryan is falling asleep. Matt studies her as she dozes off.
MATT:
Listen you want to go back or do you
want to stay here? I get it, it's nice
up here, you can just shut down all
the systems turn out all the lights,
and just close your eyes and tune out
everybody.
Matt starts flipping through buttons on the console, turning the
cabin lights off.
MATT (CONT’D)
There's nobody up here who can hurt
you, it's safe. Then what's the point
in going on, what's the point of
living?
When the cabin is in darkness, he turns and looks at Ryan.
MATT (CONT’D)
Your kid died, doesn't get any rougher
than that, but still it's a
matter of what you do now. If you
decide to go that you've gotta just
get on with it, sit back enjoy the
ride. You have to start living life,
Ryan.
Ryan is having trouble keeping her eyes open.
RYAN:
How did you get here?
MATT:
Ryan, you have to learn to let go …
Hey?
Ryan is almost sound asleep.
RYAN:
What?
Ryan is asleep.
MATT:
It's time to go home.
Her eyes snap open.
Her gaze shifts. The flask is floating in front of her. But no
Matt. She turns. THE CABIN IS EMPTY. She turns back.
CLICK CLICK CLICK.
Ryan notices that the gate of the ventilation duct is shaking,
making a percussive sound.
A SOFT COOL LIGHT shines in through the condensation that has
frozen on the glass. It is-
THE MOONLIGHT caressing Ryan’s face.
RYAN:
Landing, landing. Landing is
launching.
With a new surge of determination she TURNS ON THE CABIN LIGHT.
She pulls the HELMET floating above her and puts it on.
She connects the umbilical to her suit, opens the Oxygen Valve,
and begins to breath.
As the Oxygen flows back into her brain a new surge of
determination brightens her face.
She opens the valves of the other two umbilicals, allowing
Oxygen to flow, pressurizing the cabin.
She grabs the MANUAL.
RYAN (CONT’D)
Okay, landing, landing, landing is
green.
She opens the green binder and browses through its index.
RYAN (CONT’D)
Okay, okay landing, alright.
She stops, turns some pages and stares closely at the manual.
Ryan notices the Energy Bar floating by her. She grabs it and as
she opens the wrapper, she stares intently at one page of the
MANUAL, where there is-
A DIAGRAM-
An ILLUSTRATION of the Soyuz Capsule two meters before landing
and hitting the ground. A thrust is shooting out from under its
bottom, cushioning its fall: THE SOFT LANDING ENGINES.
RYAN (CONT’D)
Soft landing jets trigger
automatically at three meters before
landing. … you're a clever son of a
b*tch Matt. So to land I need to get
rid of the BO and Engine module, okay?
She puts on the communication headset.
RYAN (CONT’D)
Listen to me Matt. You're going to see
a girl with brown hair. She's Sarah,
her hair is probably a mess. That's
okay, she doesn't like to brush it.
She looks out of the porthole, down at Earth.
RYAN (CONT’D)
Tell her mommy found her red shoe. She
was so upset about that shoe Matt, but
tell her it was right under the bed.
She turns back to the console and places her finger over one of
the buttons.
RYAN (CONT’D)
You give her a big hug and a kiss for
me and tell her mamma misses her. Tell
her she's my little angel and that she
makes me so proud, so so so proud, and
that I promise I'll try and make her
proud too. You tell her that I'm not
quitting, that I'm going to keep
fighting. You tell her I love her
Matt… I love her so much.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Gravity" Scripts.com. STANDS4 LLC, 2024. Web. 25 Dec. 2024. <https://www.scripts.com/script/gravity_32>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In