Gravity Page #9
The beeping sound has become clearer and recognizable - it is an
alarm ringing out across the Station.
Orange is turning to green. Her lungs begin to absorb the oxygen
and her breath becomes more even. Her body floats, relaxed in
the confined space of the airlock.
SHE FLOATS.
Ryan brings her hands together and removes one glove.
And then the other.
Desperately, she begins to unscrew the lock near her waist. She
squirms under the suit and pushes off the upper half.
Then she throws off the lower half, squirming out of it as if
shedding her old skin, desperate to free herself from the
claustrophobia of the suit.
Wearing only underwear and a t-shirt, she floats in mid-air,
relieved and exhausted. The hum of the Space Station surrounds
her.
Then, slowly, she pulls her knees to her chest and enfolds them
in her arms, floating in a fetal position.
For a moment, Ryan simply hangs in suspension, a fly in amber,
surrendering to the poetry of the planets, rotating slowly in
the cabin’s womb.
OUTER SPACE. 500 KM ABOVE THE EARTH.
SILENCE.
The International Space Station, with its modules, its torn
solar panels, and the Soyuz with its parachute billowing out
from its center, is dwarfed against Earth’s orb and the infinite
universe stretching out beyond.
The Station looks frail and secluded, lost somewhere between the
grandness of the Heavens and the Earth below.
Everything is still.
INTERNATIONAL SPACE STATION. ZVEZDA MODULE.
The module is like a wide corridor filled with cabinets, a small
eating area and a small gym. A HUM reverberates across the
station.
At the end of the module there is an open circular hatch leading
into the-
UNITY NODE 1.
A spherical space with three hatches, each leading into
different modules.
Ryan floats in. She stops at the center and holds onto a handle.
She looks in all directions and launches to her right, towards
the-
ZARYA MODULE.
There are sleeping bags fastened to the walls. Clothes, shoes, a
strip of three condoms -- all kinds of personal objects float in
chaos around the module.
It’s clear that someone left in a hurry.
Ryan passes a stationary bicycle and reaches for a metal cabinet
on the wall.
She OPENS drawers, looking for something.
RYAN:
Come on, come on.
She finds what she’s looking for: a BAG OF WATER with a straw at
one end. She unscrews the top and begins to drink from it.
She DRINKS in long gulps, squeezing the bottle, trying to quench
her thirst. DROPS FLOAT out of her mouth as the water overflows.
They float around her face like perfect pearls of different
sizes.
She takes a pause from drinking to catch her breath. The water
is cooling her down, but she still takes another long, thirsty
gulp and empties the bag.
She checks the count on the STOPWATCH- 14 minutes and counting
down.
She takes a new bag of water from the drawer, and pushing
herself off of a wall, she dives into the-
UNITY NODE 2
RYAN (CONT’D)
OK. Where are you? Where are you?
Comms. Comms… There you are!
Without stopping, she goes through one of the open hatches into
the-
ZVEZDA MODULE.
The walls are filled with electrical equipment and wires.
Without slowing down her momentum, she floats to the-
MAIN CONSOLE- A large deck which houses all of the communication
and navigational systems.
On the opposite wall there is a LARGE PORTHOLE through which
Earth is clearly seen.
She begins to PUSH BUTTONS.
COMPUTERS COME TO LIFE and Ryan puts on a communications
headset.
STATIC CRACKLES.
RYAN:
Matt. This is Ryan. Copy?
She waits.
RYAN (CONT’D)
Matt. This is Ryan. Copy?
Nothing... only static.
RYAN (CONT’D)
Matt, I made it. I’m here. I’m inside
the Station... Do you copy?
She drifts along the module, listening intently through the
headset.
RYAN (CONT’D)
Come on Matt. Talk to me.
(nothing)
Tell me where you are.
(nothing)
Give me your position...
No voices. Just static.
RYAN (CONT’D)
Where are you? Give me a visual...
tell me what you see.
Nothing.
RYAN (CONT’D)
Oh, come on. You’ve been yammering
nonstop since we left Cape Canaveral,
and now you decide to shut up?
She waits ONE SECOND, TWO SECONDS
RYAN (CONT’D)
Come on Matt, talk to me!
The signal cuts in and out, but remains indecipherable. There is
something unnerving about it.
She drops her head and continues drifting toward the porthole,
listening as the STATIC SPUTTERS.
RYAN (CONT’D)
Say something... Anything.
RYAN (CONT’D)
Tell me about Mardi Gras. Tell me
about the hairy guy. What happened?
Waiting for him to respond, and in a softer voice, completely
resigned-
RYAN (CONT’D)
Oh Matt. I'm not ready for this.
She bumps against the PORTHOLE, and glances out-
The Earth glimmers brightly. A third of the hemisphere is in
complete darkness. Her FACE REFLECTED in the glass is
SUPERIMPOSED over the EARTH.
Her eyes glisten briefly, but she fights it back. Then she pulls
herself together, and begins reporting-
RYAN (CONT’D)
Houston in the blind.
The way Matt would have done it-
RYAN (CONT'D)
This is Mission Specialist Ryan Stone
reporting from the ISS... All
communication with Mission Commander
Matthew Kowalsky has been lost. Radio
transmission is absent. Visual is
nonexistent.
(a beat)
To confirm, I--Ryan Stone--am the sole
survivor of STS-157.
Ryan hovers by the porthole, looking hopeless.
All is silent save for the RADIO static and the hum of the Space
Station.
Outside the Aurora Borealis performs its ghostly dance over the
Earth’s Northern Hemisphere.
SILENCE. Only the hum and the static, when-
An ALARM CHIRPS, RED LIGHTS FLICKERING across the module.
Ryan twists, swimming back to the control panel, studying a
FLASHING grid of LEDS:
GRAPH OF THE STATION
...where a blinking light indicates the Japanese Module IS ON
FIRE.
RYAN (CONT’D)
What now?
And then-
The Destiny Lab begins blinking.
THE FIRE IS EXPANDING
She pushes herself toward the hatch, swimming through the few
pieces of paper still hovering as she exits into the-
UNITY NODE 1.
The ALARM’S STACCATO is blasting in synchrony with the emergency
lights blinking across the station.
SMOOTH BLUE FLAMES ribbon eerily across the skin of the Destiny
Lab. They are spreading, expanding with a dense cloud of SMOKE.
Ryan enters and snatches a FIRE EXTINGUISHER on the wall of the
module, and-
She points the nozzle at the fire and SPRAYS.
With no gravity to hold her down, the force of the spray SENDS
HER FLYING BACK and-
SHE CRASHES AGAINST A WALL. The fire extinguisher bangs against
her face and CUTS HER LIP.
The impact is so strong that it almost knocks her out. Her eyes
fill with tears but she reacts.
There’s no time to lose. She fastens her feet to a strap on the
floor, and-
SPRAYS the extinguisher at the fire. But the extinguisher is no
match for the fire, which has gathered in a gigantic smooth blue
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"Gravity" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/gravity_32>.
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